Van Dyke Lace

There is often more to knitting than meets the eye. Take this scarf that I’ve just finished. To an outsider, it may look like just another knitted lacy scarf, but to me it’s much more than that. To me it represents memories of Norway and a group of virtual knitting friends, with some literature and fine art thrown in as well.

Let’s take a look at the basics first – the pattern and the yarn. The pattern is called Lace Sampler Scarf and is a Churchmouse Classic.

Over the years I’ve knit many items designed by the Churchmouse design team. Their patterns have beautiful photographs, are written with much attention to detail and always contain some tips and techniques. They also have a very friendly and helpful Ravelry board and, although I will in all likelihood never meet any of the people I chat with there in real life, their virtual friendship means a lot to me.

The yarn is 100% alpaca in a sport weight that I once brought home as a souvenir from Norway, where we have spent many wonderful summer holidays. I remember buying the yarn at a Husfliden shop in Mosjøen, a lovely small town about a hundred kilometres south of the Polar Circle.

I wasn’t into photographing yarn shops then (I didn’t even have a camera at the time), but I do have a few pictures taken by my husband to give you an impression of the town. Here is one of those attractive Norwegian wooden houses.

And this is a picture of one of the oldest streets of the town – Sjøgata (Sea Road).

The Lace Sampler Scarf uses three different lace patterns. It is a sampler, after all – originally meant as a practice piece. It starts with some Van Dyke Lace, followed by a section in Diagonal Lace and ending with some English Mesh Lace (photo below from bottom to top).

The designers playfully made the sections all in different lengths. That was the only thing about the pattern that I didn’t like. In fact, it really irked me. My mind is apparently more rigid symmetrically oriented than theirs. So I adapted the pattern to make the first and the last sections the same length, and the middle section twice as long.

While I was knitting, I didn’t really think about the lace patterns very much. Diagonal lace speaks for itself with its rows of diagonal eyelets. English mesh looks a lot like, well, mesh. And Van Dijk is a common enough name in this country. I knit on more or less thoughtlessly, enjoying the soft yarn in my hands and the different rhythms of the patterns.

But when I had just started on the last section, the book I was rereading also mentioned Van Dyke Lace and my attention was caught. It was Jane and the Ghosts of Netley by Stephanie Barron. (This is the seventh novel in a series of mysteries in which author Jane Austen features as an amateur detective. The novels capture the style and times of the real Jane Austen perfectly and are great fun.)

On p. 129 Jane is trying on a dress at modiste Madame Clarisse’s when an acquaintance asks, ‘I wonder if Madame Clarisse is familiar with the demi-ruff à la Queen Elizabeth, pleated in Vandyke?’ And a little later, ‘Forgive me for speaking as I find, Miss Austen, but you’ve rather a short neck – and the white demi-ruff, Vandyke-stile, should lengthen its appearance to admiration.’

Wait a second! Van Dyke Lace, pleated in Vandyke, a demi-ruff Vandyke-stile… where does this all come from? Oh, of course, it refers to Anthony van Dyke, the 17th Century artist who painted lace ruffs and collars so exquisitely! There are some great examples at the Mauritshuis in The Hague and the Rijksmuseum in Amsterdam. (These are either bobbin lace or needle lace – I don’t know enough about lace to tell.)

Then I started looking for examples of Van Dyke Lace in knitting and found out that there isn’t just one kind of knitted Van Dyke Lace, but many. This is my/Churchmouse’s Van Dyke Lace:

The Vandyke lace in Barbara Walker’s Third Treasury of Knitting Patterns looks very different:

In Treasuries I and II, Walker also mentions a Vandyke check pattern, Vandyke faggot, Vandyke leaf pattern, Vandyke medallion edging and Vandyke swag stitch.

In Heirloom Knitting, about Shetland lace knitting, Sharon Miller describes a Vandyke Edging – pointy with zigzags.

The common denominator seems to be that all Van Dyke lace is pointy or zigzaggy in some way. There are probably many more variations on this theme elsewhere. I just love it that there is always more to discover about knitting.

Well, here is another picture of ‘my’ Van Dyke Lace (the section with the V’s). This isn’t fine lace as in Van Dyke’s portraits and Shetland knitting. Compared to the gossamer yarns used in Shetland lace (which can be up to 6.000 metres per 100 grams), the yarn I used (which was 334 metres per 100 grams) is like ship’s rope compared to dental floss. But to me the result looks more than fine.

I give many of the things I knit away, but I don’t know anybody who would like to have a shawl in this shade of pink, so there is nothing for it but to keep this one. And you know what? I don’t mind in the least, because every time I wear it, it will remind me of Norway, of my virtual knitting friends and of the things I discovered in the process.

Spinning Drenthe Heath Sheep

Last year, I bought a bag of Drenthe Heath sheep wool. During our walks, we often see flocks of these sheep at work in one of our national parks. They are kept for conservation grazing, and their work is eating young trees and shrubs. Without them, our open heathlands would turn into woodland in no time.

Drenthe Heath sheep are not primarily kept for their meat or fleeces, but their meat seems to be good (I’ve never tasted it) and they produce fleeces of 1 to 2 kg per sheep. I know that their wool is generally considered to be of poor quality, but still I wanted to experience for myself what it feels like, how it spins up, and what I could knit with it.

An entire fleece would be way too much for me, so I bought a bag with small quantity of prepared wool.

Taking the wool out of the bag, I saw that it contained five rolled-up batts, or large rolags.

The label on the bag said, ‘150 grams. Washed and carded Drenthe Heath Sheep Wool, €10,00.’ There was also a business name on the label, but no website or contact information.

Asking around, I found out who had done all the washing and carding for me, and also that this person was going to be present at a crafts fair. Bringing a tuft of wool, I visited her stall at the fair to learn a bit more. Although she was busy selling her wares, she took the time for a chat. One of the things she said about the wool was, ‘there is quite a bit of kemp in it.’

Kemp???

‘Yes. If you look at the wool closely, you can see some dark fibres mixed in with the lighter wool. That is kemp.’

Back home I looked for more information about kemp. On p. 22 of The Spinner’s Companion Bobbie Irwin defines it as ‘Undesirable fiber found in some fleeces, especially those of more primitive breeds.’ I also found out that kemp isn’t actually wool but hair. I went on to read much, much more, including that sheep have primary and secondary follicles. It was all very interesting, but would go much too far to repeat it all here.

Summing up, all sources agree on one thing – kemp is bad news!

Only Robson and Ekarius are slightly milder in their great tome The Fleece & Fiber Sourcebook. On p. 9 they state, ‘Kemp isn’t all bad, though. Its very nature of odd dye absorption is sometimes useful, as in the production of true tweeds.’

In spite of all the bad news, I started spinning.

When I spin, I always have a tea towel on my lap, to protect my clothes and catch any dirt and fibres coming from the wool. For light fibres I use a dark tea towel, and for dark fibres a light one. This helps me to see what I’m doing.

I divided the wool into two equal portions and spun it into a fairly thin thread. During the spinning, the wool shed a lot of kemp. I put some on a sheet of white paper to take a closer look.

So this is kemp – short, rough, slightly curly hairs that make yarn prickly and don’t take dye well.

After spinning two bobbins full, I plied everything into a simple 2-ply yarn. While I was plying even more kemp fell out, but quite a bit stayed in too.

Drenthe Heath sheep can vary in colour, but their fleeces are mostly off-white. They are fairly small, hardy animals and have apparently lived in this region from about 4000 BC. My wool came from an animal like this one:

Although this isn’t the nicest wool I’ve ever spun, spinning 150 grams of Drenthe Heath Sheep wool has brought me a number of things:

  • In-depth knowledge of kemp
  • Several enjoyable hours of meditative treadling and drafting
  • A closer connection with these animals that have lived here for thousands of years
  • 135 gr/422 m/460 yds of yarn

The yarn is a sort of heathered oatmeal shade and feels, let’s say, rustic. I like it more than I expected, I have to say, but I don’t think I’d use it for something to wear.

I am also left with several question marks:

  • Would it have been possible to remove the kemp entirely? How?
  • If so, would the yarn still be scratchy?
  • Would it have been better if I’d spun it into a thicker, loftier yarn?
  • And last but not least – what could I knit with it? Hmmmmm…

If you’d like to read more about Drenthe Heath sheep, I’ve written about them here and here. And there is more information on the website of the Drenthe Heath sheep breeders’ association (mainly in Dutch, but with an English summary).

A Cup of Tea in the Garden

Hello!

First of all, thank you for all your kind comments about my new pattern, here and on Ravelry. Thús has already been downloaded many, many times. It’s been rather overwhelming, but very nice too. Maybe you’ve already noticed – there is a new button in the black bar ↑↑↑at the top↑↑↑ saying ‘Patterns’. If you click on that, you are taken to a page where you can always find ‘all’ of my patterns. There are not all that many yet, but I hope to add a few more over time.

But let’s not keep standing here in the driveway. Please come through into the garden! There’s a chair waiting for you in the shade of the old pear tree. Placed at a safe distance from mine, of course. I have a day off today, so there’s all the time in the world to catch up.

Please make yourself some tea. There’s hot water in the thermos and a selection of tea bags in the bowl with the blue decorations. The Dutch Blend is really good. Or you can pick some fresh Moroccan mint, if you like.

Looking up, you can see that there are already lots of small pears on the tree. It wouldn’t be safe to sit here later in the year. You’d need a helmet with pears falling from the tree left and right. But right now it’s the best spot.

And look, there is one of ‘our’ young great spotted woodpeckers. Several of them and their parents are in and out of the garden all of the time. Only the youngsters have red caps. Their nest was probably in a tall tree in the nearby wood.

This particular youngster is slightly clumsy. It has difficulty climbing up the stem of the apple tree, and last week it dropped down – thud – right in front of me into the long grass, squawking, squawking for its parents.

It will have to learn how to climb up, because it’s what woodpeckers do, and also because that’s where the food is. Here’s another youngster with dad. First they sit looking at the feeder filled with peanuts together…

… then dad gets a piece of peanut with his son or daughter looking on…

… and feeds it to his offspring (we know it’s dad, because unlike mum he has a red spot at the back of his neck).

I often sit here watching them. And knitting.

I’ve just finished a pair of socks, knit from the toe up to the cuff. There’s enough yarn left for another pair with the colours reversed. I’m knitting those from the cuff down to the toe. I’ll tell you more about them when the other pair is finished.

If the socks look slightly on the big side, that is because they are. I made them for someone with bigger feet than mine.

I’ve also been thinking about the pink striped cardi I wrote about two weeks ago. My friend Marieke suggested hanging it up with some weights on it to see whether it would sag. That was a great idea and I used clothes pegs as weights. Not only did it show that it didn’t sag, it also gave me the opportunity to look at it from a distance.

It’s fine. There is nothing wrong with it at all. It’s just that I’m not crazy about the stripes and can’t see myself wearing it. So, rrrrrrrip! There it goes! I’ll put the yarn away for a while and think of something else to make with it.

But here I am, wittering on about my knitting. How about you? How are you doing? I hope you and yours are well. Does your government still tell you to stay home? Or can you go out and about a bit more now? Do you have some nice knitting on your needles? Or do you prefer crochet, or embroidery? Or a good book?

Oh, how time flies. It’s been lovely to have your company here. Thank you for stopping by and I hope to see you again soon!

Thús

Hello!

Well, here is the new (free) pattern that I promised you last time. It’s a loop/cowl called Thús, which is the Frisian word for Home.

As a child growing up in Friesland, I had no idea what I wanted to be when I grew up. What I did know, was that I wanted a peaceful, cosy home.

My wish was granted.

But I don’t take it for granted. I’m grateful for my home every single day, now more than ever.

When we were first exhorted to ‘Stay Home, Stay Safe’, my initial reaction was, ‘……….??????’ (Read: Stunned – is this really happening?) Soon followed by thoughts like, ‘What can I do, other than just staying home?’ and also, ‘But what about people who don’t have a safe home?’

One of the ideas that popped into my mind for positive things to do was to design a knitting pattern. Something small and not too complicated, but just complicated enough to take a knitter’s mind off their worries for a while. Something that would be comforting to wear and suitable to send as a gift to a friend or relative when it’s impossible to visit them.

After many swatches, sketches and tries, it became this loop. I’ve made two versions. You’ve already seen the pink one at the top of this post, and this is me wearing the blue one.

(I’m so not cut out to be a model. It is way out of my comfort zone to be in the spotlights like this, but someone has to show what it looks like when worn.)

Knitting may seem trivial in a world in crisis. And maybe it is. But for me it’s a way to bring some beauty into the world, and also a way to express my love and concern.

With a little bit of imagination, you can see that the stitch pattern looks like rows of tiny interconnected houses.

It’s my take on John Donne’s ‘No man is an island’*. Even if we are all staying in our own homes, we are still all connected.

Now, here are some technicalities.

Thús takes just one 100-gram skein of fingering-weight or sock yarn. I think most knitters will have something like this in their homes somewhere. I chose blue and pink, because those are the colours I feel most at home with.

The pink version is made from a skein of Merino Singles dyed by Catharina at Wolverhalen (I wrote about her here). For the blue version I used a skein of Tosh Sock that had been marinating in my yarn stash for a while. These two yarns are very similar, and yet knit up differently.

Specs of the blue yarn: 100% merino wool; total meterage/weight 361 m/395 yds/100 g
Specs of the pink yarn: 100% merino wool; total meterage/weight 366 m/400 yds/100 g

The difference is that the pink yarn is a single, untwined thread, while the blue yarn consists of two plies. As a result, the blue version turned out shorter, cosier and squishier, while the pink version is sleeker, drapier and considerably longer than the blue one – it has five more rows of tiny houses.

The loop starts with a provisional cast-on and is knit flat (back and forth). I’ve heard of knitters who love grafting ends together, but I have never met any of them. I certainly don’t belong to that rare species. So, no grafting here. The ends are joined together using a much more knitter-friendly three-needle bind-off (all explained in the pattern).

Thús can be worn single…

…or wrapped around twice.

Thús is a free pattern – no strings attached. But if you’d like to do something in return, please consider making a donation to an organisation supporting refugees, other homeless people, or children/adults in unsafe home situations.

Thús can be found here on Ravelry
(available in English AND Dutch, also to non-Ravelry members)

Thank you and happy knitting!

* The quote comes from John Donne’s Devotions upon Emergent Occasions, Meditation XVII. This is the entire passage:

‘No man is an island, entire of itself; every man is a piece of the continent, a part of the main. If a clod be washed away by the sea, Europe is the less, as well as if a promontory were, as well as if a manor of thy friend’s or of thine own were. Any man’s death diminishes me, because I am involved in mankind, and therefore never send to know for whom the bells tolls; it tolls for thee.’

Rose-Tinted

Hello!

It’s good to be back! After a week of taking things a little more easy, here is the promised knitting update. I hope you don’t mind that it’s grown rather long. All three projects that are on my needles right now are pink, as you can see above. But first, let’s stop and smell the roses.

There’s a lane just outside our village that officially goes by another name, but is locally known as the Black Road. That may sound rather ominous, but it’s just that the soil in that particular area is black, and the road was literally black before it was covered with grit and rubble.

The Black Road isn’t the fastest route to anywhere, and is just used by agricultural traffic and people like us, going for a stroll. At this time of year, the sweet briar growing along it is in flower.

Fully open, the flowers are a very pale pink, almost white. But when they are just opening, they are a more, well, rosy pink.

This is the shade of pink of the first knitting project on my needles. The pattern is called Lace Sampler Scarf, but it is actually more the size of a stole than a scarf.

The ‘sampler’ bit refers to the fact that it uses three different lace patterns and can be a practice piece for beginning lace knitters. These are the first two, called Van Dyke Lace and Diagonal Lace:

I’m using an alpaca yarn that had been waiting for a suitable project to come along for a long time. It is thicker than the yarn used by the designers and I needed to modify the pattern to suit my yarn and the amount of it I had. I’ll write more about how everything works out when it’s finished. What I can say already, is that it’s a very enjoyable knit.

The second project on my needles is actually a UFO – one of the 9 UnFinished Objects languishing in a dark corner that I want to finish (or frog) this year. It is in the shades of pink of some of the lupins in our front garden.

It is ‘Kinetic’, a long, striped cardigan from Rowan Magazine 65.

I started it in early summer last year and am not quite sure why I abandoned it. It certainly isn’t the yarn. The pink yarn is a gorgeous blend of cotton and cashmere. It is combined with some white Kidsilk Haze – a fine lacy blend of mohair and silk – left over from another project.

I think it’s the stripes that I’m not really happy about. Perhaps the white is too white next to the pinks? The cotton-cashmere yarn is also much thicker than the Kidsilk Haze, and the narrow white stripes knit on the same needle size are slightly transparent as a result. What will that look like when worn? Will the garment underneath shine through? Will it stand up to frequent washing? And won’t it sag?

What to do? Finish it? Or frog it and make something else with the yarn? What do you think?

Looking at this post and my blog in general, it may seem as if I view the world through rose-tinted glasses. Well, I do and I don’t. I’m not a happy-go-lucky person by nature. World politics, racism, poverty and climate change can keep me awake at night. And now there’s also this pandemic with its short and long-term impact. Sometimes, I’m hopeful that the current crisis will lead to a better, fairer and cleaner world, but on the whole I’m not so optimistic.

I think it’s important not to look away, and to do what is within my (limited) power. I also think it’s important not to go down a figurative Black Road. That’s why I deliberately put on those special glasses now and then – the ones that focus on things that are good for the soul. Like roses. And knitting.

So, here’s a tiny corner of the third rose-tinted project I’m working on. It’s something I’m designing myself. I hope to publish the (free) pattern soon, if not next week, then the week after that.

It’s inspired by this challenging time we’re going through. I know that may not sound very attractive, and I can’t guarantee that you’ll like it, of course, but I really hope that it will make you smile.

It’s a small project for intermediate knitters with some experience in lace knitting. If that sounds like you and you feel like starting something new in the near future, why not start rummaging through your stash now?

What you should look for in those boxes in your attic, in the cupboard under the stairs or under the sofa, is 100 grams of fingering-weight yarn (approx. 360 m/395 yds). A solid or semi-solid colourway will work best. It can be a luxury yarn or a sock yarn, as long as it is soft enough to be worn around the neck. Choose the colour you feel most at home with!

Well, that’s all for now. Thank you for reading and I hope to ‘see’ you here again soon!

Kalm an, hè?

Hello again everybody from near or far,

For the first 40 years of my life, I lived in Friesland (except for the few years I was at uni). Then, 18 years ago, we ‘emigrated’ to a place 5 kilometres across the Frisian border. No distance at all, but still a different region, with a different landscape (so many trees!), a different building style…

… a slightly different culture and a different language.

In Friesland, people say Oant sjen (See you) when parting. Or simply Hoi! (meaning both Hi and Bye). Over here, people say Kalm an, hè? (Take it easy, won’t you?). I love the expression. It sounds so friendly, laid-back and caring – just the way many people around here are.

From the start of the lockdown, I’ve been/felt busy, busy, busy. That’s the effect this strange and unsettling time seems to have on me. Being busy is fine. Useful even. But feeling busy all the time? Not so much.

I was going to write an update about my knitting this week (my needles, too, have been busy), but couldn’t find the words. So, high time for some kalm-an-time.

Time to watch the house sparrows bathing…

Time to admire the flowers in the fields…

Time to leaf through some old scrapbooks…

Time to play with some embroidery floss…

Next week, I hope to be back here with that knitting update. If I’m not, I just need a little more time to listen to the grass growing.

I know that some of you are now recovering from Covid-19. The best thing I can think of to say to you and everybody else reading this is, Kalm an, hè?

Treasure Hunting

While I was folding laundry at our dining table, my eye was suddenly drawn to the wicker chair on the left. The sun slanting through the back of the chair made a lovely pattern of small triangles on the seat.

I grabbed my camera and took a few pictures.

Wow! Maybe I could translate that into a piece of knitting. Lace, perhaps, or some colourwork?

This period of staying at home has made me look at my immediate surroundings more closely.

The wooden fence at the back of our house had always been just that – a wooden fence. Until recently. Looking out, I suddenly noticed how the grazing light made the patterning in the wood stand out beautifully.

Again, I see potential for knitting in it. What if I tried to replicate it in two-tone brioche?

In the living room, I looked at the feathers on the back of a wooden raven through the lens of my camera.

Wouldn’t those look wonderful as cables in a tweedy yarn?

Walking around with a camera in hand, can be like a treasure hunt. On the spectrum of hunter-gatherers, I’m much more a gatherer than a hunter, as I wrote here. I usually just take pictures of things that draw my eye, and then sometimes a pattern or a theme emerges afterwards. That was what happened when I wrote, for instance, Shades of green.

But it can be fun to actively go hunting for treasures, too. One day they could be things in a certain colour, the next day things with interesting patterns, and the day after that things with a particular shape, say circles.

Bread rising basket
Old pudding basin

I don’t know anything about photography. I have a small camera that easily fits into a jacket pocket. It’s of a type that’s often called point-and-shoot, and that’s what I do with it – point and shoot. Although it has lots of other features, I always have it on AUTO and only zoom in or out. For the rest, I let the camera do the work.

I don’t know anything about photo editing either. The only editing software I use is the programme provided by Microsoft. I don’t even know what it’s called. I can straighten the horizon if necessary, rotate photos, make them darker if they’re overexposed, and cut off bits I don’t like. That’s all.

Being a seriously good photographer takes a lot of dedication, practice and know-how. But enjoying taking pictures doesn’t. Photography can be a lot of fun, even for somebody who doesn’t know anything about it. You don’t need any fancy equipment – a small camera or even a smartphone will do. And you don’t need to travel far, either. I didn’t leave the house for any of the pictures here.

Standing in the front door opening, I photographed the roofs of the terraced houses across the street.

The tiles make an interesting pattern in themselves. But when I closed the door and looked in the same direction through the frosted glass the result was simply amazing.

It made me think of the lozenges in Argyll knitting.

Treasures (and knitting inspiration) can be found everywhere and anywhere.

Take care! xxx

Wool Stories

Now and then, I come across something in my diary I wrote down months ago. For last weekend, my diary said, ‘Knitting & Crochet Days Amsterdam’. Under normal circumstances, I would have taken an early train to the capital and then taken the ferry across the IJ for a day of meeting up with friends, chatting with yarn sellers and dyers, and finding new inspiration. I would also have taken pictures and shared them here with you.

I know that there are worse things in life, and I’m 100% behind the government’s decision to cancel all events until at least September, but I did feel slightly disappointed that I had to cross this event out (I’m only human).

I soon found a good alternative, though – I paid an online visit to a lovely dye studio and yarn shop in my part of the country.

It is called Wolverhalen, or Wool Stories in English. I also revisited the pictures I took during a visit in October 2019 (the ones you’re seeing here), and had a lovely long phone call with the owner, Catharina. She kindly sent me this photo of herself:

Catharina is a woman of many talents. Before she started her shop and dye studio about a year ago, she was an ambulance driver for many years. And before that, she ran her own flower shop.

I can’t say that the ambulance driver part of her career is reflected in her business, except in her friendly and caring presence, but the flower shop part certainly is. In addition to yarn, knitting books and tools, and Swedish woollen blankets, she also offers a great selection of plants and pots.

They give the beautiful light and airy space a relaxed and homey feel. For us, knitters, the most important part is the yarn, of course. Adjacent to the shop, there’s a sparklingly clean, well-organized and well-lit dye studio.

Here Catharina dyes her wool, silk, mohair, yak and suri alpaca yarns. (Don’t these materials just sound like music to your ears?) During my visit last autumn, there were some freshly dyed skeins in very bright shades on her drying rack. They were meant to be wound into sock minis – small skeins to be used as accent colours.

In addition to these bright and cheerful shades, she also produces sophisticated neutrals, refined pastels as well as gorgeous charcoals, deep blues, purples, greens and browns.

When I asked her why she decided to start Wolverhalen, Catharina told me about her life-long love of making things, and that she had been dyeing yarns as a hobby for several years before turning it into a business. Guess what her favourite colour is? Green, of course! I needn’t have asked.

Some of the yarns are dyed with natural dyestuffs and some with acid dyes. Environmentally friendly citric acid is used as fixative for the latter. (Acid dyes are not themselves acidic but require an acid to set them.)

The environment, sustainability and animal welfare are important to Catharina. (That sounds like music to my ears, too!) She avoids the use of plastic as much as possible, chooses recycled or recyclable materials for packaging, and all her wool is mulesing-free.

Well, let’s browse around the shop a little more. Below, on the right, is some økologisk Hverdagsuld and Tynd Lamauld from Danish brand CaMaRose.

(I don’t remember what the yarn on the left was.) I have no experience with these, but I love the range of colours and bought a few balls during last year’s visit to try them out. They’re still waiting patiently in a basket.

And here is some BC Garn Baby Alpaca, also from Denmark.

Not my colours, but oh so soft!

During my recent online visit, I ordered one skein of yarn that definitely IS my colour. It came wrapped in tissue paper with a lovely plant print, accompanied by a handwritten card with a personal message. Such a treat! I have an idea for it, but can’t tell you about it yet for fear of jinxing my creativity.

This blogpost is one of the ways in which I try to help small businesses survive this crisis. The world would lose so much of its colour if they were to disappear, don’t you think? I know it’s just a small drop in the ocean, but many small drops…

I hope your local yarn shop is still open for (online) business, or will be again soon. If not, there’s always Wolverhalen. The website is entirely in Dutch, but Catharina does ship worldwide and I’m sure she’ll be delighted to answer any questions.

Song of the Sea

Hello!

Today, I’d like to tell you about a UFO (UnFinished Object) that I’ve just finished. It’s a loop cowl from a pattern called Song of the Sea (Ravelry link), designed by Louise Zass-Bangham.

A lovely pattern and lovely yarn. So why did it become a UFO? Well, there’s a story behind it.

Several years ago, friends of ours gave up their jobs and house, and sold or gave away almost all of their belongings to sail the seas of the world indefinitely.

I was knitting this cowl as a farewell present for one of them. When it was nearly finished, it suddenly dawned on me that she would just be wearing shorts and bikinis where they were heading. They weren’t going to sail to colder climes.

It had taken our friends a lot of trouble to get rid of everything they didn’t need anymore, and I didn’t want to burden them with something they would never use. So that’s how my Song of the Sea ended up as a UFO.

Looking at it again earlier this year, I decided that it was far too nice to be left unfinished. Now I’ve knit the last few rounds and blocked it.

Song of the Sea is knit in the round and has three different stitch patterns, forming large breakers, medium-sized waves and tiny wavelets (in knitting order, from bottom to top). Here’s a close-up:

The pattern has a choice of two sizes – a long and a short version. I made the long one. It can be worn singly…

… or twisted double for more warmth.

It’s nice, isn’t it? So what am I going to do with it, now that it’s finished? Well, I’ve decided to keep it for if/when our friends come back, even if it is only for a short visit. I’ll gift-wrap it, stick a sticky note with her name on it, so that I won’t forget what’s inside, and put it away in the basket where I keep more gifts for later/someday.

I couldn’t find anything about the inspiration behind this design, but it made me think of the animated film Song of the Sea. Based on an Irish folk tale, the film tells the story of 10-year-old Ben and his mute sister Saoirse, who turns out to be a selkie (somebody who can turn into a seal and back again).

The drawings in this film are exquisite. To give you an impression in case you haven’t seen it, here is the official trailer:

From their latest newsletter, I know that our friends are safe and well ‘down under’. They frequently don’t have access to the internet, but when they do they sometimes read my blog. So, if you’re reading this, dear T and H, I wish you fair seas and following winds!

This is the second of the nine UFOs I intend to finish this year. I’d better get a move on!

Heart-Lifting Spring Things

Good morning!

How are things going in your part of the world? I feel torn in two directions. On the one hand, my heart is heavy with all the bad news from around the world and closer to home, but on the other, it is still spring. And what a glorious spring!

I think there’s enough bad news already, so here are a few heart-lifting spring things from my home turf. Let’s start indoors. Every spring from around Easter I grow garden cress on our windowsill.

I love it sprinkled over cottage cheese on Swedish knäckebröd.

This time my knitting is in sync with the seasons. I found six balls of alpaca yarn in a lovely blossom pink shade in my stash, bought in Norway years ago. They are going to be knit into a Lace Sampler Scarf. Here’s my swatch.

In our back garden, the pear tree has shed its blossoms in a snow of white petals. Now it’s the apple tree’s turn to shine.

There’s lovely quick and simple apple blossom embroidery project in the May issue of Country Living (British edition). It has some other nice ideas for things to make as well.

The pink knitting on the right is for a new design I’m working on. This is just a first try – it may take a while for the pattern to materialize.

Leaving the house through the front door, the first spring things to catch the eye are a pot and a basket filled with ‘wild’ strawberries, dug out from an overgrown patch in the garden.

Normally I’d plant them with pelargoniums. Every spring members of our local brassband go from door to door selling them to raise money for new instruments and uniforms, but not this year. It’s one of the many things that are different this spring. The brassband will have to make do with their present kit a little longer.

Turning left and walking almost to the end of the street, we come to an old, old Japanese cherry tree in full bloom.

The sky is incredibly clear and blue now that there are no planes creating a haze. Our solar panels have never produced so much energy in the eight years since we installed them.

Strolling along the street in the other direction, we come to our farmer neighbours’ cows. They are out again after having been are kept indoors all winter.

I would have loved to go a little further afield to visit a flock of sheep, pet the newborn lambs, chat with one of the shepherds and take some photographs, but unfortunately that’s impossible this year.

I did talk (on the phone) with one of the volunteers of the Rhedense schaapskudde, though. It’s a flock of Veluwe Heath Sheep, a rare breed breed much bigger than the Drenthe Heath Sheep I wrote about here and here.

The volunteer told me that their lambs are growing fast and the adult sheep will be shorn soon. (Their wool can be spun, but is too rough to be used for clothing.) Their four bottle-fed lambs have become a close gang and tend to wander off together when the flock is out grazing the heathland.

This is a difficult period for the flock, as they largely depend on the revenue from their annual Lambing Day and the adoption of lambs by visitors, but they are moving with the times and people can now adopt a lamb online. It’s not as nice as choosing and petting one’s ‘own’ lamb in person, but it’s a good alternative. Although this year’s Lambing Day is cancelled, we can still visit virtually through this video from a couple of years back. Enjoy!

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