The Hardest Part of Stay Soft

This post is looooong overdue. It’s the third instalment in a series of posts about ‘Stay Soft’, a shawl design by Veera Välimäki. I’d intended to write a step-by-step description of my knitting process way back in June, but… On the one hand, I got caught up in all kinds of new projects. And on the other, I felt unsure. Would people really be interested in reading about my knitting projects in so much detail?

But then two members of my knitting group asked: ‘How is your shawl coming along? You know, the one we helped you choose the pattern for?’ And I also started getting questions from readers, along the lines of: ‘Please explain how you knit the last part of Stay Soft, because I’m stuck.’ Apparently people do want to read about it, so here we go. (There’s a list of useful links at the bottom of this post).

The previous instalment ended after the third part, called ‘Coral Part’ in the pattern. This is what the shawl looked like at that point:

These first 3 parts are fairly straightforward. Now we get to the hardest part of Stay Soft, the part starting with the heading ‘Yellow Speckled Part’. Although there aren’t any mistakes in the pattern, and all the information is there, I still had some trouble figuring out exactly what to do.

First a note about the colours, though. To avoid confusion, these are the colours used by the designer and the ones I used:

  • Pattern: MC white speckled; CC1 coral-pink; CC2 yellow speckled
  • My version: MC yellow; CC1 orange; CC2 grey

After the first three sections (called ‘Main Color Part’, ‘Stripes’ and ‘Coral Part’ in the pattern), stitches need to be picked up in the second contrast colour (CC2). The pattern says: ‘Use the same needle and CC2’, but I used a different needle, as suggested later on in the pattern. To my mind, this makes it so much easier.

I used interchangeable circular needles. This means that I unscrewed the tips from the cables, screwed them onto another cable, and screwed end stoppers (the rectangular white things in the picture below) on the cable with my orange live stitches. At this point I cut CC1.

Then the pattern says: ‘pick up and knit 5 stitches starting from the cast-on corner of the shawl.’ And here it gets tricky. Where and how do we pick up these stitches?

After taking a good look I found out where to start picking up stitches. It’s at the tip the knitting needle below is pointing at – the very first stitches knit in the first colour (MC). And the stitches should be picked up on the right-hand side.

So, with CC2 and another needle the same size, and with the right side (RS) of the shawl facing, I picked up and knit 5 stitches, starting from the point indicated above. After a few tries, I picked up a stitch EVERY row (not in every ridge, which would be every other row), because otherwise the corner pulled and curled up.

For the next row (WS), the pattern says. ‘Knit the first two stitches, and slide the remaining 3 stitches onto right-hand needle as if to purl’. This made me scratch my head again – should the yarn be held in front or in back? As it turns out, the yarn should be held in front. So: After picking up 5 stitches, turn your work, knit the first 2 stitches, bring yarn to the front, and slip the next 3 stitches purlwise (as if you were going to purl them, but without actually purling them) with the yarn held in front of your work. Then turn your work and knit rows 11 – 18.

Slipping the last 3 stitches with the yarn held in front gives a sort of I-cord edge. When you’re just starting this edge it doesn’t look very nice or neat, as you can see in the picture below. But it will get better as you continue.

After that, rows 13 – 18 are repeated until the corner is reached, where the live stitches of the ‘coral part’ are waiting.

In this section, 1 stitch is increased in all right side (RS) rows by knitting 1fb, but this is neutralized by knitting 2 sts together in the same row. Only in row 17 it says k1fbf (instead of k1fb), so only in this row 1 stitch is increased. It is important to keep track of this, but I found it impossible to see where I had increased a stitch. To keep track of the increases, I placed a locking stitch marker immediately after I’d knit a ‘row 17’. And as soon as I came to the next increase row, I moved the stitch marker there.

Knitting on like this, a knitted on I-cord edge is formed on the ‘outside’, and a row of holes along the body of the shawl. At first it doesn’t look very attractive, but after a while the edge becomes really neat, and it becomes visible how the part in CC2 brings everything nicely together.

The next picture shows where exactly I picked up the stitches in the RS rows – just below the ‘curve’ or ‘bridge’ of the last knit stitch.

After knitting everything described on page 4 of the pattern, the shawl looks like this:

The needle in the grey part meets the end stopper on the cable in the orange part:

Time to start the I-cord bind-off along the end of the grey section. After about 10 cm/4 inches I noticed that this I-cord was much tighter than the knitted-on I-cord along the side of the grey section. I unraveled it carefully and started again with a thicker needle tip (5.0 mm instead of the 4.0 mm needle I used so far). Yes! Now both I-cords were similar.

Upon arriving at the orange section, I changed the end stopper for a thicker needle tip (in my case 5.0 mm) and continued the I-cord bind-off.

The knitted-on I-cord is just a small detail, but just look at it. It changes Stay Soft from an OK shawl into a fabulous shawl, don’t you think?

After the knitting is completed, it’s time to block the shawl. I think blocking is essential – it makes all the difference. After soaking the shawl in a non-rinse wool detergent (I used Soak, but Eucalan or any other brand works just as well) I spread it out on blocking mats. I threaded blocking wires through the knitted fabric along the edges.

I threaded the blocking wires through the stitches inside the I-cord edges:

While I was knitting I was a bit worried about the row of holes between the body of the shawl and the knitted-on part. They looked terribly irregular. Fortunately that was solved by blocking, too.

What a difference!

Before blocking
After blocking

And that’s it – the shawl’s all done!

I used a thinner yarn than indicated in the pattern (fine fingering instead of ordinary fingering), which gives a nice and airy shawl. When the light falls through it, it looks slightly transparent.

But wrapped around the neck, it is really cosy. Below you can see how the I-cord in a contrasting colour gives a nice crisp edge.

Details of my shawl:

  • Yarn used: Isager Alpaca 2 (MC 23 grs; CC1 50 grs; CC2 28 grs)
  • Needles: 4 mm/US 6 and 5 mm/US 8 (the thicker needle only for last stretch of I-cord)
  • Finished size after blocking: Wingspan 213 cm/84 in; Middle to tip: 57 cm/22.5 in

I think it’s a very wearable, good size shawl from just over 100 grams of yarn. For me, Stay Soft was a really, really enjoyable pattern to knit, in spite of (or perhaps rather because of) all the frogging and puzzling out how to get it right.

Phew! This may very well be my longest blog post to date. At least it was the most complicated one to compile. Thank you dear knitting friends and readers for giving me the motivation to do it.

I hope everything makes sense. If there’s anything that isn’t clear, or if you have any other questions, please leave a comment. I’ll try to answer as best as I can.

High time for a break and a big mug of tea!

Links:

Apricot and Thyme Clafoutis

Hello, I’m back! Well, I haven’t really been away. Just away from my computer and my blog for a while.

We’ve had a really, really nice and relaxing ‘staycation’, with lots of lovely walks, visits to some old towns, cities and museums, and plenty of time to read, knit and crochet in between.

I’d like to tell and show you more, but I don’t know how just yet. I need to chew on everything we’ve seen and done for a bit first. In that sense I am like a cow. I don’t have four stomachs, but I also need to ruminate on things to digest them.

We met this beauty during our summer holiday, by the way. She lives on an organic farm that we passed on one of our walks:

The farmer doesn’t only take good care of his cattle, but also of the occasional passer-by. Between the barn with the red pelargoniums and the hay barn, where you can see a green parasol peeking around the corner, there’s a wonderful cupboard built into the barn wall. It’s filled with coffee, tea, biscuits and all kinds of other snacks. Just help yourself and leave some money in the box. There’s even a bowl of water for dogs!

Oh, there I go again, getting off course. It happens so often – one thing leads to another, and before I know it I’ve strayed completely from where I was going. Well, at least now you’ve had a tiny glimpse of our holiday at home.

What I had planned to do today, was give you a recipe. I may have told you before that we have a flock of hens – 8 hens and a cock to be precise. They are Frisians, and their colourway bears the poetic name ‘silver-pencilled’, which looks like this:

Our hens love tomatoes, corn, worms and taking dust baths. Apart from worms, we try to give them everything they wish for. In return, they provide us with more eggs than we can eat. We give lots of eggs away to relatives, friends and neighbours. And we’re always trying to think up new ways of using eggs ourselves.

The eggs are pure white and fairly small. I use 3 of these for 2 medium shop-bought ones. Some are oval and pointy, while others have a more rounded shape:

(I photographed the eggs on one of the dishcloths I’ve been knitting. More about those in another blog post soon. Or perhaps not so soon. There are so many ideas for posts whirling about in my mind that I don’t know where to start.)

Besides eggs, we’re also trying to use as many herbs in our cooking as we can too. This time I’m using thyme. We have three different varieties in our herb patch. Use any thyme you like – dried thyme from a jar is fine, too. Don’t use too much, though. It can be overpowering in combination with fruit.

The recipe below is for a Clafoutis – a French dessert that is usually made with cherries, but can also be made with plums or other fruit. I chose apricots because I thought they would work well with thyme. (I used canned apricots, because we can hardly ever get any fresh ones, and when we can they are often dry and not very tasty.) Here’s my recipe:

Apricot and Thyme Clafoutis

For a Ø 22 cm pie dish, serves 4

Ingredients

  • 3 small Frisian eggs (or 2 medium shop-bought eggs)
  • 150 ml milk
  • 50 g flour
  • 270 g tinned apricot halves (drained weight)
  • a few sprigs of fresh thyme (or ¼ tsp dried thyme)
  • 1 tbsp butter + extra for greasing
  • 50 g sugar
  • pinch of salt
  • icing sugar for dusting

Method

  • Preheat the oven to 200 °C (fan oven 180 °C).
  • Grease the pie dish
  • Sieve the flour together with the salt and sugar.
  • In a separate bowl, loosely whisk the eggs with half of the milk. Stir the egg-and-milk mixture into the flour little by little to a smooth batter. Melt the butter. Whisk the rest of the milk and the butter into the batter.
  • Distribute the apricot halves over the pie dish (hollow sides down). Pour over the batter and bake in the oven for 30 minutes.
  • Eat warm or cold, dusted with icing sugar.

Enjoy!

The table cloth underneath the oven dish was embroidered by my late Mum. She was a great knitter, too, but she loved embroidering these colourful pre-printed table cloths most of all. For me, there are many good memories attached to it.

Well, I hope you’ve enjoyed my ramblings and my recipe. And I hope to get back to some serious knitting in my next post, because I’ve received some urgent questions from readers that I need to look into…

Herb Teas and Honey Bees

Hello again! I hope you have some time in your busy day for a leisurely scroll through our garden, a visit to a beekeeper, and a cup of tea and some knitting afterwards. Or perhaps you’re on holiday and have all the time in the world. Wherever you are or whatever your day looks like – welcome!

Today, I’d like to show you a new part of our garden. A part you haven’t seen yet – our herb patch. It isn’t very big (about two by two-and-a-half meters) but I’m very happy with it. Here it is just after we planted it mid-May:

And this is what it looks like now, two months later:

Isn’t it amazing how quickly things grow? There’s parsley, chives, thyme and sage for all kinds of savoury dishes. There’s rhubarb for stewing, nasturtium flowers for decorating salads, and ‘wild’ strawberries for enjoying straight from the plant. I don’t know what to do with the marigolds yet. I could use them to dye some yarn, but what would I do with yellow yarn? For the time being I’m just enjoying them for their cheerful colour.

And finally, there’s chamomile, peppermint and lemon balm. We’ll be making herb tea with those later. But first, let’s get some honey to sweeten it. If we hop on to our bicycles we’ll be at the beekeeper’s farm in under an hour. It’s a nice route along a canal, past some allotments, through a wood, and along a country lane.

Here we are. There are jars of honey and an honesty box at the roadside. We could just grab a jar and head back…

… but it’s much nicer to have a chat with the bee keeper and take a look at the bees. We need to put on a special beekeeper’s jacket with hood first. The bees are very quiet today, but it’s better to be on the safe side.

Do you see the line of trees the beekeeper is pointing at? Behind them there’s a nature reserve, with heather and all kinds of other flowering plants, shrubs and trees where the bees get the nectar for their honey.

The beekeeper deprecatingly says, ‘Ah, it’s just a hobby. My dad used to do it before me, and I’ve followed in his footsteps.’ But to her own astonishment and delight both her bright and her dark honey won gold medals at the London Honey Awards 2019!

Most of the bees are housed in modern beehives:

These are far bigger than traditional hives, or skeps, and it is much easier to collect the honey from them. But she also has some traditional skeps, a sort of upside-down baskets. And even a wooden beehive in the shape of a house. It looks a lot like their own beautiful wooden house:

Zooming in on one of the skeps, the bees can be seen coming in and out of the opening:

It’s that dark clump at the top left. Can you see them?

This beekeeper isn’t complaining, but behind her words I can hear her worries about the threats her bees (and bees everywhere) face. They’re threatened by the varroa mite, pesticides and the drought caused by climate change. Things like this often give me a feeling of powerlessness. Yes, it’s worrying, but what can we do about such worldwide threats as insignificant individuals? Fortunately, in this case, there are a few easy things we can do to help the bees.

Apart from organic honey in jars, this small family business also produces other bee products, like beeswax candles, lip balm, soap, shampoo and so on. There’s more information on their website.

Well, high time to cycle back and pick some herbs.

One of my favourite herb tea blends is chamomile and lemon balm. A small handful of chamomile flowers and lemon balm leaves is enough for a cup or two of tea (dried herbs work just as well as fresh ones). I have a small teapot with a built-in strainer, but any pot or mug will do.

Add honey to taste and enjoy!

Next to this cup of tea is my first dishcloth in progress. I was skeptical about knitting these (I mean, how twee can you get?), but the enthusiasm of two of my knitting group members made me give them a try. And I must say, I’ve been bitten by the dishcloth-knitting-bug too!

Another favourite is mint tea. There are many varieties of mint. Wat we usually get when we order mint tea at a cafe is Moroccan mint, with a fairly mild and sweet taste. The mint in our garden, peppermint, has a stronger taste. It really is more peppery. Two or three small sprigs straight into a mug make a refreshing drink. I like it even during the very hot weather we’re currently having – I just leave it to cool first.

The blindingly white knitting on the needles here is the start of my Sideways Tee. There isn’t much to see yet, but as soon as I’m a little further along, I’ll show you more.

Well, that’s all for today. Thank you for sharing a cup of tea with me!

Sheep Shearing

There’s been a lot of sheep shearing going on around here during the past couple of months. Often it’s just a solitary farmer shearing his own sheep in his own farm yard. The farmer above is shearing one of his Texel sheep. He keeps them for meat, like all of our local farmers. The wool is just a by-product, shorn off quickly with electric clippers, stuffed into bags and shipped off to China.

But we also have sheep shearing festivals, where wool plays a much more prominent role. I’ve been to two of these, and here’s a compilation of what I’ve seen.

Below you see the Holtinger Schaapskudde, 630 sheep kept together by one of the sheep dogs.

These Drenthe Heath sheep are kept for landscape management, grazing on saplings and keeping the heathland open. I’ve written about this herd and their ‘job’ before in this post.

As you can see, most of them have already lost their warm, white, brown, grey or black winter coats.

A small group of sheep has been herded into a pen. Now it’s their turn to be shorn. Visitors to the festival can point out which fleeces they want.

The wool is especially suitable for felting, and some visitors will be coming back to take part in one of the felting workshops given on the premises.

The sheep they’ve chosen is then dragged out from among the others. It is placed in a rather unflattering upright position first, and the shearer starts clipping around its neck.

After that the sheep is laid down on its side, and the shearer frees it from one half of its fleece, turns it over and then removes the other half.

This particular sheep kept very still, and didn’t seem stressed at all. I think it’s because the shearer is very experienced. And he uses hand shears, unlike the farmer at the top of this post. Perhaps that’s less stressful for the sheep, too?

I took the picture below, of an onlooker’s feet, especially for my readers in other parts of the world:

Yes, some of us actually do wear wooden shoes! They’re light, warm, comfortable to wear and even count as official safety footwear. I’ve worn them a lot, and our daughter did too as a small child. (She prefers Jimmy Choos now, though.)

Apart from the actual sheep, there’s a lot of other woolly goodness on offer at these festivals. Fleeces for spinning and felting from various sheep breeds:

And also lots of lovely hand-made things. I particularly liked these felted slippers, decorated with beads:

Some people brought along their spinning wheels. This spinner told me that she spun all the yarn for the rainbow of cabled ponchos on the rack next to her, but that somebody else did the dyeing and knitting.

In the photo above you can hardly see the cables, so here’s another one. This one’s taken from the front and shows the stitches and the construction better:

Colourful and cosy, aren’t they?

I thought all sheep shearing would be done by now, but I just found out that there’s another sheep shearing festival and wool market next weekend. If you’re in the area, it’s on Saturday 20th and Sunday 21st of July 2019 at the Shepherds of Balloo. More information can be found here. Judging by the list of participants, it’s going to be a big event.

To close off, here’s a close-up of one of the Drenthe Heath sheep. I think they are just so photogenic, don’t you agree?

Sweet Peas and Summer Knitting

Before launching into a discourse on summer knitting yarns and projects, I just have to show you our sweet peas first. They are doing so well. In just a few weeks they grew from tiny little seedlings to tall flowering plants.

I expected lots of different pastel shades, but almost all of our sweet pea flowers are the same – a velvety dark purple combined with a deep burgundy. In reality the colours are even darker than in the pictures. Very different from what I expected, but lovely nevertheless.

Among the dark flowers, there are a few pale pink ones:

We have to keep picking them if we want the plants to keep producing flowers throughout the summer months. So, from now on there will be posies of sweet peas on our table, perfuming the room with their heavenly scent. Simply luxurious!

That’s one thing I like about summer – sweet peas. They’ll go on my list.

List? What list? Well, summer is my least favourite season. I know this may sound weird, as most people seem to love it, but the truth is that I don’t feel at my best during the summer months. For years I’ve tried to ignore it and told myself to stop moaning. But this year I’m trying to find out exactly what makes me feel this way, so that I can do something about it. Plus I’m making a list of things that I do like about summer, and sweet peas definitely deserve a place on it.

One of the things I’ve found out so far, is that I miss my knitting. When temperatures rise, I tend to put my knitting aside, because the yarn is too warm in my hands and on my lap. I find other things to do instead, like reading and crochet. But that’s not quite enough for me. I still miss my knitting!

So what would make knitting possible on hot days? After giving it some thought I came up with two simple criteria:

  1. Yarn for summer knitting should be either cool and crisp or fine (and have zero mohair content), so that it doesn’t stick to clammy palms
    AND/OR
  2. Projects for summer knitting should be small, so that they don’t feel like a warm blanket on one’s lap

Pretty obvious, really. With these two criteria in mind, I first looked at what I had in my stash and came up with some leftover yarns that I could use for small projects. This is some yarn left over from a shawl I once knit:

It’s Tosh Merino Light in five matching shades. I’m using these little balls for another Tellina cowl. This yarn doesn’t fall into the category ‘cool and crisp’, but it’s smooth and fairly fine, so OK for small projects even on warm days.

The yarn I used for the original version was a fine fingering-weight. Now I want to try the pattern out in some heavier fingering-weight yarns, like the Tosh Merino Light you see here.

After finishing the purpley one, I am also going to make one from some average, ordinary fingering-weight sock yarn:

By knitting several versions, I’m testing out how many stitches and how many rows are needed to get approximately the same size cowl with various yarns. I think it’ll be a great little project for all kinds of leftovers.

As I didn’t have any yarn worth speaking of in the category ‘cool and crisp’, I browsed around on the internet and in a brick-and-mortar yarn shop. Usually I don’t give the ‘cotton corner’ a glance, but this time I specifically headed for it. And although I think I will always prefer wool, I must say that I found some beautiful non-wool yarns, too. There are so many summery yarns available now! Not just all kinds of cotton, but also linen, hemp, viscose, yarn spun from recycled jeans and much more.

In the end I chose a mixture of cotton and linen in plain white:

It’s going to be a plain white Tee. Do you remember that band, The Plain White T’s? With their sweet song ‘Hey There Delilah’? That’s the song that I’ll be humming when I’m knitting this oversized summery T-shirt.

Another idea for summer knitting that ticks all the boxes comes from a comment on a recent blog post left by Marieke. She recommends a booklet by Helle Benedikte Neigaard:

It’s a charming, inexpensive booklet that’s widely available, and I bought it straightaway. Thank you for the tip Marieke! In English it’s entitled Easy Knit Dishcloths. (When adding the link, I discovered that it’s not all that inexpensive in English – Sorry.)

Handknit dishcloths seem to be a Scandinavian thing – I’ve come across them in Norwegian and Danish books and magazines before. This booklet is also by a Danish author. And I recently heard about a Danish designer who built up an entire yarn emporium around these humble cloths. What’s the attraction? I’m going to find out!

Finally, I’ve bought a big yarn cake in a colour gradient:

It’s cotton, and I’m going to use it for a new design I’m working on. I’ve already knit it twice, but want to try it out in at least one other yarn before I publish it.

Uhm, exactly how many weeks does a summer have again? Together with the cooler weather knits still on my needles and the shawl with a crochet border I wrote about last week, I now have so many plans for summer projects that it’s beginning to look slightly unrealistic that I’ll actually finish them all. Well, we’ll see. At least I feel good about using up some leftover yarn, and I’m very happy to have so much to look forward to.

All around us, people are busy packing for their holidays. We aren’t, because we’ve decided to stay home this year. We will be taking some time off, though, for a ‘staycation’. That may mean that I’ll be blogging less frequently or on different days of the week, or write shorter blog posts. Or maybe I’ll continue as usual. I just don’t know yet. So if things are different, or you’re not hearing from me for a while, don’t worry. I’m just sitting in the garden, knitting, reading, enjoying the flowers and the birds, and gathering fresh inspiration.

Whether you’re going away or staying at home, I wish you a happy and relaxing summer!

Summer Crochet, an Incident and an Accident

Hello again! This time it’s a bit cooler in our little corner of the world than last week. But summer has just started, and we’re sure to get some more hot days, so I’ve been thinking about suitable warm weather projects.

Summer crochet

As I wrote last week, I often switch over to crochet in summer. I don’t know why exactly. Is it because the materials I use for crochet are more summery? Is it because the crochet projects I choose are usually small and portable? Is it because I have more time for focused attention and more light for fiddly techniques? Probably a bit of everything.

I love the act of crochet. The movement, the rhythm, following intricate schematics, making something very fine. But it’s hard to find projects that I really like. Do I want a crocheted sweater or crocheted socks? Not really. I do like some crochet blankets, but apart from modular blankets, with small pieces joined together later, I wouldn’t call them summer projects. Just imagine having a blanket in progress on your lap when it’s around 30°C!

A crochet scarf

But here are some really summery crochet projects that I’ve made or am planning to make. First of all there’s ‘Bohemian Rhapsody’:

I made this fabulous scarf a couple of years ago, during a holiday in Germany. Crocheted into it are memories of early morning birdsong, mountain walks, sunny vineyards and cosy rainy evenings. Bohemian Rhapsody is made from 75 (!) colours of naturally dyed yarn. The yarn was dyed by Renaissance Dyeing, a small company based in the Southwest of France, and is available as a kit complete with pattern.

The yarn arrived in the form of mini-skeins. I had a lot of fun playing around with them before winding the yarn onto embroidery floss bobbins:

It is a woolen yarn, but so light that it is no problem to work with during warmer periods. This is a project that never gets boring. There are blocks in three different sizes – Large, Medium and Small. These three blocks have different motifs, and are attached by the ‘join-as-you-go’ method in various combinations. The pattern is available in English as well as in Dutch and has very clear instructions.

More crocheted scarves

Talking about crocheted scarves, I saw some beautiful ones by Sophie Digard last week, during a stay with a friend in Maastricht, in the ‘far’ south of our country. We were strolling through the lovely cobbled streets of her city when I spotted one of Sophie’s amazing scarves in a shop window. The friendly shop owner allowed me to open some special drawers with glass covers displaying them. I didn’t feel comfortable taking photographs without buying anything, but if you’d like to get an impression, you can see an array of inspirational pictures here.

These shawls are very expensive. That doesn’t mean that they’re not worth the money, though. They’re all handmade, and they’re all unique. Just think of all the hours that have gone into those tiny stitches. Way above my budget, but that doesn’t matter. Just looking at them is so inspiring!

An incident

I’m sorry to say that I can’t show you any photographs of Maastricht’s beauty spots at all, because my camera was nicked at the railway station on the way back. It was ‘just’ a small point-and-shoot camera, but it was MY small point-and-shoot camera! Fortunately I already have a new one exactly the same. And fortunately the memories of this lovely time with my friend were not just on my camera, but are also safely imprinted on my mind. An unpleasant incident at the end of an otherwise wonderful visit. Well, things like that happen. Let’s get back to more crochet ideas.

Hankies

Over the years I’ve crocheted many, many borders around hankies. I know they’re rather old-fashioned, but they’re so nice to make. I love this kind of very fine crochet. I’ve given many of them away, but here are a few of them that are in my pockets every day. I don’t blow my nose on them – I use them for cleaning my glasses.

Every year I choose a crochet project to work on during our summer holiday. Sometimes it’s something very special, like the Bohemian Rhapsody scarf. But it can also be something very simple.

Potholders

Last year I made some ordinary striped potholders. Nothing fancy, but I like making them. And we regularly need new ones because they tend to get burnt.

I have no idea where the pattern comes from – probably from my mum. There are several similar patterns on Ravelry, although I seem to be using thicker yarn.

Shawl with crochet border

For this year’s summer holiday project I’ve chosen a shawl with a crochet border. The shawl itself is from a very thin woven wool fabric – it’s just the border that’s crocheted.

The shawl is called ‘Oda’ and the materials were dyed by local dyer Lindelicht. The fabric and the yarn were dyed in the same pot, so that they match beautifully. Marianne, the person behind this micro-business only dyes very small quantities, which she sells at crafts markets.

Well, I hope that has given you some inspiration for crochet projects. Now on to the accident I mentioned in the title.

An accident

While I was away in Maastricht, one of the young house martins I wrote about before fell out of one of the nests high up under the eaves of our roof. My husband found it next to our chicken coop. The little creature couldn’t fly yet and had apparently crawled there for some company. Just look at the fluffy little thing:

Awww.

In a natural environment it would die. That’s the way it goes. But what was my husband to do? He couldn’t very well just leave it to die, could he? It was impossible to return the chick to its nest, because that was too high up to reach safely. And besides, which family did it belong to, and how do you stuff a house martin back into its nest?

In the end he picked the little chick up and called the Animal Ambulance, a wonderful institution run by volunteers. They arrived promptly, said they had recently taken a chick just like it to a bird rescue centre, and also that they expected this one to survive. Well, let’s hope so.

Summer knitting

Meanwhile I’ve also been looking around for summer knitting projects. I already have some ideas and expect to write about them next time.

Have a lovely week!

Note: This post isn’t sponsored in any way. I just like writing about beautiful things and the people who make them possible.

An Afternoon in the Garden

After several rather busy days, I spent an entire Sunday afternoon in the garden. Just sitting, knitting, drinking tea and looking around with my camera at hand. Everything is growing so fast, I can hardly keep up.

Above, you can see my utterly comfortable chair. It was a present for my 50th Birthday, which seems like yesterday, but is in fact so long ago that the fabric has become quite faded in places.

Behind my chair, you can see a part of our small wildflower meadow. It took a while to get going, but now it’s absolutely glorious, with many different plant species and always something new to discover. And one of the best things about it, is that it attracts lots of butterflies, bees and other insects. Here, on an oxeye daisy, is a large tortoiseshell:

We were thrilled to see it, for it is a rare butterfly that was almost extinct in our country until a couple of years ago. Now it seems to be making a come-back. I’m really glad to be the bringer of this good news amidst all the bad news we hear and read about the terrible decline in biodiversity.

Just like the oxeye daisies, the foxgloves are flowering prodigiously this year.

We didn’t plant or sow these foxgloves. They just arrived out of the blue. The first couple of years there were just a few plants, but look at them now!

Bumble bees are buzzing in and out of their bell-like flowers. I really love their shades from purple to pale pink to white. And they have beautiful burgundy spots inside:

There are more plants in our garden that sprang up of their own accord, and we heartily welcome them (at least some of them). But we also have some that we’ve deliberately planted, like these sweet peas.

They’re growing incredibly fast. Since I took this picture they’ve grown quite a bit, and I can already see some tiny flower buds. I’m so looking forward to the fluttery flowers with their lovely scent.

Apart from plants, butterflies and insects, there is also a lot of bird activity in the garden.

There are many, many young sparrows around, flapping their wings begging for food. Two of our nest boxes are filled with cheeping great tits. And the house martins are flying to and fro to feed their young. After the eggs hatched, the birds threw the empty shells out of the nests. I found them on the ground underneath the nests over several mornings:

The speckled shells are papery thin. So fragile that I could hardly pick them up without crushing them. And so small that it’s hard to imagine a complete chick can come out of them. I’ve photographed the egg shells next to one of our own small, white hen’s eggs to give you some idea of their size:

I found the egg shells a little over two weeks ago. I read that it takes house martins five weeks to fledge, so the adults still have an exhausting few weeks ahead of them.

A good friend of mine, the blackbird, is always around too:

For weeks on end, it was hurrying around, collecting worms and other edibles for its young. I think it has had two consecutive nests. Sadly, it seems that this year just one chick survived. But that chick looks strong and healthy, and can now almost fend for itself:

Two large, noisy families of magpies, by contrast, have done very well. Maybe they’ve raised their young on blackbird eggs or chicks, who knows?. They’re notorious nest raiders. They’ve even been known to steal some of our hen’s eggs, which we briefly left unattended between collecting them from the laying nest and putting them away indoors.

I can almost hear the magpie thinking: ‘Well, how was I to know that you didn’t put them out there especially for us? You leave peanuts, seeds and mealworms out for other birds, too, don’t you?’

In between watching the birds and looking at the flowers around me, I also did some knitting. I started two new projects – both in soft shades of pink. One is a striped cardigan in a combination of yarns in different weights:

And the other is a simple shawl in two different lace-weight yarns held together:

They’re both lovely, relaxing knits. I’ll show you more when I’m a little further along.

The day I sat knitting and taking pictures in the garden, was before the onset of some Very Hot weather. For the past few days, it’s been absolutely sweltering. I’ve had to put these knitting projects on hold. The soft, hairy yarn is sticking to my hands, and both the cardi and the shawl in progress are way too hot to have on my lap.

I’m now spending my spare time reading instead, but I need to find something else to do with my hands soon. Something suitable for tropical temperatures.

I’m not much of a summer knitter, really. I often switch over to crochet when temperatures rise. But I’d like to have something summery on my knitting needles, too. Hmmm, I’ll see what I can find. If you have any ideas, please let me know.

Tellina – A Simple Cowl Pattern

Surprise! I’ve published a pattern on Ravelry! It’s a simple pattern for a cowl, knit in stripes of five different colours, and I’ve called it Tellina.

I’ve been working on this project for quite a while. The reason I haven’t mentioned it here before is that I wasn’t sure if it was going to work out and how long everything would take. And now, suddenly, it’s all finished.

At the top you can see the cowl in neutrals and pink. And here it is in blues and greens:

Before I show you some more pictures of the cowl, let me first tell you how it came about.

It all started with the yarn…

These days, my policy is not to buy any yarn unless I have a specific project in mind to make with it. But at a crafts fair in February, I fell head over heels in love with a yarn that came in sets of five mini-skeins. (I wrote about it in a previous post). It was soft, it had a slight gleam, it was hand-dyed and fair trade, and the colours! Oh, those colours!

The blues and greens reminded me of the sea, the sky and the marram grass on sand dunes on a sunny day. (The day we took these pictures wasn’t all that sunny, so the colours below are a bit more muted than those of the yarn.)

And  the grey, fawn, cream and pink combination made me think of seashells. To me, seashells are some of nature’s small miracles, with all of their different shapes and  subtle colours. I keep some in jars on my window sill – souvenirs of many trips to the seaside, in the Netherlands and abroad.

So, I caved in and the yarn came home with me. At first, I only looked at it and petted it. Then I played with it for a bit, just for the fun of seeing the colours of the shells and the yarn together.

And then I started thinking about what to make with it. I looked around on Ravelry and in my pattern books, but couldn’t find anything that spoke to me. So I decided to design something myself. It couldn’t be a big project, or I’d have to buy more yarn to go with it. (I only had 100 grams of each colour combination.)

I soon decided that a cowl would be perfect. It would be a lovely thing to make and to wear, and I could use up as much of the mini-skeins as possible.

I made swatches in all kinds of stitch patterns. I daydreamed, sketched and coloured. I knit more swatches, to try out different needle sizes. I cut some knots (figuratively speaking) and knit a prototype. Then I finally knit the actual cowls. Here you can see them side by side (click on images to enlarge).

The cowl is knit in the round, in a combination of broken rib, stocking stitch and rows of slipped stitches. Here you can see the different pattern stitches and the subtle variegations in the yarn from close up:

The pattern owes its name to a group of shells commonly found along our shores, called Tellina in Latin. One of them is the thin tellin (Tellina tenuis), a small, delicate shell with bands of colour in various shades. My favourites are the rosy pink ones, like the top left one in the photo below:

The cowl is suitable for all levels. For experienced knitters it will be a breeze to knit. And it’s totally doable for inexperienced knitters, too. (Only if you’re really new to knitting, I’d suggest asking a slightly more experienced knitter to cast on the stitches and knit the first two rounds for you. After that you should do fine.)

For those of you who’d like to make their own Tellina, you can find the pattern here on Ravelry.

IMPORTANT NOTE: Should you decide to knit this pattern, please don’t throw away the scraps! There won’t be a lot of yarn left over, as I’ve tried to use up as much as possible, but it would be a shame to throw away even the tiniest amounts. I’ll try to think up something to do with them. I don’t know exactly what it’s going to be yet, but I have some ideas and hope to publish a few small projects here on my blog during the summer months.

As always, thank you for reading!

Frogging

I’ve been knitting for over fifty years and I knit almost every single day, so I think I can safely say that I’m an experienced knitter. I can’t say that everything always goes swimmingly, though. After all those years, I still run into obstacles, and I still often have to frog things.

For a long time, I was baffled by the verb ‘to frog’ for unravelling knitting. It wasn’t in any of my dictionaries in this sense of the word. I just didn’t get why people called it frogging. Until Adrienne Martini explained it to me, on page 50 of her hilarious book Sweater Quest: My year of knitting dangerously:

‘Frogging, which doesn’t involve amphibians, means pulling out large swaths of knitting at one go. You rip it. If you don’t get the association, say it out loud.’

Rip it, rip it. Ah, I finally got it! Well, I’m a frequent frogger. Take a seemingly simple shawl like Stay Soft.

I started out cheerfully, casting on a small number of stitches, gradually increasing along one edge of the garter stitch rows. Everything was plain and clear in the pattern. No need to frog anything this time, right? Wrong.

Because I had a finer yarn and less yardage than the amount specified in the pattern, I’d decided to use a smaller needle size to be on the safe side. But when I’d finished both the yellow and the striped section (i.e. after knitting about one third of the entire shawl)…

… I had an awful lot of the first yarn colour left over – almost two-thirds of the total amount. It would be a shame to waste all that yarn. Besides, the fabric didn’t feel quite right, and it looked as if the final shawl would end up rather small if I went on like this.

So, I frogged everything I’d knit so far and started afresh with the needle size specified in the pattern.

The second time around the fabric looked and felt better. I quickly re-knit the yellow and the striped sections. On the orange section I ran out of yarn after I’d knit 16 rows less than the pattern indicated, but I wasn’t really worried by that.

By that time the shawl already had quite a good size (but rather a strange shape):

Now it was time to pick up stitches for the third colour. I read through the instructions: ‘pick up and knit 5 stitches starting from the cast-on corner of the shawl.’ Hmmm, where exactly? And how?

This pattern has been knit by many people before, so I thought I’d take a look at other projects on Ravelry, to see how they had done it. I read that others had scratched their heads, too, at this point. Many of them somehow found the solution, and some people even made notes of what they’d done, but I was still a bit confused.

So I tried something, frogged it, tried again, frogged again, until I was happy with the result:

And then I thought: why don’t I write a blog post showing exactly what I’m doing, so that others won’t have to frog as much as did? So that’s what I’m working on now: knitting the rest of the shawl while taking photographs and making notes. If it works out, I’ll show you the results soon.

Note: The frog in the photo at the top of this post is a moor frog that hopped across our path during one of our recent walks. During the mating season the males turn blue for a few days. The frog may look quite big in the photograph, but it was only 5 centimeters (2 inches) long at most.

Balloo Wool Studio

Two days off plus a weekend with few planned activities gave me a lot of uninterrupted knitting time. I spent it knitting my Stay Soft shawl – row upon row of garter stitch. When I’d knit about a third of the shawl, I decided to rip it all back and start again (more about that soon). And while I was knitting more and more rows of garter stitch, my mind was free to roam.

I looked ahead, making plans for summer knitting projects. And I thought about spinning, too. I’ve finished plying the yarn on my bobbins, so my spinning wheel is free to take on a new project. I thought of the Drenthe Heath sheep wool I bought a while ago, waiting to be spun up, which made me think back to the day in April we visited the Shepherds of Balloo. And suddenly I remembered that I was going to write about their Wool Studio, too.

So here we are. My train of thoughts has transported us to Balloo Wool Studio:

The Wool Studio is housed in a wooden building across from the sheep fold, is open every day of the week, and is run entirely by volunteers. When the weather is nice, tea and coffee are served outside. On chilly days, visitors can warm up inside around the wood stove.

The volunteers have created a really cosy place, with books on the shelves and playthings for the children. And everywhere you look there is wool. Hanks of handspun wool hanging from a thick branch,

handspun wool on balls, and handspun wool made into blankets, sweaters, shawls, socks and much, much more.

Knowing how long it takes to spin up 100 grams of yarn, let alone an entire fleece, I was amazed by everything I saw. There was so much to see and such a lot of variety. Not just in the type of projects chosen, but also in thickness (or fineness) of the yarn used, and in the techniques.

On the sofa were two crocheted throws, made from grannie squares and thick yarn in various natural colours.

There were stacks of handknit items in a beautiful antique cupboard. Sweaters in all kinds of stitch patterns and a shawl with a knit-in sheep pattern.

Hanging in front of a window was a narrow scarf that made me look twice. What’s that? It doesn’t look like knitting or crochet. It isn’t woven either. What can it be? Oh, wait a sec, I think it may be bobbin lace.

What a great idea! Especially with the thick thread meandering through it. Here’s a detail:

What struck me was that almost everything I saw, was in the natural colours of the Drenthe Heath sheep fleeces. The only exceptions were a few brightly dyed balls of yarn on a shelf and this pair of adorable baby booties, with some green and red accents:

Other than that, everything was in one or more of the shades of white, grey, brown and black the Drenthe Heath sheep have to offer.

I think it’s wonderful what the people at Balloo Wool Studio have done with the fleeces of their flock. It’s so good to see that not all of our local wool is bought up for next to nothing to be shipped to China for low-grade uses.

Now it’s my turn to do something with it, too. As I told you in my previous blog post about The Shepherds of Balloo, I bought some unspun Drenthe Heath sheep wool during my visit – a plastic bag filled with batts of washed and carded wool:

I’m not a terribly productive spinner, so I only bought a small quantity. At a recent crafts event, I met the woman who washed and carded it. But that’s a story for another time…