April Allsorts

It almost hurts the eyes, doesn’t it? That blue, blue sky with those bright white flowers of the June berry. I was taking a spin on my bicycle when I took this photograph. Something was bothering me, and I thought a bit of exercise and fresh air might help clear my mind. The air was certainly fresh, not to say icy. I was glad I was wearing my woollen gloves. But what a glorious afternoon!

There were lots of lambs in the fields:

You’d expect the air to be filled with the sound of bleating, but it wasn’t. The sheep and their lambs were quietly dozing or grazing – or following their grazing mums around – and watching each other.

We all know that ewes and their lambs can recognize each other’s voices. But we don’t know (or at least I don’t) if they have other ways of communicating. One ewe and her lamb, lying with their heads close together, made me wonder about that. Do they communicate with other sounds besides bleating? They don’t seem to have many different facial expressions. But what about eye contact? Or perhaps they communicate in ways that we humans have no idea of.

What a wonderful bicycle ride! It was no more than 45 minutes, but I’d seen so many lovely things. And although I hadn’t consciously been trying to solve the problem bothering me, just cycling along had solved it for me – I knew what I had to do when I got home.

Apart from some cold and bright days like these, April has given us all sorts of weather. We even had an afternoon of snow and hailstorms! I don’t know if you can see it on your screen, but the leaves of these dwarf lilies in our garden are filled with hailstones.

Last Sunday, the day after these wintry showers, was a little more spring-like. Not as warm yet as it is now, but really nice weather for a woodland stroll.

I was wearing my new socks. Maybe you remember them from a previous post – the ones with the wide stripes:

I tried to get the stripes matching on both socks. I’ve tried to do that before, with varying success. In theory, it should work if you find a clear place in the stripe pattern, note down where you are starting on the first sock, and start at the same place in the stripe sequence on the second sock.

The emphasis here lies on ‘in theory’, because sometimes there is a knot in the yarn (*#@!), or the stripe pattern suddenly skips a section for no clear reason (*#@!!!). This time it worked, though:

I give lots of socks away, being fortunate enough to have friends and relatives who want to wear them. But I’m keeping these.

The yarn I used is Regia 4-ply in a colourway called ‘Nissedal’. This stripe pattern was designed by Arne and Carlos, the sympathetic Norwegian guys (or is one of them Swedish?) who gained world fame with their knitted julekuler (Christmas baubles). They’ve designed lots of other knits since then and have a YouTube channel with some 60.000 subscribers. I must admit that I’ve never watched any of their videos myself, but that’s not Arne and Carlos’ fault. It’s just that I’m not much of a video watcher in general.

One of their latest ventures is a collection of cushion patterns for yarn brand Rowan, which is presented in Rowan’s latest Spring/Summer Magazine (number 65):

Some cushions have geometrical designs, others have intarsia flower patterns, and all of them have ‘Scandinavian knitting design’ printed all over, don’t you think?

Word of Warning: Don’t buy this magazine just for the cushions, because the patterns are not included. I don’t regret buying it, as it is filled with lovely spring and summer knits, including four designs for garments and accessories by Arne and Carlos. Everything is beautifully photographed, the patterns for all the other items are included, and I love leafing through it for inspiration. But the cushion patterns need to be bought and downloaded separately from the Rowan website.

I’ve almost come to the end of what I wanted to show and tell you today. There’s just one more thing. I’ve finished knitting Granite, the cardigan for our daughter. I struggled with the right way to measure the stretchy knitted fabric, and was worried that I’d get it wrong. So I didn’t sew the pieces together yet, but just pinned them.

During our visit on Sunday she tried it on and…

… it fits! Yay! Can you see the pins sticking out at the armhole? Now there’s just the ends to weave in, the seams to join and the buttons to sew on.

Well, that’s all for now. I wish you a lovely weekend. And if the weather is as spring-like in your part of the world as it is here, I hope you have plenty of time to enjoy it.

Yarn Review: Manos ‘Fino’

Do you know that feeling – you see a yarn and immediately fall in love?

Nowadays I try to be sensible and only buy yarn with a specific project in mind. But it still happens to me every now and then that I see a yarn that is so beautiful I just have to take it home with me, even though I have no idea what I’m going to do with it.

‘Fino’ from Manos del Uruguay is one of those yarns. The tiny ball in the yarn bowl in an earlier post already gave you a glimpse of it.

Mini-skeins

The yarn I’m showing you in this blog post is a set of mini-skeins in a colourway called ‘Flora’:

Before I start describing the yarn, I need to tell you that these mini-skeins are exactly the same yarn as the full skeins of Manos ‘Fino’. A set of five 20 gram mini-skeins has the same yardage and the same weight as one 100 gram skein. And all of the colours in the mini-skein sets are also available as full skeins.

The yarn

Some Manos yarns are still spun by hand. Fino isn’t, but it is hand-dyed, and that shows. I realize that may sound negative, but that’s not what I mean at all. On the contrary. The hand-dyeing process yields beautiful colours, as you can see below:

From top to bottom the colours are: 433 Folly, 404 Watered Silk, 408 Crystal Goblet, 407 Velvet Pincushion and 423 Tincture.

Folly, Watered Silk, Crystal Goblet… it looks like they’ve found their colour inspiration at some 18th or 19th century mansion, doesn’t it?

None of the colours are completely solid. Some of them are semi-solids, with lighter and darker shades of the same colour, like the darkest green (Tincture). Others are more variegated, with a combination of different hues. For instance, overall the second colour from the top (Watered Silk) looks pale turquoise. But looking more closely at the yarn knit up in a swatch…

… you can see that there is pale turquoise and even paler turquoise in it, but also some purplish grey, steel blue and mauve. All in all, this gives a lively (but not too busy) effect.

Fino is a light fingering-weight blend of silk and wool with a subtle sheen. It is a single-ply yarn. This means that it consists of just one strand of yarn, unlike most yarns, which have several plies twisted together. I’ve taken a close-up, so that you can see what this looks like:

The yarn is not entirely even – it has slightly thicker and thinner bits. I think this adds to its charm on the whole. There were one or two blobs of silk in my yarn that were too thick to my taste, but I was able to remove them very carefully without damaging the thread.

I always like to know where a yarn I’m using comes from. What the story behind it is. So I did some research and discovered that Manos yarns have a very interesting story to tell.

Fair Trade

What I found out is that Manos del Uruguay (Hands of Uruguay) is a not-for-profit organization, comprising 12 individual cooperatives, owned by the women who work there. The cooperatives are all located in rural areas of the country and their products are certified by the World Fair Trade Organization.

There’s much more to tell, but the artisans can tell their own story much better than I ever could. In honour of their fiftieth anniversary they’ve made a 6-minute video that gives a great impression of their work. Don’t you just love those long, long lines with skeins of dyed yarn, drying on the air outside?

The knitting experience

So what is it like to knit with this yarn? Absolutely lovely, in my humble opinion. I’ve knit some small swatches, one in each colour:

I have a little more experience knitting with this yarn than just these small swatches, as I’m also working on another project in Fino, an easy-to-knit accessory that I hope to tell you more about later this spring. I first used the blues and greens shown here, and I’m making another version in a totally different (but equally beautiful) colourway now.

The yarn knits up to a fairly even fabric. Very fine, or more open and drapey depending on the needle size used. The yarn is so beautiful that just plain stocking stitch would be a good choice, but I think it will work equally well in a cable or lace pattern. Because it is so soft, it is perfect for accessories worn close to the skin, like shawls, cowls or hats. I don’t think it will stand up to frequent (machine) washing, so I wouldn’t recommend it for baby knits.

Some bleeding is common in hand-dyed yarns. But when I soaked the items I knit in a non-rinse wool detergent these colours didn’t bleed at all.

Yarn facts

  • Name: Fino
  • Manufacturer: Manos del Uruguay
  • Skein weight: 100 g (mini-skein sets 5×20 g)
  • Length: 450 m (490 yds)
  • Recommended needle size: 3-3.75 mm (US 3-5)
  • Recommended tension/gauge: 24-28 sts to 10 cm (4 in)
  • Composition: 70% wool; 30% silk
  • Made in: Uruguay
  • Available in: 40 shades
  • I used: Mini-skein set ‘Flora’
  • I paid: € 29.70 for a set (February 2019)

Yarn shop

In fact, I didn’t buy this yarn in a shop, but at a big annual needle crafts fair, where I spent a wonderful day with a friend who loves knitting just as much as I do. The yarn seller does have a shop – De Roopoorte, near Ghent in Belgium – but I haven’t been there, so I can’t tell you about it. What I can tell you is that Evelyne, the owner, has a good eye for beautiful yarns and interesting pattern books. And she stayed calm and friendly all day long, patiently giving people advice about yarns and patterns, no matter how big the crowds milling around her stand got.  

Silly but honest

You may (or may not) have noticed that I sometimes add notes to my blog posts saying something like ‘This post is not sponsored in any way’. I feel a bit silly adding these notes. I mean, who’d want to sponsor me?

The reason I’m adding these notes is that I want to make it clear that nobody is paying me to say nice things about their yarn, shop, designs, books etcetera. When I say nice things about something or somebody, it’s because I really mean them. This also applies to this post. Honesty and integrity are important values to me. So even though it feels rather silly, I’ll keep adding these notes from time to time.

Fun

I’ve had such fun playing with this yarn – winding the small skeins into balls, knitting those tiny swatches, taking lots of photos. I hope it’s been fun to look at and read, too. Thank you for spending some time here.

The Shepherds of Balloo

On Sunday morning we decided on a whim to pay the shepherds of Balloo a visit. It was a lovely day for a walk and I hoped we would see some newborn lambs.

When we arrived, the doors of the sheep fold were open. We could see that it was empty and the sheep were out, which was only to be expected in the middle of the day.

In 2011, the old fold was destroyed by a terrible fire. Fortunately, enough money could be raised to rebuild, and there is a new, very light and airy fold now.

Looking inside we could see the fresh, golden straw on the floor and the wooden feeders filled with hay. In cold and wet weather the ‘windows’ can be closed with a kind of roller blinds.

The area where these sheep roam is not very big, so we should be able to find them. The wind was a bit nippy, but otherwise it was a lovely dry and bright day. The start of our walk took us along a cycle track:

Very soon we turned right, onto a sandy path and the heath. Although spring has arrived in our garden, the landscape here still looked bare and wintry.

I haven’t discovered how to share the sounds and smells of our walks with you here other than catching them in words, so that’s what I’ll try to do. Well, I don’t know about the smells, but for a soundtrack to this walk think of the soughing of the wind and the song of skylarks, climbing higher and higher into the sky. Nothing else. No cars, no planes, no traffic noise at all.

We didn’t have to walk very far before we spotted the flock of sheep in the distance:

Walking on, we lost sight of them for a while. Why? Well, in my pictures the landscape looks flat, while it is in fact slightly undulating. But soon enough, climbing a hillock, we suddenly saw them again. And sitting in a sheltered spot, leaning against his rucksack, was one of the two shepherds who own this flock, keeping an eye on his sheep.

And he was not alone. His two sheep dogs were with him. One of them is a border collie, like many other shepherds in this area have. And the other one is an Australian Kelpie. Meet Woods:

Oh, what a lazy dog! Just lying around enjoying the sunshine instead of minding the flock. Or is he? Look at his ears – they are not resting at all, but on the alert all the time. And as soon as they register something he sits up:

The shepherd told us that Woods is a dog with a natural instinct for herding. A really reliable dog. ‘If we get back to the fold at the end of an afternoon and Woods keeps looking back, you can bet your boots that there’s a stray lamb left behind,’ he said.

Talking about lambs – where are they? Well, as it turns out we were a bit early in the year. There were only six lambs as yet. They were hidden among the adult sheep, but I was able to take a snapshot of two of them. Can you see them?

These sheep are again of the Drenthe Heath sheep breed, about which I wrote in A Chat with a Shepherd. And here, too, their main job is nature conservation.

The shepherds of Balloo have the biggest flock in this part of the country, with over 400 sheep before the lambing season. As is usual for Drenthe Heath sheep, their colours range from (almost) white to black, with other colour variations in between.

What interests me, of course, is what happens with the wool. In the Middle Ages wool was an economic factor to be reckoned with, and the wool trade brought great riches to parts of Europe. But we live in different times.

At my knitting group, last week, I was shocked to hear that another shepherd with Drenthe Heath sheep receives literally nothing at all for his fleeces! His fleeces are shipped to China, as some kind of waste product, to be used in the carpeting industry.

At Balloo things are looking better, I’m glad to say. Along one wall of the fold I saw stacks and stacks of plastic bags filled with fleeces.

Fleeces in all of the colours Drenthe Heath sheep come in are offered for sale. Each bag has a label describing the specific properties of that particular fleece. I read things like: ‘Ideal for felting’, ‘Good quality for spinning’, ‘Fleece with especially long locks’, etcetera.

An entire fleece would be  too much for me, at the moment, but fortunately I was able to buy a smaller quantity of wool. I am looking forward to trying out how it feels in my hands and how it spins up. I need to finish spinning and plying some other wool on my bobbins first, but when I have something to show, I’ll definitely let you know.

More information

There are two websites dedicated to the Balloo sheep. I don’t quite understand why. One seems to be the shepherds’ own website, and has information about the flock and the wool studio (more about that some other time). The other website provides similar information about the flock, as well as a description of the landscape.

Simple Knits

Right now, life around us looks a bit like relay race. As soon as one person recovers from the flu the next one takes over the baton, and starts coughing and feeling headachy. And then the next one. For those of you who are reading this with watery eyes and a box of tissues close to hand: I wish you a speedy recovery!

I’m more or less back to normal, so I thought I’d give you the knitting update that I promised last week. It’s all about simple knits right now, nothing spectacular (is knitting ever spectacular?). I’m glad that I have several things in this category on my needles.

Granite

First of all there is ‘Granite’, the cardigan that I’m making for our daughter. Although I don’t feel like I’m spending huge amounts of time knitting, it is progressing much faster than I’d expected. I’d hoped to have it finished before the autumn, but if it goes on like this, she may even be able to wear it later this spring. The back, both fronts and one sleeve are done. There’s just one more sleeve to knit.

The combination of yarn and stitch pattern make for a really, really elastic fabric. As a consequence all of the pieces look very long and narrow. I mean, look at this sleeve:

Does it look like something that is going to fit? Not really. I trust that it’s going to be all right in the end, because I have knit my swatches and have complete faith in the designer, but still…

Measuring problems

Measuring the length of the pieces is quite hard, as they stretch enormously in every direction. I’ve measured the first sleeve again and again, and the tape measure indicates a different length every time.

I’ve also counted the number of rows I knit and compared them to my swatch. For the sleeve, for instance, I need to knit 40 centimeters from cuff to start of sleeve cap. In theory that is four times the number of rows of my 10 cm swatch. But in reality that looks way shorter than it should be, and that’s what my tape measure tells me too.

Well, I’ve done my best and hope that back and front, and especially the sleeves are going to be the right length.

Button bands

The button bands are knit onto the cardigan and have tiny, one stitch button holes:

I usually buy the buttons first and then adapt the button holes to them. But because I was unable to go out, I’m doing it the other way round this time. I’m knitting the buttonholes as indicated in the pattern and hope that I’ll be able to find matching buttons.

(While I was taking these pictures, there were some heavy rain showers, with sunny spells in between. The sun suddenly came out when I took the buttonhole picture, which is why it looks such a different colour. On my screen, the picture of the sleeve is truest to the actual yarn colour.)

Socks

The second project on my needles is a pair of socks. Not terribly exciting, but always nice to do. Usually I don’t mind if the two socks end up slightly different. I think it’s no problem at all in the pair below that I knit a while ago. As you can see, the sock on the right has a darker cuff and toe, and a bright pink heel, while the colours are distributed differently in the sock on the left. But overall, the effect is similar:

But the pair I’m knitting now has very prominent stripes:

In this case I do want both socks to be alike. Nowadays some of these yarns have a special starter thread that helps create two identical socks, but my yarn doesn’t. So what I’ve done is I’ve chosen a clearly recognizable part in the stripe pattern (the narrow blue stripe bordering the part with the turquoise in the middle) and started with that. I hope I can replicate that on the second sock.

Take-along project

I have a confession to make. My scarf in four colours of mohair and silk was meant to be my take-along project. The idea was that I would knit the memories of places I’d been to into it. But I’ve cheated and also knit a bit at home. I wasn’t going anywhere for weeks on end, and I just couldn’t keep my hands off it.

Apart from that, it has accompanied me on an outing with our daughter, a visit to friends in the south of the country and to my knitting group on Wednesday, where I added in the next colour, the bright turquoise on the right (I took the photo beforehand).

In this scarf, two colours are knit together in every ‘block’. This means that the scarf as a whole will be less bright than the yarn on the ball, and that the colours blend nicely together from one block to the next.

Swatches

And last but not least, I’ve been knitting some swatches in an absolutely BEAU-TI-FUL yarn.

This fairly thin yarn is soft, has a slight gleam and comes in a range of lovely colours. I hope to tell you more about it soon.

Lemons and Literature

Thank you so much for all your well-wishes, both online and off! They have done me a power of good.

In the grand scheme of things, a bout of the flu is nothing, of course. But in my personal life it’s been rather disruptive, and I haven’t always been the most patient of patients. I’m on the mend now, I’m glad to say, and feeling a little better every day.

When life gives you lemons…

… make lemonade. Or so the saying goes. I feel ambivalent about the philosophy behind this. On the one hand it sounds nice and positive. But on the other, I would never, ever say this to somebody who is seriously ill or otherwise going through a difficult time. I side with Ursula Le Guin, who says:

Positive thinking is great. It works best when based on a realistic assessment and acceptance of the actual situation. Positive thinking founded on denial may not be so great.

(from: No Time to Spare, p.12)

In the case of flu, though, I do think it’s a good thing to do something positive with those lemons. Only instead of lemonade, I’d rather make tea. Our good friend Richard sent me his recipe for Lemon and Ginger Tea and has kindly given me permission to pass it on here.

Richard’s
Lemon and Ginger Tea

Ingredients

  • 1 litre of water
  • 25-30 grams of ginger
  • 2 bags of herbal tea*
  • juice of 1 lemon
  • honey or stevia** to taste

* Richard likes to use a detox blend, but says that any other (organic) herbal tea is fine. I used a blend of lime flower, chamomile and rosehip.

** The stevia powder available in most supermarkets is a mixture of stevia and sorbitol. Pure stevia is available from health food shops in liquid form.

Method

  • Bring the water to the boil
  • Peel and thinly slice the ginger and add to the boiling water
  • Leave to cool to about 80°C and add the teabags
  • Remove the teabags after about 5 minutes
  • Leave the tea to cool further to lukewarm
  • Sieve out the ginger and add the lemon juice
  • Sweeten with honey or stevia if you like

Drink straight away or keep refrigerated for up to 2 days.

This tea can be reheated gently (do not boil again or you’ll lose the goodness from the lemon), but is also delicious as iced tea in summer.

Tip: add some slices of orange and/or a clove for an extra warming winter tea.

Enjoy!

Tea label wisdom

Apart from the tea itself, the labels attached to the bags have also been nudging me in the right direction, with gems of wisdom like ‘This life is a gift’ (Absolutely, and I really appreciate it), ‘Kindness is the essence of life’ (All right, I’ll try not to be too grumpy), and ‘Create the sequence of goodness, consequences will be always good’ (Uhm, I need to meditate on that one for a bit, but I’m sure it will lead to something good).

Books

Books have been a great comfort to me during the past few weeks. I’ve been reading a lot, mainly re-reading books I’ve read before.

I’ve given this blogpost the title ‘Lemons and Literature’ because of the attractive alliteration. Whether everything I’ve been reading falls into the category Literature with a capital L is debatable, but I don’t think that matters all that much. Among my reading matter, was the book by Ursula Le Guin from which I quoted above.

No Time to Spare

Le Guin, who died last year, was a prolific writer. Apart from many novels, she wrote essays, short stories and poetry. She also published a new English translation of the Tao Te Ching. And she started blogging at the age of 80! No Time to Spare: Thinking About what Matters (Houghton Mifflin, 2017) is a compilation of some of her blog posts.

These are gems of wisdom in a different category entirely from the tea labels. Witty, warm-hearted and wise, Le Guin writes about subjects ranging from ageing to cats, literature and life in general. A book to savour in small chunks.

Tip for Book Lovers

No Time to Spare was a gift from my dear friend Pien, a fellow book lover and a book artist. Pien makes her own paper, in which she often includes plant fibers, like gingko, hemp or stinging nettle. She writes her own texts, prints them onto her hand-made paper and then binds her books by hand. Do take a look at her website Waterleaf Paper and Words if you’re a book lover too. All images on her website can be enlarged by clicking on them.

KnitLit

The book you may have noticed on my bedside table in my previous (very short) post, was KnitLit: Sweaters and their Stories… and Other Writing about Knitting. The title says it all: this is a collection of essays and stories about knitting, yarn, wool and other fibres, disastrous and successful projects and much more.

Some of the pieces are humorous, some moving, and some thought provoking. Most of them are no more than 3-4 pages long, and some only half a page, like ‘Silent Knit’, about the sound of wooden knitting needles versus that of plastic ones. Does anyone really want to read anything as nerdy as that? Well, I do. And apparently lots of others do too, as there’s also a KnitLit Too and KnitLit the Third.

Knitting

I have given my needles a couple of weeks’ rest, but I’m back to knitting now and hope to give you an update next week.

A Visit to a Norwegian Spinning Mill

Hello! Welcome on board the ferry from Kiel, Germany, to Oslo, the capital of Norway.

Today we’re travelling back in time to 2006. The year our family of three spent a Summer Holiday in Norway. One of our destinations is a spinning mill on the west coast, a little north of Bergen.

But before we get there, we’ll be seeing some sights along the way. I won’t bore you with our complete family photo album, but I do want to show you a bit of this beautiful, rugged country that has such a great knitting tradition.

Our accommodation for most of this holiday is a tent. It isn’t big, but it’s comfortable. And we’ve even brought some chairs.

From Oslo we are first travelling north, to Jotunheimen National Park. This mountainous area is ideal for hiking. There are miles upon miles of hiking trails, the main routes clearly marked with big red T’s on rocks.

The scenery is breathtaking, the air is clean and fresh, and – apart from the sound of wind, water and birds – silence reigns. (Click on pictures to enlarge.)

I hope you’ve enjoyed these walks and are not too stiff and sore from the unaccustomed climbing. Leaving Jotunheimen, we’re now travelling in a southwesterly direction.

At Borgund we visit a stave church from around 1200 AD. The roof of this wooden building is decorated with both dragon’s heads and crosses, and there are intricate wood carvings around the entrance. Inside it is rather dark, as the windows are small. The wood is charred and tarred for preservation, which gives off a very special smell.

Our next stop is Bergen, the second largest city of Norway (280.000 inhabitants). These are the wooden buildings at Bryggen, the colourful historic harbour front:

Bergen is notorious for its rainfall. There’s a well-known joke about it that goes like this:

A foreign tourist visiting Bergen in a downpour addresses a local boy, ‘Boy, please tell me, is it always raining in Bergen?’ The boy answers, ‘I wouldn’t know, Sir. I’m only six.’

We’d heard the joke and decided to rent a cottage in the area instead of putting up our tent again.

It is painted in Scandinavian red and one corner of the roof is supported by a knobbly tree trunk. Inside everything is made of unpainted wood – the walls, the floor, the furniture. On our menu is a lot of salmon, as well as Pytt i Panne, a traditional one-pot dish with potatoes, leeks and ham.

From the cottage it is only a short drive north to Hjelmås, where we are going to visit a spinning mill, called Hillesvåg Ullvarefabrikk.

Hillesvåg Ullvarefabrikk was founded in 1898. Some of the machinery from the early days is still in use. The front door of the building opens right into a small shop brimful with yarn and ready-knit socks, woollen underwear and sweaters.

We ask the lady behind the counter if we could, perhaps, take a look around the actual mill to see the yarn being spun. ‘Of course,’ she says, and she calls the general manager, who kindly gives us a tour of the premises. He tells us that all of the wool they process is from Norwegian sheep.

First he shows us how the wool is fed into the carding machine…

… and is carded by roll upon spiky roll to align the fibers, and produce a sliver ready for spinning.

Then we see how the carded wool is spun onto yarn spools.

The yarn is dyed in big vats, in over a hundred different colours. (Unfortunately we didn’t take any photos of those. At the time I had no idea that I’d ever be publishing this on a blog. Had I even heard of blogs in 2006?)

Back in the shop it’s time for another look at the colourful yarn display. After much deliberation, I finally decide to buy the kit for the ‘challenging’ cardigan I mentioned in my previous post.

Nowadays, Hillesvåg Ullvarefabrikk is an Economusée, which means that they are still a working mill, but now officially give guided tours.

Well, it’s high time to get back on the ferry for the return journey. I hope you’ve enjoyed your mini-holiday in Norway. Thank you for travelling with Merula Designs and I hope to see you again soon.

Note: This post is not sponsored in any way. I just like talking about knitting materials and where they come from. (Not that I would mind being sponsored by the Norwegian Tourist Board but, alas, they haven’t discovered my blog yet.)

How to Choose What to Knit Next

The title of this blogpost may suggest that this is some sort of manual telling you how to choose your next knitting project. Well, it isn’t. It is a question that I’ve been asking myself lately. In reality, the question was more like: How ON EARTH am I going to choose what to knit next??????????

Going by what I see and hear around me, there are more people struggling with this question from time to time. It’s a luxury problem, of course. Our grandmothers knew what they had to knit to keep their families warm – not much to choose there. But we live in different times. Our problem is often that we have too much to choose from. Besides, a knitting project can be quite an investment of time and money, so it’s only logical that we want to make the right decision.

What I did to find the answer

I’d love to give you a step-by-step plan, but I can’t. I’m no master of choosing, and I have no idea what works for others. I can only tell you what I did to find the answer, and hope that’s somehow interesting or helpful.

If you’ve been following my blog for a while, you may remember that I’d come to a point when there was nothing on my needles except a pair of socks. And when I’d finished those, there was nothing on my needles at all. I hated that. I felt very uncomfortable with it. And yet, I was unable to cast on something new. Why?

To find the answer, I did what I often do when I’m stumped. I took out a notebook and a pen and started to write.

In brief, my problem-solving writing process works like this:

  • I set a timer for a specific time, say 15 or 20 minutes.
  • I write down everything that comes to mind regarding the problem.
  • When the timer beeps, I ask myself: Anything else?
  • I set the timer again, this time for 5-10 minutes, write some more and put down my pen.
  • Then I read through what I’ve written and usually see a pattern emerging.

What I saw this time was that my inability to choose was an after-effect of my career switch. In my new life I have time, energy and creativity left for some more adventurous knitting than I’ve done in recent years. That’s absolutely wonderful, but it also takes some getting used to. And I can’t be adventurous all the time.

I saw that what I really needed was different knitting projects for different situations, different times of the day/week and different energy levels.

What I needed was:

  • Something simple
  • Something challenging
  • Something to play with
  • Something to take along

After I’d made this little list, it was easy to choose what to knit next. I didn’t have to go shopping for yarn, because I’m the happy owner of an wonderful yarn stash. Another luxury that our grandmothers didn’t have (and I haven’t always had either), and I’m very grateful for it. Here is what I chose for each category.

Something simple

This is ‘Granite’, a stylish cardigan, in a very simple stitch pattern, by one of my favourite designers, Kim Hargreaves. I’m going to make it for our daughter. Just the thing to knit on evenings when I crave some meditative, repetitive knitting. It is knit on small needles, so it should keep me occupied for a while.

Something challenging

I bought this yarn kit for a cardigan with a big leaf pattern in Norway years ago. This feels like a huge challenge, and I’m a bit nervous about sharing it here, because I’m not sure I’m ever going to finish it. But I am looking forward to starting it.

Something to play with

This basket is filled with some new (to me) yarns as well as some left-overs from other projects. Playing with them for me simply means: letting the yarns go through my hands, knitting swatches, experimenting with stitch patterns, and trying out some design ideas that I have.

Something to take along

Simple, lightweight, portable, this Color Play Mohair Scarf is knit in four colours of a lovely mohair-and-silk blend. The yarn is thin, but two strands of yarn in different colours are held together throughout. This is an ideal project for knitting on a train or bus, in a waiting room etc.

Oh, I almost forgot – I’ve also cast on another pair of socks. I just can’t live without a pair of socks on my needles:

Well, I surprised myself there. I’d intended to just introduce some new knitting projects, but it evolved into something more than that. Thank you for reading.

I’ll keep you posted about anything worth sharing about these knitting projects. Next time I’ll tell you where I got the ‘challenging’ yarn kit. I hope you’ll join me on the ferry to Norway.

A Chat with a Shepherd

By far most of the sheep surrounding us are of the well-known Texel breed. Stocky, white-fleeced sheep, like the woolly lady enjoying a bit of wintry sunshine in the picture at the top of this post.

When I started spinning, decades ago, I only spun Texel wool at first. Simply because it was the only wool I could get at the time. Since then I’ve tried out various other sorts of sheep’s wool and non-sheep fibres. Even some nutria (also known as coypu rat). Ugh, never again! But let’s not get distracted – back to sheep.

We do have other sheep breeds in the Netherlands – 67 other breeds, in fact. (I didn’t know that. I looked it up.) One of these is the Drenthe Heath sheep. There are several flocks of Drenthe Heath in our part of the country, and we sometimes meet them when we’re out walking.

On one of our Sunday walks I already spotted them from a distance. How nice that they’re here today! (We never know exactly where they are – it’s always a surprise.) But when we came closer, something seemed different. Strange. Wrong.

Normally they roam freely over the heath, but this time they were all huddled together.

Huddled really, really closely together. Look:

That was decidedly odd! And where was the shepherd? We stood watching the sheep for a while, wondering what was up. Meanwhile I took some close-ups of individual sheep. Most of them are whitish with a brown or golden head and legs, but there are also some grey and black ones among them. (Click on the images to enlarge.)

Then the sheep dog, a Border Collie, came back with the shepherd close on its heels.

We asked him (the shepherd, not the dog) what was the matter, and he told us that one of the sheep had broken a leg, jumping into a ditch. He’d had to carry it back to the fold and herded the rest of the flock closely together to keep them safe while he was away for a while.

He also told us that the flock consists of 380 sheep now. In spring, after lambing, it grows to 700-800. The sheep’s job is nature conservation. Their grazing keeps the heathland open, like this:

Every sheep eats about 5 kilograms of plant material a day. So, in winter the flock eats 380 x 5 = almost 2000 kilograms per day! Without the sheep, the area would soon be overgrown with shrubs:

The shrubs would be followed by trees. And the heath, with all its rare flora and fauna, would be gone within a decade. Thank you so much, dear sheep, for preserving this beautiful habitat for us.

Although these are the native sheep around here, I’ve never spun any of their wool. To be honest, I actually know very little about Drenthe Heath sheep or their wool. So when we got home I got out my Fleece & Fibre Source Book.

Yes! They’re in the index – go to page 313. And what does it say on page 313? The breed is mentioned under Zwartbles, as one of its ancestors, ‘the horned and hairy-fleeced Drenthe (outside the scope of this volume)’. Not very helpful.

Well, I’ll have to go looking for more information elsewhere. There’s always the internet, of course. Or I could visit some of the flocks and chat with other shepherds. I know that the Shepherds of Balloo have a wool studio, but I’ve never been there. A visit during the lambing season would be something to look forward to.

And maybe I could try spinning some Drenthe Heath wool. I don’t know what it’s like or if it would be suitable for knitting. Do any of you reading this have any experience with the wool? If you do, I would really appreciate it if you’d tell us about it in a comment.

To be continued…

Yarn Review: Rowan ‘Cashmere Tweed’

Recently someone not a million miles from here made a remark about my blog that set me thinking. He said: ‘I have to read/scroll through quite a lot of stuff to get to the point of your post.’

That stopped me in my tracks. To me, this reading/scrolling thing is the point.

O dear, am I doing this all wrong? Should I make my point first, and expand on it afterwards? There is something to be said for that.

Hunters and gatherers

After giving it some thought, I came to the conclusion that this is a great illustration of the difference between hunters and gatherers. A remnant from a time when we lived in caves and had to hunt for meat and gather berries to prevent starvation. Some people were better at one thing and some at the other.

I consider myself totally and utterly a gatherer. I often find lots of delicious berries (i.e. seemingly irrelevant but fun stuff) along the way and easily get distracted by them. And that is also the way I write my blog. But I do realize that not everybody is like that.

So, if you are a hunter type, and prefer to get straight to the meaty details, please scroll down to a box entitled ‘Yarn Facts’, followed by ‘Conclusion’.

If you are more of a gatherer, please read on.

A bit of history

A long time ago, I became a member of Rowan International. For those of you who don’t know: Rowan is a Yorkshire-based yarn company especially famous for its tweed yarns and innovative designs.

At the time Rowan International members received a beautiful, large-size magazine twice a year, packed with knitting and crochet patterns and some interesting background articles. Plus the new autumn/winter or spring/summer shade cards. And a free gift of yarn with a pattern for a small project.

I still have the original shade card folder:

Changes

After a while things began to change. The shade cards disappeared. We didn’t receive yarny gifts anymore. The company was taken over by a big international firm. The patterns were no longer all that exciting. The pattern sizes became tiny (in my country, I’m an average size person, but sometimes even the largest size was too small for me). And there were a lot of changes in the yarn lines. To make a long story short: I ended my subscription.

But in recent years things have gradually changed again. The pattern sizes are back to normal. The patterns are more appealing. And there are some really exciting new yarns. So, when I saw the new Rowan shade cards last autumn I decided to buy them.

Shade cards

Maybe I’ll go into my love of shade cards some other time. For now, I’ll just say: All those beautiful colours! So many possibilities! So much to dream about! Just look at these two pages. Don’t all those gorgeous colours just make your heart sing?

I looked at and felt the yarns and knew straight away that I had to try out some of them.

One day in October last year, I was in Amsterdam. I was there for a different purpose and didn’t have much time, but I quickly popped into De Afstap, a small but well-stocked yarn shop specializing in Rowan. I had an interesting chat with the lady behind the counter and bought three balls of Cashmere Tweed, in a deep burgundy colour called ‘Andorra Red’ (shade 006). It has flecks of a brighter red, orange, black and grey.

Cashmere Tweed is a mix of merino wool and cashmere. It consists of two plies of slightly irregularly spun yarn incorporating dots of wool in different colours for a tweedy effect. It is a dk-weight yarn that knits up to a lovely soft and filled-out (but not dense) fabric. Cashmere Tweed is available in 13 shades, including some natural browns and greys, a pale pink, several really bright colours and some muted and darker ones.

I bought the yarn especially to make the two pairs of Welted Fingerless Gloves I wrote about in a previous post.

The knitting experience

The yarn was a joy to knit with. It is very soft and woolly, without being itchy at all. There were no knots in any of the balls.

I’ve read some complaints about the yarn breaking easily. I agree that Cashmere Tweed is not a very strong yarn. It is easy to break the thread by hand. But I only had problems with the yarn breaking during knitting once. That was at the thumb hole, where I messed things up, had to unravel and re-knit a bit.

The yarn broke when I passed one stitch over the next with some tension on the thread. An awkward place. But, to be fair, I think that this was more due to my unravelling and handling of the yarn than to the yarn itself.

Yarn facts
  • Name: Cashmere Tweed
  • Manufacturer: Rowan by Mez Crafts UK Ltd
  • Ball weight: 25 g
  • Length: 88 m (96 yds)
  • Recommended needle size: 4 mm (UK 8 / US 6)
  • Recommended tension/gauge: 22 sts x 30 rows to 10 cm (4 in)
  • Composition: 80 % extra fine merino; 20% cashmere
  • Made in: Italy
  • Available in: 13 shades
  • I used: Andorra Red (006)
  • I paid: € 9.40 per ball (October 2018)
Conclusion

Rowan ‘Cashmere Tweed’ is a luxurious dk-weight yarn that gives a very soft fabric with a good ‘body’. It is easy to knit with, but may break after unravelling and under too much strain. Considering the price, I think it is especially suitable for accessories like shawls, scarves, cowls and hats. Just a few balls will make a lovely gift to a special person (or yourself).

The yarn shop lady

The lady at the counter of the yarn shop was none other than Carla Meijsen, who has just published her third book: Magic Motifs: Knitting with a Secret Message. I don’t have it, but I’ve taken a look at it. In one word: intriguing.

This post is not sponsored in any way. I’m interested in the knitting materials I use, and like sharing my experiences.