Linea Socks

Hello!

While I’ve been out and about quite a bit over the past few weeks and had to squeeze in some work, too, there was also plenty of time for knitting. One project that has recently slid off my needles is a pair of Linea Socks. It’s the second pair I’ve made from that beautiful book 52 Weeks of Socks.

This design, by Finnish designer Minna Sorvala, has diamonds on the top of feet and legs, flanked by columns of twisted stitches and small honeycomb cables.

I felt rather daunted at the start, but knitting four rows here, six rows there and just following the clear instructions and the chart the socks grew more quickly than I expected. While knitting, I took some photos of interesting details, hoping my pictures and notes will be of use to anyone else who’d like to make the same socks.

The Linea Socks are knit from the toe up and have a fairly blunt toe. Using a circular needle, I cast on with Judy’s magic cast-on. (There are many videos explaining this technique clearly, like this one.)

These are socks with a gusset, which imho makes for a much better fit than gusset-less socks. In the pattern, the increases for the gusset are made between the top and bottom needles. At first, I followed the pattern, but got holes.

This was not what I was looking for, so I ripped back a few rows and made the increases one stitch from the sides. Much better.

The heels of the socks are reinforced using a pattern of slip stitches. I hope you can see it in the photo below.

To bind off, I used Jeny’s Surprisingly Stretchy Bind-Off. (For a long time I called it Jenny’s bind-off, but it really is Jeny with one n – a good video here). How wonderful to be immortalized like Judy or Jeny for inventing a clever knitting technique! Unstretched, this stretchy bind-off is zigzaggy along the ribbing at the top.

Stretched when worn, it looks neat and feels comfortable.

And here they are all finished – my Linea Socks.

There is one tiny error in chart B, for the back of the leg. The second stitch from the left should be knit through the back of the loop, instead of worked like an ordinary knit stitch. For the rest, the pattern is very clear and the Linea Socks were a joy to knit.

These socks remind me of a series of funny old cartoons – La Linea. It’s amazing how much can be done with one simple line. It’s just like knitting, really – one thread, endless possibilities.

Making a Twisted Fringe

Hello!

We’ve had a lot of rather gloomy days here lately. I don’t mean gloomy because of the current coronavirus situation, although there is that too, but literally so gloomy that we need to keep the lights on all day.

We haven’t actually had a lot of rain. It’s just that on many days it’s been cloudy and grey.

I don’t really mind, and even enjoy the quiet atmosphere of some of these days. For me, the problem is that there often isn’t enough light to take pictures indoors, while the table on the patio is too wet to spread my knitting out on.

But last Sunday suddenly the sun came out.

I quickly set to work, because I wanted to show you how to make a twisted fringe. I’d finished knitting my Striped Linen Stitch Wrap. In this project, every row starts and ends with a yarn tail. In the basic pattern these are knotted into a fringe, but a later adaptation has a twisted fringe and that was what I wanted to try.

The yarn I used was Rowan’s Felted Tweed, a blend of lightly felted wool, viscose and alpaca. Because I wasn’t sure if the technique would work for this combination of fibres, I tried it out on a swatch first, and yes, it worked! This is how it’s done step by step.

1) Pin the end of the wrap to blocking mats.

The yarn ends were tied into bundles during the knitting. These are now undone one by one.

While twisting the ends, they need to be kept in place. The pattern uses a binder clip for this, but as I didn’t have any of those, I used a hair clip and a T-pin.

2) Undo a fringe bundle. Find the next 4 tails (they should be twisted in the order they were knitted).

3) Twist the first 2 tails together in the same direction as the twist of the yarn (i.e. to the right). Continue until they are slightly overtwisted.

4) Secure with a clip and pin onto the blocking mat with a T-pin.

5) Twist the next 2 tails in the same way and hold. Unclip the first 2 twisted tails. Tie both sets of tails together with an overhand knot as close to the ends as possible and let go. They will now twist together. Smooth this twist by passing it between thumb and forefinger several times.

Continue like this until all yarn tails have been twisted. Then repeat steps 1-5 for the other end of the wrap. Remove the wrap from the blocking mats and place it on an ironing board. Comb out the ends so that they are straight and not crossing each other.

6) Spray the fringe with a plant mister.

7) Cover it with a clean, moist tea towel. (Make sure it’s an old one that won’t give off any colour.)

8) Then, with the iron on the wool and steam setting, press the fringe with lots of STEAM.

Repeat for the other end of the wrap and leave to dry thoroughly. The tails should now be slightly felted, preventing them from untwisting.

9) Place the wrap with one fringe on the end of a table top. Make sure that the wrap is placed straight and straighten out the tails. Then cut off the knots at the length of the shortest tail.

I used a quilting ruler to make sure I cut the tails off straight.

There, all done! This is a great finish for a scarf or wrap. It’s really lovely to see the colours combined differently in each tiny barber-pole tail.

I’m really happy with this wrap and at the same time slightly sad that it’s finished. Many of the things I knit are for others, but I’m keeping this one. I’ve loved working on it and will miss the soothing rhythm of slipping and knitting, slipping and knitting many, many stitches.

Now I’m hoping for colder weather so that I can wear it. It’s a strange autumn. The pelargoniums and lobelias in our outdoor pots are still flowering and it’s the end of November! Still, we’ve had some night frost…

… and more wintry weather is expected for this weekend.

In case you’d like to knit a wrap like this, the pattern is called Striped Linen Stitch Wrap & Scarf (there is also a smaller scarf version) and can be found here on the designer’s website and here on Ravelry. The free adaptation for the twisted fringe can be found here.

Well, I hope that just looking at this warm wrap with its colourful fringe has warmed and lifted your heart a little. Take care! xxx

Hook and Needle Chained Cast-On

Hello again!

It’s good to be back here after a busy and bumpy couple of weeks. What with several ups and downs, keeping up with everyday life, and helping our daughter and her boyfriend husband paint their new home…

…there hasn’t been much progress on the knitting front. All I’ve done is knit row after comforting row on my Striped Linen Stitch Wrap.

So, I thought I’d write about that a bit. I’m knitting it in 8 colours of Rowan Felted Tweed. Different colours from the ones used in the pattern, but I’ve tried to find the same balance between darker and lighter shades. I chose 5 blues/greens, 2 pinks and 1 grey.

Because some of the blues and greens are hard to distinguish in the evenings, I decided to make a colour card, similar to embroidery floss organizer cards. With the colours from A-H with their names on the front…

… and the description of the stripe sequence cut out from the pattern glued to the back. I’m using a sticky note to keep track of where I am in the pattern.

Making the card was a fun little project, and it turned out to be a handy tool. A great idea for multi-colour knitting, if I say so myself. I used a standard blank 10.5 x 5 cm (5¾ x 4¼”) correspondence card, measured out the places for the holes with a ruler and pencil, and punched the holes with an ordinary 2-hole punch held at an angle to make one hole at a time.

This linen stitch wrap starts with a provisional cast-on, which will be unravelled later to knit an I-cord along the entire length. I think the best-know type of provisional cast-on is picking up stitches from a crocheted chain – the method I used for my Thús loop.

The method used for this wrap, just called ‘provisional cast-on’ in the pattern, is a little more sophisticated. In June Hemmons Hiatt’s 2 kg/712 page tome The Principles of Knitting it is called ‘Hook and Needle Chained Cast-On’.

If you’re like me and are interested in all kinds of cast-ons and bind-offs, edge stitches, increases and decreases, etc. etc. this is definitely a book for your Birthday or Christmas wish list.

I’ve taken pictures of the Hook and Needle Chained Cast-On as I went along, hoping it might be helpful and interesting to other knitters. The method uses a knitting needle, a crochet hook and a piece of smooth waste yarn. This is how it’s done step by step.

First of all, make a slip knot in the waste yarn and place it on the crochet hook. (I took my pictures after I already had a few stitches on my needle.)

  1. Hold the knitting needle in your left hand, crochet hook in your right hand, and waste yarn over your left index finger. Knitting needle and hook form an X. The crochet hook is in front and the yarn runs behind the knitting needle.
  1. Wrap the yarn around the crochet hook…
  1. … and pull the yarn through the loop.
  1. With your finger, or with the help of your hook, return the yarn under the needle and to the back. Now it is in the same position as in step 1.

Repeat steps 1-4 until the required number of stitches is on the needle. The stitches end up on the needle like any knitting stitches, with a neat row of chains running along the length of the knitting needle. This is very easy to unravel later on.

For my wrap, I needed to cast on 400+ stitches. I didn’t time myself, but I think it took me about two hours. Phew! But I know it’s worth the time and effort.

The stitch markers (picture below) are there to make counting this large number of stitches easier. I removed them as soon as I started knitting.

This was meant to be a project I would only work on in between projects requiring more attention. But the long rows of linen stitch are so addictive that I’m over halfway already. The white stitches along the bottom are the provisional cast-on.

I’m going to put it aside for a while now, though, because after a rainy and cold spring, it suddenly feels like summer! Thanks to all of the rain, our front garden is a sea of lush greenery, with white, pink and purple aquilegias…

… and here and there a lupin.

It’s far too hot to have a large woolly wrap on my lap now. My mind is already bubbling with ideas for projects for summery temperatures, but I also think I should finish a few things before I start anything new. Last week, I thought I had run out of ideas and things to write about, and now I don’t know what to do first or last. I’m so glad it was only a temporary slump.

I hope your life is moving along without too many bumps in the road. See you again next week (if I don’t get held up or sidetracked again)!

An Interesting Knit

Hello!

Phew, it’s finished! My Panel Debate cardigan, I mean. It took me about 8 months from start to finish. Well, I knit several other things in between, but on 2.75 mm (US 2) needles and with quite a few technical challenges, it wasn’t a quick knit.

It certainly was interesting, though, and I thought you might like to read about some of the special techniques (so much I-cord!) and what helped me finish it.

Panel Debate is a pattern by Danish designer Bente Geil, and can be found on Ravelry under its Danish name Paneldebat. I used one of the designer’s own yarns: Geilsk Bomuld og Uld – a light fingering weight blend of 55% wool and 45% cotton.

Reading through the pattern, I couldn’t make head nor tail of the instructions for the neckline. There seemed to be something wrong, so I e-mailed the designer. She said she’d look into it and sent me a new version of the pattern the very next day (during her Summer break!). Excellent service, I have to say.

The design is modular and is made up of many panels (hence the name).

Each panel is knit onto the previous one, and the panels are alternately knit horizontally and vertically. The vertical strips end in fans made by knitting short rows.

What helped me knit the fans, was copying the instructions for them onto a separate page, with each step on a new line. I marked the row I was knitting with a sticky note and moved that down after each row. That way I was able to keep track of where I was.

I lengthened the body by 4 cm (approx. 1.6 inches). No problem at all – just added the required length to the first 3 panels and the rest took care of itself. I also enlarged the armholes because I’d heard from several other knitters that they’d turned out rather tight.

After the body was completed, the armholes were finished with attached I-cords.

Armhole before… 

…  and after attaching I-cord.

Then stitches for the sleeves needed to be picked up from the I-cord (the sleeves are knit from the top down). That really was a pain at first. But it went a lot better using a crochet hook and slipping the stitches from the hook onto the knitting needle.

Then I had to adapt the sleeve cap to the enlarged armhole. That was a bit of a puzzle, but after several tries I was happy. I used the magic loop method to knit the sleeves.

I’m not entirely happy with that, because it shows all along the middle of the sleeves. I hope the line will fade with washing and wearing. I haven’t had this problem before. Could it be because of the cotton content of the yarn? Or the reverse stocking stitch ridges?

The sleeves are finished with I-cord along the wrists as well.

Finally there was more I-cord to knit – all along the fronts and the neck. First I had to pick up a zillion stitches. Then I cast on 4 extra stitches for the I-cord.

I knit a few inches, saw that the I-cord ‘pulled’ on the front and frogged it. After repeating this several times, I finally found out how to solve it – by pulling the first stitch (on the outside of the I-cord) up a little longer than usual and holding it between my thumb and index finger while knitting the second stitch, to keep it from tightening.

This is the attached I-cord knitting process step by step:

1 – The 4 I-cord stitches are on the left needle, together with the picked-up stitches on the panel. At this stage, the yarn is hanging between the picked-up stitches on the garment and the 4 I-cord stitches. Now the yarn is passed behind the stitches to the first stitch on the right.

2 – Knit 3 stitches (knitting the 1st stitch very loosely and keeping it from tightening by holding it between thumb and index finger while knitting the 2nd stitch). Slip the 4th stitch knitwise, knit the first picked-up stitch along the panel and lift the slipped stitch over this stitch.

3 – Now slip the 4 I-cord stitches back onto the right needle.

Repeat these 3 steps for hours on end, until all of the picked up stitches along the fronts and neck have been used up, meanwhile making button holes along the right front.

Finally, ‘all’ I needed to do was weave in what seemed like an endless number of ends.

I put on some music, and several cups of tea later that was done, too.

Oh, and let’s not forget the buttons! I happened to have just the right ones, bought long ago in a lovely little shop.

There, all finished!

Here is a close-up of the very special armhole.

And this is what the cardi looks like from the back.

What helped me through the challenging parts of this knit was:

  • Finding moments in my week when my brain was up for a challenge (for me especially Saturday mornings)
  • Cutting the process up into smaller steps, taking a break after finishing a step and giving myself a figurative pat on the back
  • Using a crochet hook for picking up stitches
  • Copying difficult bits onto a separate page and keeping track of where I was by means of sticky notes
  • Relaxing and uplifting music in the background
  • Having good (day)light
  • Blogging about it

All in all, I’m happy with the process and happy with the result!

Well, that was a lot of technical detail. Sorry to the non-knitters among you (it’s a miracle you even got this far). If all goes according to plan, my next post will be of more general interest. Bye for now, and hope to see you again soon!

Domino Knitting

Hello!

After all the gadding about of the past few weeks, I think it’s time for some serious knitting again. I hope you’re up for it.

I first heard of domino knitting from a Danish woman I once met on a campsite in Rondane, Norway. She was sitting in front of her tent knitting back and forth on very short wooden needles. I was intrigued and asked her what she was making.

As is often the way with knitters, she was only too happy to talk about it. She told me that she was making a scarf for her sister-in-law from a pattern in the booklet Domino Strikk, by Danish designer Vivian Høxbro.

As soon as the booklet came out in English, in 2002, I bought it.

Høxbro didn’t invent the technique. In her foreword she tells us that it had been around for at least a century before she discovered it, only it wasn’t called domino knitting then. She was the one who made it popular, though.

The booklet clearly explains how domino knitting works with small modules, ‘knitted together while the work progresses, just as one “pieces” the tiles in dominoes’, and encourages us to try the techniques out by knitting potholders first.

I made a couple of potholders to give domino knitting a try. They turned out too big and floppy to be useful. I have never used them, but kept them as a kind of curiosity. Here they are:

I left it at that, went on to knit other things, and more or less forgot about domino knitting. Until I started knitting a cardigan called Panel Debate last month.

As the name suggests, it is made up of panels. After finishing the first three panels, I suddenly thought, Why does this feel so familiar? Wait, this is potholder number five!

Well, it’s more like a super extended version of potholder #5, but it follows the same principle.

Narrow panels (1-3 below) are knit back and forth in alternating knit and purl ridges. Then stitches are picked up along the long sides for the next panel (4), knit lengthwise. The panel next to that is a narrow strip again, attached by knitting it together with the stitches of the previous panel every other row, and so on and so forth.

Calling Panel Debate an extended potholder doesn’t do it justice at all, of course. What with the knitted-on sleeves and I-cord finishing it is much more than that. The designer has also added lovely short-row fans at the bottom of fronts and back.

It’s a lot of stitches on 2.75 mm needles, and after I’d knit the swatches I wondered if this cardigan really was a good idea and if I’d ever finish it. But because of the modular technique, Panel Debate stays interesting and makes me want to keep on knitting.

There are heaps more domino-knit type of garment patterns around. Many of them use variations on the mitred squares of my potholders.

It’s a technique particularly suitable for colour-shift yarns like Noro. I really love the way this sweater makes use of the colours.

As Høxbro warns us in her foreword, ‘Domino knitting is addictive.’ Why did it take me so long to get hooked?