April Allsorts

It almost hurts the eyes, doesn’t it? That blue, blue sky with those bright white flowers of the June berry. I was taking a spin on my bicycle when I took this photograph. Something was bothering me, and I thought a bit of exercise and fresh air might help clear my mind. The air was certainly fresh, not to say icy. I was glad I was wearing my woollen gloves. But what a glorious afternoon!

There were lots of lambs in the fields:

You’d expect the air to be filled with the sound of bleating, but it wasn’t. The sheep and their lambs were quietly dozing or grazing – or following their grazing mums around – and watching each other.

We all know that ewes and their lambs can recognize each other’s voices. But we don’t know (or at least I don’t) if they have other ways of communicating. One ewe and her lamb, lying with their heads close together, made me wonder about that. Do they communicate with other sounds besides bleating? They don’t seem to have many different facial expressions. But what about eye contact? Or perhaps they communicate in ways that we humans have no idea of.

What a wonderful bicycle ride! It was no more than 45 minutes, but I’d seen so many lovely things. And although I hadn’t consciously been trying to solve the problem bothering me, just cycling along had solved it for me – I knew what I had to do when I got home.

Apart from some cold and bright days like these, April has given us all sorts of weather. We even had an afternoon of snow and hailstorms! I don’t know if you can see it on your screen, but the leaves of these dwarf lilies in our garden are filled with hailstones.

Last Sunday, the day after these wintry showers, was a little more spring-like. Not as warm yet as it is now, but really nice weather for a woodland stroll.

I was wearing my new socks. Maybe you remember them from a previous post – the ones with the wide stripes:

I tried to get the stripes matching on both socks. I’ve tried to do that before, with varying success. In theory, it should work if you find a clear place in the stripe pattern, note down where you are starting on the first sock, and start at the same place in the stripe sequence on the second sock.

The emphasis here lies on ‘in theory’, because sometimes there is a knot in the yarn (*#@!), or the stripe pattern suddenly skips a section for no clear reason (*#@!!!). This time it worked, though:

I give lots of socks away, being fortunate enough to have friends and relatives who want to wear them. But I’m keeping these.

The yarn I used is Regia 4-ply in a colourway called ‘Nissedal’. This stripe pattern was designed by Arne and Carlos, the sympathetic Norwegian guys (or is one of them Swedish?) who gained world fame with their knitted julekuler (Christmas baubles). They’ve designed lots of other knits since then and have a YouTube channel with some 60.000 subscribers. I must admit that I’ve never watched any of their videos myself, but that’s not Arne and Carlos’ fault. It’s just that I’m not much of a video watcher in general.

One of their latest ventures is a collection of cushion patterns for yarn brand Rowan, which is presented in Rowan’s latest Spring/Summer Magazine (number 65):

Some cushions have geometrical designs, others have intarsia flower patterns, and all of them have ‘Scandinavian knitting design’ printed all over, don’t you think?

Word of Warning: Don’t buy this magazine just for the cushions, because the patterns are not included. I don’t regret buying it, as it is filled with lovely spring and summer knits, including four designs for garments and accessories by Arne and Carlos. Everything is beautifully photographed, the patterns for all the other items are included, and I love leafing through it for inspiration. But the cushion patterns need to be bought and downloaded separately from the Rowan website.

I’ve almost come to the end of what I wanted to show and tell you today. There’s just one more thing. I’ve finished knitting Granite, the cardigan for our daughter. I struggled with the right way to measure the stretchy knitted fabric, and was worried that I’d get it wrong. So I didn’t sew the pieces together yet, but just pinned them.

During our visit on Sunday she tried it on and…

… it fits! Yay! Can you see the pins sticking out at the armhole? Now there’s just the ends to weave in, the seams to join and the buttons to sew on.

Well, that’s all for now. I wish you a lovely weekend. And if the weather is as spring-like in your part of the world as it is here, I hope you have plenty of time to enjoy it.

Warm and Woolly Gifts

Knitting for others can be a pleasure all around, with the emphasis on CAN. I know that it can also lead to uncertainty, frustration and stress (on the part of the knitter) and embarrassment (on the part of the recipient). For handknit gifts to be a success, it’s important to choose well.

I’ve been thinking about what ‘choosing well’ means in this context. A lot of things went through my mind, like choosing the right colour, yarn, size, or type of project. I could write several blog posts on the subject, but basically it is all very simple. I think it all comes down to 3 things:

  1. Only knit gifts for people who will really, really appreciate them (don’t waste your precious knitting time on others – buy them something)
  2. Always take the recipients’ tastes and preferences into consideration (if you’re not sure, ask!)
  3. Never knit anything that you don’t enjoy knitting

And for me, personally, there is one more thing that is very important:

  1. Take your time

I need to be careful to avoid unrealistic deadlines. When knitting becomes a race against the clock, it becomes a chore instead of a joy. So whenever I’m unable to finish something in time for, say, a birthday, I just buy something else or write a card, and tell the person that the handknit gift will be finished soon.

Keeping these principles in mind, I have had a great time knitting warm and woolly gifts over the past few months. I haven’t photographed everything, but here are some pictures of a shawl and a pair of mittens that I knit for our daughter.

The Shawl

For the shawl I used a pattern called Bradway. It is a fairly quick knit on 5 mm (US #8) needles. The triangle starts with just three stitches and is knit from the middle of the top outwards. It has wide and narrow bands in three different stitch patterns, as the photo below shows from close up:

There are bands in garter stitch, twisted 1/1 rib and ’tiles’ consisting of knit and purl stitches. I was a bit worried that the twisted rib sections would be tighter than the other stitch patterns so that the sections next to them would pucker, but that did not happen at all.

I was not happy with the increases used in the pattern (they did not look good on the reverse side) but that was easy to modify. And the bind-off technique used by the designer was too tight to my taste, so I used a stretchier lace bind-off. (More details about these modifications on Ravelry.)

Bradway is not huge, but big enough to wear wrapped around the neck as a cosy scarf with a winter coat.

The Yarn

I knit Bradway in Brooklyn Tweed Shelter, a yarn that I have been wanting to knit with for ages. It is a gorgeous rustic tweed yarn. For us, in the Netherlands, it is rather expensive, but in my humble opinion it is absolutely worth the price. The colours are fabulous and vibrant, and the tweedy flecks add another dimension. I chose Truffle Hunt (brown), Fossil (natural white) and Long Johns (red).

What struck me while I was knitting with Shelter, was that each of the three colours had a different character. The red yarn (Long Johns) was slightly thinner than the other two as well as more uneven, with thicker and thinner parts.

Looking at the natural white (Fossil) and brown yarn (Truffle Hunt) I could not see any differences, but to my hands they did feel very different. Truffle Hunt somehow felt less supple and the knitted fabric also looked denser than the other two colours. I even wondered if I should use a different needle size. The differences are probably due to the red being dyed and the white and brown being undyed as well as from different fleeces. In spinning I’ve noticed this phenomenon of different colours having different properties, too, even though the wool is from the same sheep breed.

Having said that, the differences did not bother me in the finished shawl. The yarn softened up nicely after a good soak. And blocking evened out any irregularities.

The Horse

The horse? What horse? Well, we decided to combine the photo shoot for this blog post with a visit to our daughter’s horse. She’s so sweet and photogenic. I just couldn’t resist including a picture of her here, in between all the knitting. I hope you don’t mind. Hello Silver!

The Mittens

Now, onto the mittens. I’ve knit these Welted Fingerless Gloves several times before, in different yarns. It is such a quick and satisfying knit. Not difficult at all, and just the kind of small project for indulging in a really special luxury yarn (I used Rowan Cashmere Tweed).

‘Welted’ refers to the welts in stocking stitch (US: stockinette stitch) and reverse stocking stitch around the wrist. The really special part about these mittens is the thumb. Actually, they do not have a knitted on thumb, but just a kind of large button hole, which makes them easy to knit and fit perfectly. What I also like is the nice, knitterly detail of a row of purl stitches along the thumb gusset (see photo below).

In fact, I did not knit one but two pairs of the same mittens. The other pair was for the dear daughter of one of my very best friends. I can see her wearing them walking to the bus stop on her way to uni on chilly mornings.

The big gift-giving month of December is over, but I am knitting still more gifts. I have just finished a super soft alpaca cowl and am knitting two more pairs of fingerless mittens, this time for our lovely niece. If you read this, dear niece, the first pair of mittens (the pink ones) is almost finished. Not quite in time for your birthday, but I’ll mail them to you soon!

I’m always on the lookout for new ideas for doable knitted gifts. So, if you have any tips, please let me know. Is there a favourite pattern that you knit again and again?

Buachaille Bunnet & Cowl

Mid-November our first spell of cold weather arrived. One Sunday morning we woke to a wonderfully quiet, frozen world. We often spend our Sundays (or at least part of them) walking or cycling. On this Sunday we couldn’t wait to get outside, and we set out for a walk straight after breakfast.

The thermometer indicated zero degrees Celsius. The fallen leaves were white with frost, the air was crisp and the sky was a clear, pale blue. During the night a thin film of ice had formed on the pools.

Aaahhh, bliss! I love this kind of weather. It makes me feel happy and energized. And what made me doubly happy on this morning was that I finally, finally got to wear the hat and cowl that I’d finished knitting in spring. Here’s the hat:

The hat

For the hat, I used a pattern called ‘Bunnet’ by Kate Davies, a writer and designer living along the West Highland Way in Scotland. Kate tells us that bunnet is ‘a colloquial Scots term for a hat’, and in particular ‘the headgear of an ordinary working man.’

To my mind, Kate’s bunnet is ideal for an ordinary walking woman, too, as it is the only hat I’ve ever owned that actually stays put. I think that’s largely due to the multi-coloured corrugated ribbing in the brim.

Apart from a colourful brim, the hat has a lovely star shape on the crown.

The yarn

I knit the hat in Kate’s own Buachaille, a wonderful warm, woolly yarn. Buachaille. It takes quite a bit of courage to choose a name that is so difficult to pronounce and remember for a yarn. But for me, as an ex-translator, it is an extra attraction. I love the shapes and sounds of words, and immediately delved into this one. It turns out that Buachaille is pronounced something like boo-chal-ya and means herdsman or shepherd. The yarn comes in 11 colours, with lovely names like Moonlicht Nicht (the deep blue main colour of my hat), Ptarmigan (natural white) and Between Weathers (sky blue).

The cowl

When I’d finished the hat, I decided that I would like a matching cowl. So I looked closely at Kate’s pattern and came up with this:

I also photographed the cowl flat, so that you can see the pattern more clearly.

I started and ended with the same corrugated ribbing as in my Bunnet. In the middle I used the pattern from the crown, with diamonds inserted between the ‘arrows’ and the entire pattern turned upside down for the second half.

For a little extra interest I knit one half with dark blue Moonlicht Nicht as the background colour, and the other half with raspberry red Macallum.

You can find more details about the hat and the cowl as well as some extra photos on Ravelry.

For anyone who’d like to make their own Bunnet, the  pattern is from Buachaille: At home in the Highlands, a book with twelve knitting patterns, several Scottish recipes and a route for a walk in the West Highlands.

Walking on

After taking pictures of the hat and cowl we continued our walk. First the path led us through a wood…

Then along a stand of birches, with the bright sunlight accenting the white of their trunks.

On past a majestic pine tree.

And finally across some heathland, where we stumbled on these beauties:

One of our local flocks of sheep. We had an interesting chat with one of the shepherds, but this blog post is long enough as it is, so I’ll keep that for some other time.

Note: This post is not sponsored in any way. I write about things I like just because I like them.