Tellina – A Simple Cowl Pattern

Surprise! I’ve published a pattern on Ravelry! It’s a simple pattern for a cowl, knit in stripes of five different colours, and I’ve called it Tellina.

I’ve been working on this project for quite a while. The reason I haven’t mentioned it here before is that I wasn’t sure if it was going to work out and how long everything would take. And now, suddenly, it’s all finished.

At the top you can see the cowl in neutrals and pink. And here it is in blues and greens:

Before I show you some more pictures of the cowl, let me first tell you how it came about.

It all started with the yarn…

These days, my policy is not to buy any yarn unless I have a specific project in mind to make with it. But at a crafts fair in February, I fell head over heels in love with a yarn that came in sets of five mini-skeins. (I wrote about it in a previous post). It was soft, it had a slight gleam, it was hand-dyed and fair trade, and the colours! Oh, those colours!

The blues and greens reminded me of the sea, the sky and the marram grass on sand dunes on a sunny day. (The day we took these pictures wasn’t all that sunny, so the colours below are a bit more muted than those of the yarn.)

And  the grey, fawn, cream and pink combination made me think of seashells. To me, seashells are some of nature’s small miracles, with all of their different shapes and  subtle colours. I keep some in jars on my window sill – souvenirs of many trips to the seaside, in the Netherlands and abroad.

So, I caved in and the yarn came home with me. At first, I only looked at it and petted it. Then I played with it for a bit, just for the fun of seeing the colours of the shells and the yarn together.

And then I started thinking about what to make with it. I looked around on Ravelry and in my pattern books, but couldn’t find anything that spoke to me. So I decided to design something myself. It couldn’t be a big project, or I’d have to buy more yarn to go with it. (I only had 100 grams of each colour combination.)

I soon decided that a cowl would be perfect. It would be a lovely thing to make and to wear, and I could use up as much of the mini-skeins as possible.

I made swatches in all kinds of stitch patterns. I daydreamed, sketched and coloured. I knit more swatches, to try out different needle sizes. I cut some knots (figuratively speaking) and knit a prototype. Then I finally knit the actual cowls. Here you can see them side by side (click on images to enlarge).

The cowl is knit in the round, in a combination of broken rib, stocking stitch and rows of slipped stitches. Here you can see the different pattern stitches and the subtle variegations in the yarn from close up:

The pattern owes its name to a group of shells commonly found along our shores, called Tellina in Latin. One of them is the thin tellin (Tellina tenuis), a small, delicate shell with bands of colour in various shades. My favourites are the rosy pink ones, like the top left one in the photo below:

The cowl is suitable for all levels. For experienced knitters it will be a breeze to knit. And it’s totally doable for inexperienced knitters, too. (Only if you’re really new to knitting, I’d suggest asking a slightly more experienced knitter to cast on the stitches and knit the first two rounds for you. After that you should do fine.)

For those of you who’d like to make their own Tellina, you can find the pattern here on Ravelry.

IMPORTANT NOTE: Should you decide to knit this pattern, please don’t throw away the scraps! There won’t be a lot of yarn left over, as I’ve tried to use up as much as possible, but it would be a shame to throw away even the tiniest amounts. I’ll try to think up something to do with them. I don’t know exactly what it’s going to be yet, but I have some ideas and hope to publish a few small projects here on my blog during the summer months.

As always, thank you for reading!

Frogging

I’ve been knitting for over fifty years and I knit almost every single day, so I think I can safely say that I’m an experienced knitter. I can’t say that everything always goes swimmingly, though. After all those years, I still run into obstacles, and I still often have to frog things.

For a long time, I was baffled by the verb ‘to frog’ for unravelling knitting. It wasn’t in any of my dictionaries in this sense of the word. I just didn’t get why people called it frogging. Until Adrienne Martini explained it to me, on page 50 of her hilarious book Sweater Quest: My year of knitting dangerously:

‘Frogging, which doesn’t involve amphibians, means pulling out large swaths of knitting at one go. You rip it. If you don’t get the association, say it out loud.’

Rip it, rip it. Ah, I finally got it! Well, I’m a frequent frogger. Take a seemingly simple shawl like Stay Soft.

I started out cheerfully, casting on a small number of stitches, gradually increasing along one edge of the garter stitch rows. Everything was plain and clear in the pattern. No need to frog anything this time, right? Wrong.

Because I had a finer yarn and less yardage than the amount specified in the pattern, I’d decided to use a smaller needle size to be on the safe side. But when I’d finished both the yellow and the striped section (i.e. after knitting about one third of the entire shawl)…

… I had an awful lot of the first yarn colour left over – almost two-thirds of the total amount. It would be a shame to waste all that yarn. Besides, the fabric didn’t feel quite right, and it looked as if the final shawl would end up rather small if I went on like this.

So, I frogged everything I’d knit so far and started afresh with the needle size specified in the pattern.

The second time around the fabric looked and felt better. I quickly re-knit the yellow and the striped sections. On the orange section I ran out of yarn after I’d knit 16 rows less than the pattern indicated, but I wasn’t really worried by that.

By that time the shawl already had quite a good size (but rather a strange shape):

Now it was time to pick up stitches for the third colour. I read through the instructions: ‘pick up and knit 5 stitches starting from the cast-on corner of the shawl.’ Hmmm, where exactly? And how?

This pattern has been knit by many people before, so I thought I’d take a look at other projects on Ravelry, to see how they had done it. I read that others had scratched their heads, too, at this point. Many of them somehow found the solution, and some people even made notes of what they’d done, but I was still a bit confused.

So I tried something, frogged it, tried again, frogged again, until I was happy with the result:

And then I thought: why don’t I write a blog post showing exactly what I’m doing, so that others won’t have to frog as much as did? So that’s what I’m working on now: knitting the rest of the shawl while taking photographs and making notes. If it works out, I’ll show you the results soon.

Note: The frog in the photo at the top of this post is a moor frog that hopped across our path during one of our recent walks. During the mating season the males turn blue for a few days. The frog may look quite big in the photograph, but it was only 5 centimeters (2 inches) long at most.

Balloo Wool Studio

Two days off plus a weekend with few planned activities gave me a lot of uninterrupted knitting time. I spent it knitting my Stay Soft shawl – row upon row of garter stitch. When I’d knit about a third of the shawl, I decided to rip it all back and start again (more about that soon). And while I was knitting more and more rows of garter stitch, my mind was free to roam.

I looked ahead, making plans for summer knitting projects. And I thought about spinning, too. I’ve finished plying the yarn on my bobbins, so my spinning wheel is free to take on a new project. I thought of the Drenthe Heath sheep wool I bought a while ago, waiting to be spun up, which made me think back to the day in April we visited the Shepherds of Balloo. And suddenly I remembered that I was going to write about their Wool Studio, too.

So here we are. My train of thoughts has transported us to Balloo Wool Studio:

The Wool Studio is housed in a wooden building across from the sheep fold, is open every day of the week, and is run entirely by volunteers. When the weather is nice, tea and coffee are served outside. On chilly days, visitors can warm up inside around the wood stove.

The volunteers have created a really cosy place, with books on the shelves and playthings for the children. And everywhere you look there is wool. Hanks of handspun wool hanging from a thick branch,

handspun wool on balls, and handspun wool made into blankets, sweaters, shawls, socks and much, much more.

Knowing how long it takes to spin up 100 grams of yarn, let alone an entire fleece, I was amazed by everything I saw. There was so much to see and such a lot of variety. Not just in the type of projects chosen, but also in thickness (or fineness) of the yarn used, and in the techniques.

On the sofa were two crocheted throws, made from grannie squares and thick yarn in various natural colours.

There were stacks of handknit items in a beautiful antique cupboard. Sweaters in all kinds of stitch patterns and a shawl with a knit-in sheep pattern.

Hanging in front of a window was a narrow scarf that made me look twice. What’s that? It doesn’t look like knitting or crochet. It isn’t woven either. What can it be? Oh, wait a sec, I think it may be bobbin lace.

What a great idea! Especially with the thick thread meandering through it. Here’s a detail:

What struck me was that almost everything I saw, was in the natural colours of the Drenthe Heath sheep fleeces. The only exceptions were a few brightly dyed balls of yarn on a shelf and this pair of adorable baby booties, with some green and red accents:

Other than that, everything was in one or more of the shades of white, grey, brown and black the Drenthe Heath sheep have to offer.

I think it’s wonderful what the people at Balloo Wool Studio have done with the fleeces of their flock. It’s so good to see that not all of our local wool is bought up for next to nothing to be shipped to China for low-grade uses.

Now it’s my turn to do something with it, too. As I told you in my previous blog post about The Shepherds of Balloo, I bought some unspun Drenthe Heath sheep wool during my visit – a plastic bag filled with batts of washed and carded wool:

I’m not a terribly productive spinner, so I only bought a small quantity. At a recent crafts event, I met the woman who washed and carded it. But that’s a story for another time…

Shades of Green

A while ago, I decided to mend my ways and finish things immediately after the actual knitting, instead of leaving them lying around half-finished. With my green mohair and silk scarf that was easy. I only needed to darn in two tails (at the beginning and end of the scarf, because I’d knit in the others at the colour changes), give it a soak and allow it to dry.

The pattern told me to roll up the scarf in dry towels, after soaking it, and gently squeeze out the moisture. That’s the advice that’s generally given for delicate yarns, to prevent them from breaking. But I just put my scarf in the spin dryer. (No! Really? Shock! Horror!). Yes, really! I know from experience that this yarn doesn’t come to any harm, as long as it stays in for just a short time. (I have a separate spin dryer, and haven’t tried the spin cycle of the washing machine, though.)  The yarn is thin, but it is stronger than it looks, especially when two strands are knit together.

After spin drying, I just spread it out to dry on the floor at first. But on second thoughts I decided to block it on my foam mats, with blocking wires along the insides of the border. And I must say, that was worth the effort. It dried up nice and straight along the sides, and the fabric became loftier and more even than it would otherwise have been. It ended up really, really soft and fluffy, as you can see:

The pattern I used is the Color Play Mohair Scarf by Churchmouse, a yarn and tea shop on Bainbridge Island on the west coast of the US, near Seattle. I love their simple and stylish patterns. The CPMS is very easy to knit. Basically it is nothing but a stocking stitch rectangle with a seed stitch border. I could have knit it without a pattern, but I bought the pattern anyway. Why?

Because the pattern tells me exactly how much yarn I need (for this scarf as well as for a bigger wrap version), which needles to use, how many stitches to cast on, and when to switch colours. It is nice when somebody else does the thinking for me now and then. Besides, it has gorgeous colour photos and useful tips.

The scarf is knit in four shades of green, with two strands of yarn held together. This gives such a lovely effect:

Several years ago, I knit the same scarf in a red/orange/pink colour combo, and it’s still one of my favourites. If I had a limitless yarn budget, I’d knit ten of these, all in different colours.

The only thing is, I’ll have to wait for a few months before I can wear it, because it’s much too warm now. I often seem to finish things in the wrong season. At least, the wrong season from a temperature point of view. Colourwise it is exactly the right season!

The month of May has been like an explosion of green. Part of our local wood has a green (and white) carpet of Lily of the Valley.

I knelt down to take some photographs from closer up. And to breathe in the heavenly scent of the flowers, of course.

During the past few months, the CPMS was my take-along project. It accompanied me on visits to friends and relatives. And also on an outing to Münster, Germany, where we spent a rainy morning at the Botanical Gardens. Speaking of green…

We didn’t really mind the rain. It made everything smell nice and fresh. And look how beautiful the raindrops gathered on the leaves of the Lady’s Mantle (this is a small alpine variety):

The Botanical Gardens had a big pond, with a weeping willow with bright green young leaves in the centre. It looked more like a lawn than a pond, though, with its surface covered entirely by duckweed.

A Mallard and several ducklings were swimming around in it. The beak of the little duckling in the picture is covered in duckweed, which made me wonder if they actually eat it. I looked it up and – yes, in addition to insect larvae, snails and so on, they also eat duckweed.

(Looking this up, I also found out that scientists are investigating duckweed as a possible food source for us, humans. And why not? I can see duckweed soup, duckweed smoothies and duckweed pesto in my future.)

And then suddenly, in between all that green, a spot of red! A squirrel with a bushy tail, nibbling a nut.

Well, I hope you’ve enjoyed my shades of green. Many of us in the Netherlands have a long weekend ahead of us. I’m going to immerse myself in as much green as I can and I hope you have the opportunity to do so, too. Have a great time!

May Miscellany

In May…

…all birds their eggs do lay, or so an old Dutch saying goes. But that’s not the only nice thing about the month of May. It’s also the month the vendors at our nearest Farmer’s Market put up their stalls again after their winter break. Visiting this market is a real treat.

The singer who is always there with her guitar, welcomes us with Dolly Parton’s ‘Play a song for me, Apple Jack, Apple Jack’, and other old favourites. The music creates a great atmosphere around the twenty or so stalls.

We always buy a punnet of strawberries. These are so much tastier than the ones from the supermarket. And sometimes we buy some delicious handmade goat’s cheese, too.

New to the market this year is a lady with felt objects, like hats and scarves, as well as handspun yarns. I wouldn’t immediately know what to do with her riotously colourful skeins, as I usually choose quieter yarns (maybe combine them with a matching solid colour?), but they’re a joy to look at.

I love chatting with other crafters about the things they make, about what moves and inspires them, the techniques they use, and so on. So I asked the new lady about the ‘fleece’ hanging at the back of her stall. I’ve seen fleeces like this before, felted onto a woollen background, but always made from the wool of just one sheep.

This crafter, however, combined wool from different sheep breeds to create the fleece in the photo below. She mentioned at least six breeds. (But I don’t remember a single one. Sorry, my brain was also having some time off.) It shows beautifully how greatly sheep’s wool can vary.

Apart from the colours, ranging from white through grey and russet to almost black, the structure of the wool varies too. There are some long straight locks, some fluffy, wavy bits of wool, and some very tight curls.

Birds

Now on to those birds laying their eggs in May. Our nest boxes are often used by blue and great tits (picture below), but I’m not sure who is using which nest box this year. We don’t want to disturb the birds, so we don’t open the boxes to look what’s inside. I’ll just have to spend more time in the garden watching flight movements.

In our beech hedge there’s a blackbird’s nest – or perhaps even two. And just above our bedroom window there are two house martin’s nests. These were first occupied by squatters – two families of cheeky sparrows, whose chicks have already fledged. I’ve seen the parents feeding small pieces of peanut from our feeder to their young.

After the sparrow chicks fledged, the house martins returned from the south. They set about cleaning out and repairing their nests straightaway. I can’t look inside to see whether there are any eggs in them, but I’m pretty sure both nests are back in use.

And the winner is…

I started the month of May with a blog post about a gift of yarn from a friend. In it, I asked for your help in choosing between two patterns I had in mind, called ‘Stripe Study’ and ‘Stay Soft’. I have now counted the votes, and Stay Soft came out on top. It got an overwhelming majority of the votes: 70% for Stay Soft against 30% for Stripe Study.

Now you may think, ‘Huh, but there was only one person who left a comment, voting for Stay Soft! How did you arrive at these percentages?’ Well, many people seem to be hesitant about leaving a comment on a blog. I quite understand. I often read blogs without commenting, too. That’s absolutely fine. What I got instead were phone calls, emails and face-to-face reactions.

So, Stay Soft it is going to be. I’ve already made a start.

A funny thing that struck me, was that most knitters voted for Stay Soft, while most non-knitters voted for Stripe Study. Why would that be? We talked about this in the knitting group I belong to, and one of the members said: ‘It looks like non-knitters focus more on the end product, and knitters more on the knitting process.’ Isn’t that an interesting thought?

Thank you to all of you who helped me decide.

Knitting at the Sugar Factory

Last Friday I took the 8 o’clock train to Groningen, to visit the Northern edition of the Knitting and Crochet Days. I’d planned to add a few centimeters to my take-along project, a scarf in 4 shades of green, or perhaps even finish it. But after knitting less than a row, I discovered that I’d dropped a stitch quite a few rows down. I hadn’t brought a crochet needle to fix it, and as this particular yarn (Rowan’s ‘Kid Silk Haze’) is notoriously difficult to unravel, there was nothing for it but to stuff my knitting back into its bag.

Oh well, just looking out the window at the familiar landscape rushing by was very nice too. Along the route I met up with a friend, and together we arrived at the Old Sugar Factory, where the fair was held.

Sugar production is an important industry in Groningen, a city surrounded by large fields of sugar beets. I still remember the sweet and musty smell wafting through the air from September to January from the time I studied here. What you see on the photo above is only part of the original building – the rest of the factory has been demolished.

The rough edge of a partly demolished wall frames the window of the trendy in-house café, where my friend and I sat drinking endless mugs of tea.

For me, this edition of the Knitting and Crochet Days was very much a social thing, with lots of familiar faces from the North of the Netherlands, the region where I grew up.

Queuing for our tickets, we hugged our first knitting friend. The next familiar face was the cousin I am forever grateful to for teaching me my very first knitting stitches. And then there was a knitter whose blog about her knitting, walks with her dog and life in general I’ve been following for over ten years. And after that…

No, that’s quite enough socialising. Let’s get back to what we’re here for – knitting materials and inspiration. The fair as a whole was rather underwhelming, to be frank. But, focusing on the positives, some stall holders had outdone themselves with beautiful displays of yarns and knitting projects.

Here’s an impression (click on images to enlarge):

My favourite of all was Atelier Lindelicht, with its rainbow of hand-dyed colours:

The owner, Marianne, lives in a neighbouring village. She started out as a designer of felt ornaments, but now also dyes yarns in very small batches. (Sadly for those of you living further away, she only sells her yarns at fairs and markets.) What I like about her yarns is the quality of the materials and the depth of her beautiful jewel-like colours.

My eyes are drawn especially to her blues, pinks and purples (see the picture at the top of this post, too).

This time I didn’t buy any of her lovely skeins, though, as there are several in my stash waiting to be knit up. In fact I didn’t buy any yarn at all at this fair.

What I did buy was a set of interchangeable circular knitting needles:

I already have one exactly like it at home, so why buy another one? Well, I use some of these needles almost every day, and sometimes need more than one of the same size at the same time.

The set (Twist Red Lace small) contains 7 pairs of 13 cm long needle tips ranging in size from 2.75 to 5.0 mm, as well as three cables in different lengths. There are also 2 end stoppers (the white rectangular things), 2 keys (for fastening the tips to the cables) and a cable connector, 12 stitch markers in 2 different sizes, and a needle gauge (the white ruler).

It’s quite an investment, but I know that I’ll enjoy using it for years to come.

Before we knew it, it was time to go home. One last picture of some of the inevitable graffiti on the factory building:

The bicycle parked against it, gives an idea of the size of this work of art.

To be honest, I felt slightly out of my comfort zone in this industrial setting. I didn’t name my website for the blackbird (Turdus merula in Latin) for nothing. We (the blackbird and I) are birds of woodlands, gardens and other green spaces. I tried very hard to approach this days’ urban surroundings with an open mind. And my mind could really appreciate the raw aesthetics, but my heart… not so much.

My heart said: Ah, so happy to be back in my natural habitat!


Note: This post isn’t sponsored in any way. I just write about things I like because I like them.

A Lovely Surprise

Last November, I found a parcel in our letterbox. It wasn’t my Birthday. I wasn’t expecting any parcels. Had I ordered something that I’d forgotten about? I didn’t think so.

I hurried inside to open it, and I couldn’t help laughing out loud when I saw the contents. It was the red bag in the photo at the top of this post, but even better. It was covered in colourful tape: yellow tape measure tape and cheerful flowery tape. I should have taken a photo straight away, but didn’t think of it at the time. I was too curious what was inside.

I ripped the tape off and found this:

Three beautiful skeins of soft, squishy yarn (and a postcard). A present from a dear friend I’ve known for over 40 years, to thank me for a shawl I’d knit for her. Totally unnecessary, of course, because knitting that shawl was such a pleasure, but what a lovely surprise!

My friend wrote that she’d been to Amsterdam for work, and had taken the time in between two meetings to visit one of my favourite yarn shops to buy some yarn for me. Wasn’t that a wonderfully thoughtful thing to do? She is not a knitter herself. She must have learnt to knit as a child (we all did), but I’ve never seen her knitting.

So how does a non-knitter choose from all those beautiful yarns on display? On the postcard she wrote: ‘For me the shop was a jumble of yarns and wool, but I just had to choose these three autumn colours.’ She may not be a knitter, but she is an art-lover with a good eye for colour.

She chose three skeins of Isager ‘Alpaca 2’, a 50/50 blend of alpaca and wool. It’s a yarn I’ve never knit with, but have been wanting to.

And look how carefully the postcard that she sent was chosen to match the colours of the yarn:

The combination is a thing of beauty in itself. The yarn has been lying around for a while. First in a basket, just to be admired and petted, and later wound onto balls. I don’t know if you can see the colours properly on your screen, so I’ll try to describe them.

There’s a mustardy yellow, a warm marmalade orange, and a blueish or greenish (depending on the light) dark grey. It looks like part of the fibre was from a grey or brown animal, which makes the colours muted and slightly heathered.

Really autumnal, woodland colours. It’s springtime now, but I’m not going to wait for autumn to come around again. I want to make something with this yarn now. But what?

A shawl, I think. Something modern and geometrical. It’s 150 grams altogether, so it won’t be huge, but it should make a good-sized one if I choose the right shape.

What would be a good pattern for this yarn?

Ravelry

The best place to look for an answer is Ravelry, so that’s where I went. Most of you will be familiar with it, but for those of you who aren’t: Ravelry is a online knitting and crochet community, with currently around 8 million members. It is a great place to meet knitters from all walks of life and all over the world. It is also a database with tons of patterns to choose from. This is the log-in screen:

Entering search criteria for project category and approximate yarn weight I got about 24.000 options to choose from. I refined my search criteria some more, some more again, and then some more, and finally got a manageable number of choices.

One of the patterns that came up was Earth and Sky (Ravelry link) by Stephen West, co-owner of the shop where the yarn was bought. It is a great design, and very suitable for 3 colours.

But then I scrolled on and came across Finnish designer Veera Välimäki and thought: Yes, of course! Veera is famous for her geometrical designs. Several of her shawl patterns fit the bill, and I finally whittled them down to two: ‘Stripe Study’ and ‘Stay Soft’.

Stripe Study

Stripe Study is an asymmetrical triangle knit from the top down, with the stripes closer together at one end than at the other. A great pattern, but… Stripe Study is designed for 2 colours. The challenge is: how to divide my 3 colours over the shawl to get a pleasing effect and use all of them up as much as possible?

Stay soft

Stay Soft is a shallow, slightly curvy triangle designed specifically for 3 colours. It is knit in 2 sections from one point to the other, with the top section in colours 1 and 2, and a wide border in colour 3. This is a great pattern too, but… My colours have much more contrast than the ones in the example. Would they still form a pleasing whole, or would the contrast be too strong?

I couldn’t find a better picture of Stay Soft, so I’ve taken photos of the diagrams of both shawls to show their constructions more clearly (click on images to enlarge):

Which one is it going to be? I don’t know – there’s something to be said for both. What do you think? Stripe Study, with its bold, straight lines, or Stay Soft, with its softer, curvy shape? Will you help me choose?

Finishing Granite

Finishing – weaving in ends, sewing seams – is my least favourite part of knitting. I’d rather start something new. So, while some people have skeletons in their cupboards, I have UFO’s (UnFinished Objects). Like a sweater with one sleeve, cardigans with just the buttons or pockets to sew on, a colourful scarf with a thousand ends to weave in, that sort of thing. Most UFO’s become FO’s in the end, but for some it takes a long, long time.

Now I’d like to mend my ways. I didn’t want to leave our daughter waiting for her new Granite cardigan for ages, so as soon as I finished knitting all of the pieces, I blocked them. Usually I don’t do this with garments, but only with lace shawls and other things that need opening up.

I gave the pieces a good soak, spun them lightly in the spin-dryer, and laid them out flat on my blocking mats – with blocking wires along the longest sides – and pinned them into place. I didn’t stretch them hard at all (as I would a lace shawl) but just to the size indicated in the schematics.

The pattern (Granite from Kim Hargreaves’ book Grey) said ‘Press all pieces with a warm iron over a damp cloth’. I gave it a try, but it soon became clear that that wasn’t going to work. As I wrote in another post, the combination of yarn and stitch pattern made the knitted fabric bunch up terribly. I could stretch it out in every direction, but it sprang back as soon as I let go.

I took some pictures of the knitted fabric before and after blocking, to show what the blocking did:

The fabric underwent a transformation. Dry it was elastic and springy. Wet it was limp (I have no other word to describe it). I tried to block the pieces very carefully to correspond with the sizes in the diagrams. Widthwise this was no problem, but lengthwise it was. They were much longer! The back and fronts were longer, the sleeves were longer, the armholes were wider. Yikes! Well, there was nothing I could do about it at this stage.

While the pieces were drying, I went looking for buttons. Now that is a part of the finishing process that I do like! I visited a great little haberdashery shop, with an impressive wall of buttons:

I zoomed in on the blue-green section and found several buttons that looked suitable. I spread the cardigan front out on the counter and placed some on the button band.

Now which one to choose?

The top button: too blingy
The second button: hmmm, maybe
The third button: too small
The fourth button: too dull
The fifth button: yes, I think this is perfect!

And then the two shop ladies (both several decades younger than me) had their say: It’s for your daughter, isn’t it? I wouldn’t choose the fifth button – that’s the granny option. (Ouch!) Take the second one. Much better!

Taking another look, I knew they were right. So, the second button from the top it was. Thanks for your help girls!

When they were dry, I didn’t sew the pieces together. I just pinned them, because I expected I’d have to rip them back and shorten them. But magically the cardigan fit!

The sleeves were the right length and the armholes were just right. The body was slightly longer than planned, but that was fine.

Now I could set about sewing everything together. How could I make that unpleasant task more pleasant? Well, I collected everything I needed in a basket, put on a nice bit of music, lighted a scented candle and treated myself to a special cup of tea.

I also promised myself that I didn’t have to do it all in one sitting. Half an hour here, 45 minutes there, and before I knew it, it was finished.

During a lightning visit from our daughter, we did a quick photo shoot:

I joined most of the seams with an ordinary back stitch (on the wrong side), but for the band at the back of the neck I used a mattress stitch on the right side of the fabric. That way I was better able to see what I was doing, and got a flatter seam. I’m very happy with how this worked out:

Taking beautiful photographs is a skill/art I need to practice a lot more. As you can see in this post alone, the colour of the yarn looks different all the time. In reality it is a medium dark teal (blue-green). The yarn I used is Rowan ‘Super Fine Merino 4-ply’:

As the name suggests, the yarn consists of 4 plies. Each one of these plies consists of 2 plies again, as you can see in the picture on the right. This construction makes the yarn very elastic, which caused some of the troubles I experienced.

I wouldn’t recommend this yarn to a beginning knitter, because it is very hard to get the measurements of the knit right, and also because it is easy to stick one’s needle into the yarn and miss one or more of the plies while knitting.

But all in all I’m really, really happy with it. After washing and blocking, the fabric is beautifully soft and smooth, with a subtle gleam, and a wonderful drape.

Here’s one last photo, which shows up the pretty decreases along the neckline very well.

Thank you for reading. I know I’ve gone rather more into technical detail than I’ve done so far. I hope it was interesting nevertheless. If you’re a Ravelry member and would like even more details (yarn quantities, needle sizes etc.) you can find them here on the project page.

Now on to something new!

April Allsorts

It almost hurts the eyes, doesn’t it? That blue, blue sky with those bright white flowers of the June berry. I was taking a spin on my bicycle when I took this photograph. Something was bothering me, and I thought a bit of exercise and fresh air might help clear my mind. The air was certainly fresh, not to say icy. I was glad I was wearing my woollen gloves. But what a glorious afternoon!

There were lots of lambs in the fields:

You’d expect the air to be filled with the sound of bleating, but it wasn’t. The sheep and their lambs were quietly dozing or grazing – or following their grazing mums around – and watching each other.

We all know that ewes and their lambs can recognize each other’s voices. But we don’t know (or at least I don’t) if they have other ways of communicating. One ewe and her lamb, lying with their heads close together, made me wonder about that. Do they communicate with other sounds besides bleating? They don’t seem to have many different facial expressions. But what about eye contact? Or perhaps they communicate in ways that we humans have no idea of.

What a wonderful bicycle ride! It was no more than 45 minutes, but I’d seen so many lovely things. And although I hadn’t consciously been trying to solve the problem bothering me, just cycling along had solved it for me – I knew what I had to do when I got home.

Apart from some cold and bright days like these, April has given us all sorts of weather. We even had an afternoon of snow and hailstorms! I don’t know if you can see it on your screen, but the leaves of these dwarf lilies in our garden are filled with hailstones.

Last Sunday, the day after these wintry showers, was a little more spring-like. Not as warm yet as it is now, but really nice weather for a woodland stroll.

I was wearing my new socks. Maybe you remember them from a previous post – the ones with the wide stripes:

I tried to get the stripes matching on both socks. I’ve tried to do that before, with varying success. In theory, it should work if you find a clear place in the stripe pattern, note down where you are starting on the first sock, and start at the same place in the stripe sequence on the second sock.

The emphasis here lies on ‘in theory’, because sometimes there is a knot in the yarn (*#@!), or the stripe pattern suddenly skips a section for no clear reason (*#@!!!). This time it worked, though:

I give lots of socks away, being fortunate enough to have friends and relatives who want to wear them. But I’m keeping these.

The yarn I used is Regia 4-ply in a colourway called ‘Nissedal’. This stripe pattern was designed by Arne and Carlos, the sympathetic Norwegian guys (or is one of them Swedish?) who gained world fame with their knitted julekuler (Christmas baubles). They’ve designed lots of other knits since then and have a YouTube channel with some 60.000 subscribers. I must admit that I’ve never watched any of their videos myself, but that’s not Arne and Carlos’ fault. It’s just that I’m not much of a video watcher in general.

One of their latest ventures is a collection of cushion patterns for yarn brand Rowan, which is presented in Rowan’s latest Spring/Summer Magazine (number 65):

Some cushions have geometrical designs, others have intarsia flower patterns, and all of them have ‘Scandinavian knitting design’ printed all over, don’t you think?

Word of Warning: Don’t buy this magazine just for the cushions, because the patterns are not included. I don’t regret buying it, as it is filled with lovely spring and summer knits, including four designs for garments and accessories by Arne and Carlos. Everything is beautifully photographed, the patterns for all the other items are included, and I love leafing through it for inspiration. But the cushion patterns need to be bought and downloaded separately from the Rowan website.

I’ve almost come to the end of what I wanted to show and tell you today. There’s just one more thing. I’ve finished knitting Granite, the cardigan for our daughter. I struggled with the right way to measure the stretchy knitted fabric, and was worried that I’d get it wrong. So I didn’t sew the pieces together yet, but just pinned them.

During our visit on Sunday she tried it on and…

… it fits! Yay! Can you see the pins sticking out at the armhole? Now there’s just the ends to weave in, the seams to join and the buttons to sew on.

Well, that’s all for now. I wish you a lovely weekend. And if the weather is as spring-like in your part of the world as it is here, I hope you have plenty of time to enjoy it.

Yarn Review: Manos ‘Fino’

Do you know that feeling – you see a yarn and immediately fall in love?

Nowadays I try to be sensible and only buy yarn with a specific project in mind. But it still happens to me every now and then that I see a yarn that is so beautiful I just have to take it home with me, even though I have no idea what I’m going to do with it.

‘Fino’ from Manos del Uruguay is one of those yarns. The tiny ball in the yarn bowl in an earlier post already gave you a glimpse of it.

Mini-skeins

The yarn I’m showing you in this blog post is a set of mini-skeins in a colourway called ‘Flora’:

Before I start describing the yarn, I need to tell you that these mini-skeins are exactly the same yarn as the full skeins of Manos ‘Fino’. A set of five 20 gram mini-skeins has the same yardage and the same weight as one 100 gram skein. And all of the colours in the mini-skein sets are also available as full skeins.

The yarn

Some Manos yarns are still spun by hand. Fino isn’t, but it is hand-dyed, and that shows. I realize that may sound negative, but that’s not what I mean at all. On the contrary. The hand-dyeing process yields beautiful colours, as you can see below:

From top to bottom the colours are: 433 Folly, 404 Watered Silk, 408 Crystal Goblet, 407 Velvet Pincushion and 423 Tincture.

Folly, Watered Silk, Crystal Goblet… it looks like they’ve found their colour inspiration at some 18th or 19th century mansion, doesn’t it?

None of the colours are completely solid. Some of them are semi-solids, with lighter and darker shades of the same colour, like the darkest green (Tincture). Others are more variegated, with a combination of different hues. For instance, overall the second colour from the top (Watered Silk) looks pale turquoise. But looking more closely at the yarn knit up in a swatch…

… you can see that there is pale turquoise and even paler turquoise in it, but also some purplish grey, steel blue and mauve. All in all, this gives a lively (but not too busy) effect.

Fino is a light fingering-weight blend of silk and wool with a subtle sheen. It is a single-ply yarn. This means that it consists of just one strand of yarn, unlike most yarns, which have several plies twisted together. I’ve taken a close-up, so that you can see what this looks like:

The yarn is not entirely even – it has slightly thicker and thinner bits. I think this adds to its charm on the whole. There were one or two blobs of silk in my yarn that were too thick to my taste, but I was able to remove them very carefully without damaging the thread.

I always like to know where a yarn I’m using comes from. What the story behind it is. So I did some research and discovered that Manos yarns have a very interesting story to tell.

Fair Trade

What I found out is that Manos del Uruguay (Hands of Uruguay) is a not-for-profit organization, comprising 12 individual cooperatives, owned by the women who work there. The cooperatives are all located in rural areas of the country and their products are certified by the World Fair Trade Organization.

There’s much more to tell, but the artisans can tell their own story much better than I ever could. In honour of their fiftieth anniversary they’ve made a 6-minute video that gives a great impression of their work. Don’t you just love those long, long lines with skeins of dyed yarn, drying on the air outside?

The knitting experience

So what is it like to knit with this yarn? Absolutely lovely, in my humble opinion. I’ve knit some small swatches, one in each colour:

I have a little more experience knitting with this yarn than just these small swatches, as I’m also working on another project in Fino, an easy-to-knit accessory that I hope to tell you more about later this spring. I first used the blues and greens shown here, and I’m making another version in a totally different (but equally beautiful) colourway now.

The yarn knits up to a fairly even fabric. Very fine, or more open and drapey depending on the needle size used. The yarn is so beautiful that just plain stocking stitch would be a good choice, but I think it will work equally well in a cable or lace pattern. Because it is so soft, it is perfect for accessories worn close to the skin, like shawls, cowls or hats. I don’t think it will stand up to frequent (machine) washing, so I wouldn’t recommend it for baby knits.

Some bleeding is common in hand-dyed yarns. But when I soaked the items I knit in a non-rinse wool detergent these colours didn’t bleed at all.

Yarn facts

  • Name: Fino
  • Manufacturer: Manos del Uruguay
  • Skein weight: 100 g (mini-skein sets 5×20 g)
  • Length: 450 m (490 yds)
  • Recommended needle size: 3-3.75 mm (US 3-5)
  • Recommended tension/gauge: 24-28 sts to 10 cm (4 in)
  • Composition: 70% wool; 30% silk
  • Made in: Uruguay
  • Available in: 40 shades
  • I used: Mini-skein set ‘Flora’
  • I paid: € 29.70 for a set (February 2019)

Yarn shop

In fact, I didn’t buy this yarn in a shop, but at a big annual needle crafts fair, where I spent a wonderful day with a friend who loves knitting just as much as I do. The yarn seller does have a shop – De Roopoorte, near Ghent in Belgium – but I haven’t been there, so I can’t tell you about it. What I can tell you is that Evelyne, the owner, has a good eye for beautiful yarns and interesting pattern books. And she stayed calm and friendly all day long, patiently giving people advice about yarns and patterns, no matter how big the crowds milling around her stand got.  

Silly but honest

You may (or may not) have noticed that I sometimes add notes to my blog posts saying something like ‘This post is not sponsored in any way’. I feel a bit silly adding these notes. I mean, who’d want to sponsor me?

The reason I’m adding these notes is that I want to make it clear that nobody is paying me to say nice things about their yarn, shop, designs, books etcetera. When I say nice things about something or somebody, it’s because I really mean them. This also applies to this post. Honesty and integrity are important values to me. So even though it feels rather silly, I’ll keep adding these notes from time to time.

Fun

I’ve had such fun playing with this yarn – winding the small skeins into balls, knitting those tiny swatches, taking lots of photos. I hope it’s been fun to look at and read, too. Thank you for spending some time here.