A Trip to Kampen

Well, I was a tad too optimistic last week about finishing a wee Norwegian sweater. There is no news on the knitting front, and I hope you’ll enjoy a trip to Kampen instead. It’ll be cold and wet, so wrap up warmly and bring an umbrella! We’re walking to the old town centre through the park and one of the three city gates.

It can get quite busy here with tourists in summer, but today it’s just the locals and us. We could go on a guided tour, visit a museum or the cigar factory, but we’re not doing any of that. We’re just here for some shopping and a stroll.

The medieval town hall is very impressive, and there are many other interesting monuments. But what I like even more are the narrow alleys leading off the main shopping street.

One of the nice things about Kampen is that it has many small independent shops. Some of our favourites are the cheese shop, the Italian delicatessen and De Swaen with its handmade chocolates.

I know that some of you are quilters as well as knitters, and thought you might like to visit the quilt shop. The owner writes an inspiring blog, too. I don’t know how she does it – running the shop on her own, being a mum of four, blogging and making beautiful quilts. I’ll just let you browse on your own before we walk on to the river IJssel.

Ah, there you are again. Did you enjoy that? Now, let’s get some fresh air and take a walk along the river. The boats that will be sailing with groups of passengers later in the year are all at home.

Oh, we’re lucky! The Kogge (the replica of a medieval cargo ship) is here, too. Compared to today’s freight ships it’s tiny.

I don’t know about you, but I feel chilled to the bone. Time for some tea or coffee in the restaurant with the swan over the door.

And some sweet treats to go with it. I hope you’ve enjoyed our trip to Kampen. Next week I really hope to have some knitting to talk about. See you then!

A Foggy Walk

Hello! Today, I’m taking you for a walk in De Wieden, a wetland area south-west of our home. We’ve had a lot of rain lately and also a smattering of snow, but on the day of our walk it’s foggy. The fog muffles all sound and blocks out most of the view. It’s dark, wet and grey.

How different this exact same spot looked on a sunny day in June.

De Wieden is part of the Wieden-Weerribben National Park, the largest lowland bog in north-west Europe. In spring and summer it’s so very beautiful here, with many different kinds of butterflies, damselflies and dragonflies, romantic waterlilies and cheerful orchids.

Now, the orchids have gone underground and only the leaves of the waterlilies are visible.

No damselflies are resting on reed stalks, no dragonflies are flitting across the water.

At this time of year, it’s beautiful here in a more subtle way. It’s a symphony of greens and browns.

There are some small pops of other colours – an orange fungus, a single red clover and the last of the marsh marigolds (click on images to enlarge).

But greens and browns predominate, with pale yellow-green marsh ferns among the greenest-of-green rushes.

Most of the reeds have already gone from green to sandy brown. Behind them, the blurry silhouette of a great white egret.

At the foot of the reeds, there’s a tunnel. Who made it? It’s far too wide for a mouse. Maybe the otters did. They hunt at the night and sleep in their hiding places on the reed banks during the day. Maybe there is one snoring away here right now.

In front of the reeds, there is the orangey, pinkish and blackish brown of the alder branches and their dripping wet male and female catkins.

It’s incredibly wet here today and I’m so glad I’m wearing wellies. It’s a good thing that it’s wet, though, because De Wieden has suffered from the recent hot and dry summers. Now the soil and the plants can drink their fill. Towards the end of our walk, the egret takes off.

It’s time for me to be off, too. Bye!

Oh, before I go, here is a clue to what I’ll be writing about next week if I can find the time. I wasn’t just here to take photographs, but also to be photographed… (Hint: Can you see what I’m wearing around my neck?)

Follow the Blue Line

Hello! Usually my writings are about woolly things, but today it’s all about flax and linen. My husband and I followed flax trail Follow the Blue Line last Saturday, and I thought you might like to follow it with us.

The 30-kilometre-long trail covers everything from growing flax to processing it, and spinning and weaving it into linen. Let’s follow it in the order we did, and we’ll see everything along the way. So, where are we? Well, we’re in the northernmost part of Friesland, with its open agricultural landscape.

Before we moved to where we are now, we lived in this area for 15 years and it still feels very much like home. We’re starting in the village of Blije, at textile hand-printing studio Kleine Lijn. Nynke prints all kinds of designs on cotton, silk and linen. My eye is immediately drawn to her plant prints. The top of this post shows a print of flax stalks with seedheads on linen. Here is some more of her work:

We’ve been following the trail for at least 30 minutes now, so high time for some refreshments in the adjacent tea garden, with its lovely mix of vintage furniture…

…and mismatched china.

Ready to continue the trail?

Before Nynke can print onto it, the linen she uses has a long way to go. It starts out as flax, a traditional crop in this region that is now making a come-back.

What I learnt on Saturday is that there are two kinds of flax: linen flax and oil flax. Linen flax has longer stalks to make longer fibres for spinning and weaving. And oil flax has shorter stems with more seed heads that produce more seeds for making linseed oil. There are several flax fields along the way and this is one of them:

In this field, most of the flax has finished flowering. But there are still a few of its lovely blue flowers to be seen.

Next stop: a potato farm with a high-tech farm shop. In addition to potatoes, fruit, veg and local tipples, it also has an unexpected product in its vending machine. More about that later in a separate post.

Now, let’s continue on to Mitselwier. Ah, the cool interior of the church makes a very nice change from the heat outside. There is a weaving exhibition inside, with demonstrations of weaving and flax spinning. Unlike wool, flax isn’t held on the spinner’s lap, but on a distaff. In the picture below, it is held in place with red ribbon.

The flax is pulled down from the distaff and spun into a thin linen thread.

The spinner frequently moistens her fingers with water while she is spinning. She tells me that after spinning, the thread is too sticky to be used for weaving straightaway. It needs to be bleached first – a process that involves covering the hanks of thread with hay, sprinkling that with wood ashes and then pouring boiling water over everything. Repeat that six times and the yarn is bleached. Phew, so much work!

Below from bottom to top: unspun flax fiber, spun linen thread and bleached linen thread.

Before we continue on to our final destination, it’s time for some cool, cool drinks and flax biscuits (with linseed).

A narrow lane brings us to flax museum It Braakhok in the village of Ie – on the right, where the Dutch flag is waving.

Here volunteers demonstrate how flax is processed to spinnable fibre.

I’m impressed by the number of steps and the amount of work it takes to make linen from flax.

Finally, we visit an exhibition about yet a different aspect of linen – its use for painting canvases. The exhibition tells us about a research project looking at the linen used by 17th -Century Dutch masters like Vermeer and Rembrandt.

It’s fascinating what linen can tell us about paintings and the artists who made them when it is examined and reconstructed using a 17th-Century weaving loom, X-rays and microscopes.

Flax trail Follow the Blue Line can be followed through early August. The exhibition Ontrafeld Bewijs (about the painters’ linen canvases) can be visited to September 30th. Admission to everything along the trail is free!

Next week, I hope to tell you about a yarn shop just a couple of kilometres outside the flax trail. I couldn’t very well pass that by when we were so close to it, could I? Hope to see you again then. Bye!

Mini-Springwatch

Hello!

One of the projects on my needles at the moment is a cable cardigan for our grandson. In the evenings while I’m watching BBC’s Springwatch and my mind is far away in the British countryside, my hands stay at home knitting. It doesn’t look like much yet, but my swatch tells me that it should be all right after blocking.

For anyone who doesn’t know it – Springwatch is a programme about the natural world in the UK that is broadcast for 3 weeks every spring. With a crew of about 100 and some 50 wildlife cameras, it’s a huge thing.

As I’m enjoying the programme so much, and there is not a lot to talk about on the knitting front, I thought it might be fun to do a Dutch Springwatch episode today. First let me introduce you to some of the crew members.

Just kidding! This is an unknown passer-by carrying an impressive camera on a tripod. The entire crew is just me, with my simple little point-and-shoot camera. My husband is here, too, but he only brought his binoculars.

So, a Dutch mini-Springwatch, but where are we? Well, we’re in the Lauwersmeer National Park in the far north of the country, about 200 kilometers north-east from Amsterdam. It is a former bay that was closed off from the sea by a dam in 1969 to protect the surrounding area from floods.

The former seabed we’re walking on is extremely flat. It’s quiet and peaceful here in this beautiful open landscape that is so important for birds and biodiversity. We’re following narrow tracks and wider grassy paths.

Here and there they lead us along the water’s edge.

The extensive reed beds are still covered in last year’s yellow-grey dead reed stalks. They’ll be green with fresh reeds a little later in the year. Although we can’t see them, we can hear the reed and sedge warblers warbling away.

The hawthorn, called meidoorn (Maythorn) here, is in full bloom and buzzing with insects.

Under one hawthorn tree, there is a bench – the perfect spot for lunch. We’re looking out over a small harbour, with cow parsley in front and a few black-and-white cows in the distance.

While we’re munching our sandwiches, there’s a sudden blue flash – a kingfisher. And while a hen harrier is harrying a goose with goslings, a bittern comes flying by. This truly is a birder’s paradise, but you’ll have to take my word for it. My camera and I weren’t up to capturing any of the birds on photo. At least these mooring posts stayed put long enough for me to take a picture.

On the way back, we meet a herd of Konik horses. Without their grazing, the open areas would turn into woodland in just a few years’ time.

Shhh, they have foals and mustn’t be disturbed…

Bye for now, and I hope to see you again next week. xxx

Joure Wool Festival 2023

Hello!

Last Saturday the annual wool festival Joure onder de Wol was held again. For me it is close to home, but it is so varied and inspiring that people from all over the country come flocking to it. Arriving before the actual festival started, I first paid a quick visit to the local yarn shop for some yarn for a soft toy for our grandson (more about that in another post). Draped over the back of the bench next to the entrance was a dazzling crochet blanket.

So not my taste, and yet I was fascinated by it. The techniques used are interesting and the choice of colours is also well-balanced. I wonder why crocheters often seem to have such different tastes from knitters?

Leaving the shop, my phone made that owly who-oh sound telling me that there was a message. It was the friend I was meeting up with, ‘Where are you? I’m with the sheep’. Typing ‘I’m coming!’ I hurried towards her. The sheep shearing was already in full spate.

Some sheep had already lost their coats, while others were still wearing theirs. Looking closely at the photo below, perhaps you can see the woman on the left, wearing a straw hat, pointing her finger. She is pointing out which fleeces she wants, and then the hectic catch-me-if-you-can between sheep and shepherd starts.

It’s fun to watch, although I feel a little sorry for the sheep, too. Being undressed in front of a large audience doesn’t seem like much fun to me. The next sheep waiting its turn doesn’t look unduly stressed, though.

Next, it was time to look at all the other woolly things. There was so much to see that I hardly know where to start. I’ll just pick out a few highlights. First of all there was wool – raw fleeces from many different sheep breeds…

… washed, carded and dyed rovings…

… and yarn, yarn, beautiful yarn – much of it hand-dyed, sometimes using natural dyes (click on images to enlarge).

And then there were the things people had made with wool and yarn. Again, I’m just showing a few of the highlights.

There was needle binding. Although, as with the crochet blanket, the maker had a very different taste from mine I could see the beauty and possibilities in the technique he was using.

There were felted items, both needle and wet felting. Simple yet beautiful objects, like this wild and woolly nest with eggs:

And stunning felted ‘paintings’ of the northern Frisian coastal landscape. The photographs don’t really do them justice, but I hope you can see why they blew me away (again, click to enlarge).

A beautiful woven blanket also drew my eye. Weaving isn’t really my thing, but I’d like to give making small squares using one of these hand looms a try someday.

And then there were many people who’d brought their spinning wheels. I could write an entire post about those alone, but I’ll end with just one picture – a young teenager (I promised not to show her face) spinning the most beautiful coloured thread from local wool on an e-spinner – a lovely sight to see. Young people like her make me feel hopeful about the future.

I feel immensely inspired by this day at the Joure Wool Festival and hope you’ve enjoyed it, too.

The festival website can be found here, and a list of participants here.

Wood Anemone Walk

There is a place, not far from here, where it is as if time has stood still. It is particularly lovely in spring, when the wood anemones are flowering. With two families quibbling over ownership of the estate for a long time in the Middle Ages, and a beautiful house with stepped gables that was later demolished, it has an interesting history, too.

But let’s not talk about that or anything else today. Let’s just go for a walk and enjoy the beauty of this special place and the peace that now reigns here.

Thank you for walking along with me. I hope to be back next week with a more chatty post. See you then!

Giethoorn Embroidery Samplers

Hello!

Today, I’m taking you to the nearby village of Giethoorn again. We’ve visited several times before (here, here and here). Later in the year it’ll be teeming with tourists, but not yet.

Most cafés and shops are still closed. The museum is open, though, and that’s what matters because we’re here for the Embroidery Sampler Exhibition. I did not count them, but I think there are at least 40 and maybe even 50 local samplers on display, from 19th century ones to much more recent examples, and from simple school samplers…

… to very elaborate ones, using other embroidery techniques besides cross stitch as well. Here is one of those, with beautiful open seaming.

What strikes me in the Giethoorn embroidery samplers is that many of them are very personal, especially the later ones. Not just mentioning names and birth dates, but much more. Take the one below – there’s a whole life there: marriage, children, work, wartime memories, school and hobbies.

One of the embroiderers also seems to be a knitter. Interestingly, she doesn’t use cross stitch.

What I love most about the Giethoorn embroidery samplers is their local flavour. It’s not just that the word Giethoorn is embroidered on them, but they also have pictures of the traditional boats and the typical high bridges.

In the old centre, almost every house has its own bridge.

Some of the embroiderers have also included their homes in their samplers, in several cases even with the house number. Here is number 56.

I thought it would be fun to try and find the real house. It turned out to be close to the museum. The embroiderer has taken some artistic liberty with the number of windows, but you’ll recognize it straightaway.

Apart from this temporary embroidery exhibition, the museum shows us what life was like in Giethoorn around a century ago. Here is the front of the museum on one of the samplers.

Everything is there: the steps leading up to the front door, the chimney, the dormer window with its pointy top, the shutters and even the little window over the front door.

The Giethoorn sampler exhibition can be visited through mid-May. Information about the museum can be found on the museum website. For those of you living too far away, I hope you’ve enjoyed your virtual visit. For my Dutch readers: echt een bezoekje waard!

Witches’ Butter

Hello, and welcome to an autumnal post filled with fungi (and some yarn). 

Autumn is a magical time in the forest. It’s the time of rustling leaves underfoot. The time of warm reds, oranges, yellows and browns. The time of golden light on some days, and a fog that shrinks the world and muffles all sound on others. It is also the time of mysterious mushrooms and treacherous toadstools.

On our walks we marvel at the masses of fabulous fungi popping up this year, and some of them seem to stare back at us open-mouthed.

Beware of the poisonous panther cap – some say that it can make you fly, but I wouldn’t like to give it a try:

I’m not sure I’d like to try these babies either, although they are edible:

They don’t look too bad when young, but all grown up they look vile, dripping their viscous black ink.

It’s easy to believe in fairy tales, walking through the forest in autumn. I mean, who doesn’t think of gnomes seeing something like this?

And the fungus below certainly has fairy tale-like qualities (of the creepy kind). It can move, sort of like a slug, even leaving a slime trail. In Dutch it is called heksenboter (witches’ butter).

In the picture above it is cream coloured, like real butter, but more often it is bright yellow.

The yellow colour explains its English name – scrambled egg slime. It also goes by another name. (Please skip the next line if you’re squeamish):

Dog vomit slime mold

Well, we certainly aren’t scraping that off the branches to spread on our baguettes! No, I really prefer making my own herby ‘witches’ butter’. There are two things that always go into it: garlic and parsley. For the rest I vary with the herbs I use.

Parsley doesn’t do well in our garden, so that is shop-bought. Until the first night frosts our herb patch provides us with chives. And on the left there’s a herb that I discovered and planted a couple of years ago – salad burnet (kleine pimpernel in het NL). It is an evergreen that gives fresh cucumbery-tasting leaves all year round.

Here is my very simple recipe:

Herby Witches’ Butter

Ingredients:

  • 150 grams unsalted butter
  • 1 clove of garlic, pressed or finely grated
  • Small bunch of parsley
  • Some chives and salad burnet (or other fresh herbs)
  • Coarse sea salt
  • Black pepper

Method:

  • Leave the butter to soften at room temperature for a while
  • Mix in the garlic with a fork
  • Chop up the chives. Strip the leaves of the other herbs from their stalks and chop up as well
  • Combine the herbs with the garlicky butter
  • Season with freshly ground black pepper and sea salt

Delicious with some crusty bread, salad, and a bowl of soup. Pumpkin soup would be great, or my Simple Mushroom Soup (recipe in blogpost Soup and Socks).

The butter jar was photographed on one of the dish cloths I knit a couple of years back and wrote about here. I also wrote a post about the organic yarns I used for them here. So how are these yarns holding up after two years of frequent use?

First of all, I need to tell you that I’ve ignored the yarn manufacturers’ washing instructions, washed the dish cloths at 60˚C/140˚F and put them in the dryer on rainy days. Despite the rough treatment they’ve had, none of the dish cloths show any holes. For the rest, from worst to best, here are the results:

3) Rosários4 ‘Bio Love’: Alas, alas. This was the yarn I loved best, but it is the yarn that has faded most and looks the shabbiest now. I still think it is a great yarn for things that do not need to be washed quite as often, though.

2) Lang Yarns ‘Baby Cotton’: This has kept its colour and looks good when dry, but when wet stretches a lot and feels rather thin. So, not great for dish cloths, but fine for baby or other garments.

1) Surprisingly, the winner is Anna & Clara ‘100% cotton 8/4’. This was the least expensive yarn and has performed the best by far. Actually, these dish cloths still look as good as new.

Well, that’s all for today. Bye for now, and if you go mushrooming – be careful!!!

100% Wol

Hellooo! How wonderful that you’ve come all the way to the Frisian Museum of Agriculture to visit us!

Eh, well, we eh…

Moo, yes wonderful! I love telling visitors all about ourselves and our legendairy milk production.

Wel, eh, that sounds udderly fascinating…

…but we’re a bunch of knitters and spinners, and we’re actually here today for your colleagues the sheep, and the 100% Wol exhibition.

Baa, did I hear someone say sheep? Welcome!

I’m more than happy to tell ewe about ourselves and especially our wool.

Happy? We thought it’d be all gloom and doom, what with your wool ending up in waste incinerators or being shipped off to China as a waste product.

Oh, that! Yes, that’s too baad. But in the grand scheme of things it’s just a temporary blip. Think of all those centuries that our wool was a highly valuable commodity. We have a few items from the past here that’ll give you an idea.

There’s this interesting teasel brush, used to raise the nap on woollen cloth. So much care was taken for a perfect finish.

And here are some spindle stones from the 15th to 18th centuries. It must have taken so much time to spin our wool this way. People wouldn’t have put all this time and effort into it unless they thought the end product was really worth it.

A lot of care has also gone into knitting these woollen mittens. And they were valuable enough to the wearer to repair them time and again.

There were a few decades when people thought importing synthetic items from low-wage countries was better than using our fleeces, but let’s forget about those. Let’s look at the great initiatives now being taken using local wool.

To begin with, there’s this movement called Pleed that started with making woollen blankets and is now branching out into other projects.

And look at this wall of new products, all using our lovely fleeces.

There’s also been an experiment using locally grown woad to dye wool blue. You may already have heard about it.

And many more great initiatives are being taken. Just look around and you’ll see that the future is looking bright for us and our coats.

All’s wool that ends wool, we always say. Do come again – we have lots of woolly activities scheduled.

Or for those living too far away, there’s also a virtual tour of the museum. Thank ewe so much for your visit – it’s been such fun! Baa-bye!

Textile Cycle Tours 2

Hello, and welcome to the second day at the Weerribben Textile Festival!

Looking through the many, many photographs I’ve taken, making a selection was again a struggle. There were so many beautiful and interesting things to see. In the end, I’ve chosen to focus on the items that have made the most surprising use of materials.

Before we head off, here’s a picture to give you an idea of the landscape we’re cycling through.

We’re on the edges of the Weerribben National Park. It’s my ordinary, everyday landscape of farmland surrounded by hedgerows and small plots of woodland.

The first location we’re visiting is a gallery housed here:

Inside are multiple items by Atelier Vuurwater, a collaboration between a ceramist and a textile artist. You’ve already seen the bowls they call barstjes (cracks) at the top – cracked black raku-fired ceramic with a blue felt lining. And here are two of their urns in the same unusual combination of materials.

There are also several works solely by the textile-artist-half of this duo, Miriam Verbeek. These use only one material (felt), but in a very interesting way. They resemble old black-and-white photographs, but because of the way the felt has been manipulated they give the impression of fading, just like memories fade.

One of the nice things about cycling from location to location is that it prevents what is sometimes called ‘museum fatigue’. At our next stop, there’s this intriguing combination of acorn caps, organza, lycra, glue, wood, cardboard in a work called ‘Golden Days’ by Godelieve Spee.

It is accompanied by a poetic text about autumn and the changing of the seasons.

The next exhibit, by Janny Mensen (no website), uses different materials and techniques again: photographs transferred onto wood overlaid with embroidery. Studying it closely it looks to me like a naked female form in some sort of yoga pose, but I may be wrong. I like how the embroidery stitches resemble pine needles.

Well, time for some lunch. There are no cafés or restaurants along this part of the route, and all benches are already taken by other festival cyclists. So it’s sandwiches on the grass around the next location, I’m afraid. The locations vary from community buildings to private homes, campsites and churches. This is the church at Paasloo.

In one of the pews, there is a row of small cushions by Attje Oosterhuis:

They were made using scraps of antique silk and wool fabrics, lace, linen yarns, card and (curiouser and curiouser) bird’s nests and a bird skeleton (click on images below to enlarge):

The text embroidered in red says: ‘Let us pray for the animals… for the chickens… that they get more space and no flu… for the birds… that they take a detour… for the people… that they chase less growth…’

The next work, by Ilja Walraven, was actually on the route of the first day, but I felt it had to be included here because of the very unusual use of materials and objects: Chairs…

… with wine glasses and beakers filled with bits of sheep’s wool on the seats, arranged according to hue, from dark to light.

Is it art? It looks like it and it was made by a professional artist, so yes, I suppose so. Is it textile art? Hmmmm… And what does it MEAN? Does it matter what box it fits into? Does it matter what it means?

I also wonder why haven’t I seen a single stitch of knitting during these two days. Coincidence? Doesn’t it belong in the category textiles? Doesn’t it lend itself to art? And why do I feel drawn to making useful stuff instead of art?

Some of the things at the Weerribben Textile Festival have raised question marks. Some have made me smile or feel inspired. Others have evoked feelings of nostalgia. Some have even upset me, and I think that’s all good. Because isn’t that what art is all about – uplifting and challenging us?

Well, after this philosophizing let’s end on a light-hearted note, with whimsical collection by Erna Platel, using tins, maps, bits of ribbon and lace, buttons and other haberdashery:

The Weerribben Textile Festival will be held again in 2024. Check out the website for more information.