Month: September 2021

Soothing Sachets

by

Hello! Well, everything went more or less according to plan this week, so here are the lavender sachets I promised you last week. I call them Soothing Sachets, because lavender is not just known for its moth repellent qualities, but also for its soothing scent.

The ones in the basket above are still scenting our home. But they won’t be doing so for much longer, because they are meant for gifts. Let me show them one by one.

This is the first one I made, after several discarded attempts. It is very simple, from self-striping sock yarn.

It closes with a button. Because of the way the sachet is constructed, the stripes are twice as wide compared to a sock.

It was fun rummaging through my button box for just the right button.

All of the sachets use the same basic pattern. The next one is also very simple – colour blocks with a thin asymmetrically placed contrasting stripe.

The stripe is repeated in the button band.

Together with a box of calming herb tea, it’ll make a nice gift for a friend going through a stressful time. It is made from a combination of beautiful plant-dyed mini skeins.

The one below was made from some ordinary mottled sock yarn. A few stripes and garter ridges make it perfect for tucking under a sporty person’s pillow.

In this way even the smallest yarn scraps can be used.

For the next one, I again used colour blocks – this time embellished with a few tiny buttons…

… to match the mother-of-pearl button on the back.

Just the thing for someone’s lingerie drawer, I think. I made it from some of the tiny balls of yarn left over from my first ever published pattern – Tellina.

The Tellina cowl itself would also be a great project for using up some yarn remnants or mini skeins. It can be found here on Ravelry.

The Soothing Sachets have a fabric lining, sewn from small pieces of cotton fabric. No need to buy anything specially – any thin cotton will do, as long as it’s a colour that doesn’t show through the knitting. I used bits of an old pillowcase.

Making a lining sachet may be a bit of a pain for some, I thought, so I tried leaving it out and stuffing a knitted sachet with unspun wool with some lavender in the middle.

It is an option, but I don’t like the result as much as the lined version – its shape is less crisp and its scent is too faint to my liking.

So, why not knit a few first and then spend a cosy afternoon with the sewing machine on the dining table, and all other tools and notions needed at hand, to finish them all in one go?

Finally, here is my Pièce de Résistance 😉. Again made from self-striping sock yarn, but this time with a duplicate stitch heart on the front…

… and corrugated ribbing for the buttonhole band.

Won’t that make a nice gift for a beloved child? (Caution: Sew the button on very securely, or for small children leave it off and close the entire opening.)

Some of you reading this will be receiving one of these small scented gifts in the near future. My gift to the rest of you is the pattern (in English and Dutch). It contains instructions for knitting (including the corrugated ribbing) and finishing the sachet as well as a heart chart.

Click here for the free Ravelry download.

These Soothing Sachets are simple things, but with a bit of creativity they can become great little gifts. Have fun!

PS. Remember to make a few for yourself, too – to tuck under your pillow and keep the moths away from your knitting and spinning baskets.

Lavender and Moths

by

‘Oh, no!’ I thought while I was whizzing around the living room with the vacuum cleaner sometime this spring. (Or I may have thought something a little less polite.) I had just lifted the basket with spinning fibres beside my wheel…

… and discovered  a kind of grit under it. I knew what that meant – moths!

I had stuffed the fibres into a plastic bag, put them in the freezer, removed the grit, and shaken out the basket before I thought, ‘this could be interesting for my blog.’ The only things left to photograph were 3 cocoons.

Moth problems are unavoidable in a house containing so much that is high on the moth’s Munchability Index. (Isn’t that a brilliant term? It was coined by Adrian Doyle, conservator at the Museum of London.  There is a link to the article in which I found it at the bottom of this post.) Fortunately, I haven’t had moth problems very often, but often enough to recognize the signs.

I’ve taken a few photos of moths lately. It isn’t that I’m a moth geek or anything. It is just that with my camera in hand I’m becoming more and more aware of my surroundings. And when I see creatures I don’t know, I try to find out what they are.

This is the large yellow underwing on our kitchen floor. It is called grote huismoeder (literally: large stay-at-home-mum) in Dutch. Whoever thought of that name?

And this is a box tree moth.

Isn’t it beautiful, with its almost transparent veined wings in a dark frame? We don’t have any box in our garden, and its family has already destroyed our neighbours’ box hedge, so I can admire it without getting nervous.

Several moth caterpillars crossed my path while I was out cycling this summer. This hairy little monster is the caterpillar of the majestic white ermine (NL: witte tijger).

And this big fat beauty will later transform into a small emperor moth (NL: nachtpauwoog).

It isn’t any of these that munch on spinning fibres, knitting yarn and sweaters, though. It’s the clothes moth that does that. I have, (un)fortunately, not been able to photograph it and am borrowing someone else’s picture. Here it is – every knitter’s and spinner’s nightmare:

Photo: © Olaf Leillinger, CC BY-SA 2.5, via Wikimedia Commons

Doesn’t it look glorious in this picture, all shimmering gold? In real life it is only about 7 mm (0.25”) long – an unsightly beige-ish little fluttery thing.

So, what to do about them?

Moth balls and moth paper are one option, but they smell horrible and are carcinogenic. Another is cedar wood. There was a block of that in my spinning basket. Maybe it loses its moth-repellent quality over time? Something else moths hate is lavender.

This bush along our driveway established itself there years ago. It is a pale shade of, well, lavender.

This isn’t a moth, by the way, but a butterfly called painted lady (NL: distelvlinder).

Last year we planted some more lavender in our front garden.

It is smaller and a darker shade of purple.

Moths may hate lavender, but I love it. Its scent, the purple of its flowers, and the silvery grey of its leaves. When all the lavender in our garden had finished flowering, friends coming to spend a sunny afternoon chatting in our garden brought us a big pot of a different variety.

It has beautiful tufted flowers. I have placed it just so that we can see it every time we look out the kitchen window.

I don’t know what it is that makes moths hate lavender so much, but it is a well-known fact that lavender is an excellent repellent.

Over the summer, I’ve been knitting some lavender sachets from small remnants of sock and other fingering-weight yarn. Not the old-fashioned frilly kind, but more modern? simple? plain? ones. I don’t know exactly how to describe them, but if all goes according to plan, you’ll see what I mean next week.

Meanwhile, here are a few links to some interesting reading about moths, the problems they pose for textile-lovers and what to do about them.

End of Summer 2021

by

Hello!

With only a few days to go to the autumn equinox, the end of summer is in sight. It is still around 20˚C (68˚F) during the daytime here, but in the mornings the smell of autumn is in the air and some days have a misty start.

It’s that transition time, with the heather still in bloom…

… but also loads of mushrooms and toadstools already, some with elegant skirts…

… some in bright yellows, oranges and reds.

The garden is past its best, but there are still some late roses and a few flowers on the buddleia. On our garden table the friendly faces of the pansies brought along by a friend remind me of the lovely afternoon spent knitting in the garden with a small delegation of my knitting group.

I know that for many people the end of summer is a melancholy time, with rainy days and dark nights approaching. For me, it is the other way around. I feel much more in my element in the other three seasons, with their cooler weather and more muted light. I actually enjoy rainy days, with the water drip-dripping from the berries in the hedgerows.

And I am looking forward to the long dark evenings, with lots of time for knitting. My great big striped linen stitch wrap has come out of its summer storage. The back of the fabric is almost as nice as the front and looks a bit like seed stitch.

My linen yarn, on the other hand, is now going into storage. I knit a few swatches to see if it would be suitable for a Siw top (Ravelry link) and decided that it isn’t. Knit at the gauge required for that pattern, the fabric became far too open to my liking.

Never mind. I now know how the yarn knits up and what my preferred gauge for it is. I’ll look for a more suitable pattern for it next year, and I’ll look out for a more suitable yarn for Siw as well.

In case you’re interested in the details: the yarn is ‘Antigone’ from French company De Rerum Natura, and is a 100% organic linen. This colorway is called Voie Lactee (Milky Way) and is a deep blueish grey. It feels rather like twine on the ball, but becomes more supple after washing.

I am storing it away with the gauge swatch with a label attached to it to remind me of the needles I used. That’s something for next spring. Now is the time to knit with more woolly yarns.

I’ve started a cardigan for our daughter in a deep Burgundy blend of merino wool, alpaca and cotton.

The Quintessential Cardigan is a very simple cardi in stocking stitch, but with great details, like a few short rows just above the ribbing at the hem so that it hangs better, a choice of sleeve lengths and a neat button band with slipped stitches. And that is where I slipped up.

My brain isn’t always functioning at its best in the evenings, you see. The pattern said that I should slip the stitches WYIB (with yarn in back) on wrong-side rows. And that is what I did. At least I slipped them with the yarn held toward what will be the back of the fabric when it is worn. But… that is the front of the fabric on the rows where you’re slipping the stitches. It’s very simple really. It is only confusing when written out here and to my foggy brain in the evenings.

The button band in my technique looked really nice.

But it rolled inwards and was not the stable band it should have been. There was a niggling voice at the back of my mind telling me this all along, but I ignored it. It was only when I had finished the entire front that it really dawned on me that something wasn’t right. I should have known! I have knit button bands like this before!

Oh well, there was nothing for it but to frog the front. So I made myself a cup of tea, put on some music and took a deep breath.

Unravelling four evenings of knitting took less than six songs on the CD my husband gave me for my birthday.

It is the latest album by Bertolf, a singer-songwriter from the nearby city of Zwolle. If you’re feeling melancholy at the end of summer, the cheerful song Don’t look up, Don’t look down might be just the pick-me-up you need. Listen to it once, and you’ll be humming it all day. You can see Bertolf playing it live on YouTube (notice the absence of an audience and everybody keeping a covid-safe distance.)

Apart from the cardigan with the frogged front and the linen stitch wrap, there is a pair of socks on my needles, I have a crochet project on the go, two shawls designed by myself need blocking and I’m fiddling with some remnants of fingering-weight yarn.

Then there is another cardigan I want to finish, a bag with a gradient of pink mini-skeins clamouring for attention, my big spinning project etc. etc. etc. In my love life, I am 100% monogamous. In my knitting… not so much.

To some, I may look obsessed, but I know that many of you will understand and share my tendency to surround myself with wool. There are even birds who do the same thing. Just look at what we found in one of our nest-boxes – the cosiest little nest lined with wool.

Thank you for visiting my wool-lined nest. Hope you’re all safe and cosy in your own. xxx

Woad Adventures

by

Hello!

Remember the woad seeds I sowed in June? I received them as part of a project aimed at using more local wool and dyeing it with local dye stuffs too. That seemed like an interesting idea and woad can give a beautiful blue colour, so I thought I’d give it a try on a small scale.

Now, 3 months after the start of my woad adventure, it’s high time for an update. It’s not all good news I’m afraid. At first everything went well. Most of the seeds germinated and I had a number of really healthy looking plants (photo above). I planted them out around mid-July. Half of them in a sunny spot next to our garden shed, and the other half behind a big rose bush.

Below you can see the plants several days after planting them out. Already, things were not looking good at all.

Some of the plants were still sort of okay, some had almost disappeared. Uh-oh! Rainy weather = slug weather!

Several years back, we emigrated large numbers of slugs from our garden. We (read: my husband) collected them with BBQ tongs, put them in a bucket with a layer of water and emptied the bucket on a piece of land where the slugs wouldn’t bother anyone and would be much happier (or so we told ourselves.)

We soon learnt that the bucket shouldn’t be left standing for too long or the slugs would crawl out. Ieuw!

Maybe we should have mounted another slug removal campaign this year, but we didn’t. And the result is that now, 2 months after I planted them out, one woad plant looks reasonably okay.

One has disappeared completely. And the rest looks… well, see for yourself:

I recently learnt that only fresh woad leaves from the first year’s growth can be used. Dried and older leaves do not give off any colour. I also found out that at least 250 g/½ lb of fresh leaves are needed for a 9 litre/2 gallon dye vat. Even if my plants had thrived, I wouldn’t have come close to that, but that was never the plan.

The plan was that small woad growers like me would bring their 10 or 20 grams of fresh leaves to a stall at a wool event, where together they would make a great dye vat. Unfortunately the wool event was cancelled because of Covid-restrictions. Oh well, that’s life at the moment. At least it’s been an interesting experiment. The dyers have found enough leaves for their vat elsewhere and I now know a lot more about woad.

Meanwhile I have started spinning the lovely blue-and-green merinowool-and-silk gifted to me by a friend. She gave me two batches of spinning fibre of 100 grams each.

When I took them out of their bags, I noticed that although they were the same colourway, they were very different, like two balls of yarn from different dye lots. Can you see it?

To solve the problem, I spin small portions from the two batches alternately. The result is a beautiful blend of blue, green, white and turquoise with the various colours still distinguishable.

Spinning it is like having a piece of mermaid’s tail in my hands. Not just because of the shimmery blues and greens, but also because it’s slippery. That is why I am spinning the fibre ‘from the fold’ as it is called. Some people hold a ‘fold’ of slippery fibres like these folded between their fingers, but I prefer wrapping it around my thumb.

Spinning it like this, gives me more control over the fibre.

Spun up and plied, the 200 grams would be enough for a good size shawl, but I’ve decided to spin it out to enough for a sweater by combining it with something else – 600 grams of wool in a colourway called… (drum roll)… WOAD!

This, too, consists of various shades: black, cobalt and turquoise. A sea of blues to go with the mermaid’s tail.

But unlike the mermaid’s tail fibres, the different shades can no longer be distinguished when this wool is spun. Everything blends together into a beautiful deep but not very dark blue. I’ve tried a little bit out.

This wool (a blend of Zwartbles and organically farmed Merino) is not dyed with woad, but the colour is similar to what can be achieved with woad (if the slugs leave some).

This woad adventure (the whole process of spinning, plying and knitting up this mountain of fibre) is going to take a long time, I expect. Especially because I also have many other projects on the go. I’ll show you my progress when there is something worth showing. But first more about some of my other projects over the coming weeks. Bye for now! xxx

PS More info about the local wool & woad project can be found in this blog post.

Quilts in Kampen

by

Hello, and welcome to the last of the outings on my blog this summer! Hope you have the time for a good long read. I have really tried to keep this post from getting too long, but failed miserably.

All of the other outings were close to home. This time we’re travelling a little further afield, to the city of Kampen. And this time it’s not just me, but also my husband you’re traveling with. Kampen is not very far afield (it is only about 28 miles from here), but somehow we rarely visit it and we really felt like tourists ourselves.

With less than 40.000 inhabitants city seems too big a word for Kampen, but that’s what it officially is, I think. One side of the city centre is bordered by a park and several old gate towers.

On the other side, there is the river IJssel, where several tall ships are moored today. The white ship on the left is The Flying Dutchman. When she is not in Kampen, the ship and her crew are sailing around Scotland, navigating the Caledonian canal, visiting the outer Hebrides and treating their passengers to Scottish whisky and music.

Like any other town or city at the moment, Kampen has its share of empty shops. It also has the usual chain stores that can be found everywhere else. But there are also many small and quirky shops, beautiful old buildings, museums etcetera.

This is the main shopping street with on the right an old tower called ‘the new tower’.

Below the carillon and the clock, something is dangling from the balustrade. On closer inspection that something turns out to be a cow. (Fortunately not a real-life one.)

Why? Can it be a farmers’ protest or something?

Branching out from the main shopping street there are many lovely narrow streets and alleys to discover.

My eye is always drawn to old buildings and I feel most at home in the older parts of towns and cities, but the juxtaposition of old and new can also be attractive.

The wooden buildings on the right are the workshops of the Koggewerf, where a shipwrecked kogge (a medieval wooden sailing vessel) found here was carefully reconstructed. Unfortunately, the kogge was out sailing and the buildings were closed, but just peeking in through the windows and looking at another boat and the buildings from the outside was nice too.

What really struck me in Kampen this time, is that it is very much a city of makers. Or maybe every town and city has them and they are just more visible here. Or maybe it was just that I was more open to them this day.

Anyway, as a maker myself I feel a sort of kinship with other makers. I make things with wool and other fibres, words and sometimes fabrics. But I’m also interested in people making things with wood, metal, dough, chocolate, glass, paper or in any other medium. What materials do they use exactly, how do they use them, what do they make and why? It’s the process of making things I’m interested in at least as much as the product. And here, in Kampen, we cannot only see the finished products, but also some makers at work actually making things.

This time we didn’t visit the smithy, the coffee roasting company or the cigar factory, but from a previous visit I can tell you that even for a non-cigar-smoker cigar making is interesting and the smell is overpowering!

We did see the chocolatiers at work, though.

Of course we had to sample some of their products.

I think that for my husband, as a great amateur cook and occasional chocolate maker, that was the highlight of the day. For me, it was SuperGoof Quilts.

Now that was a super lovely surprise. I didn’t know anything about this quilt shop. Turns out it is owned by a blogger who has been blogging about quilting since 2007! With a great sense of self-mockery, she calls herself SuperGoof, or Goof for short.

Of course SuperGoof Quilts is a shop, and of course it sells fabrics, as well as some other things. Just look at these fun stuffed toys with their finely knitted sweaters and hats:

But this is about more than buying and selling. What this is really all about is the love of making things.

The fabrics are lovingly chosen and express Goofs exquisite taste.

The fat quarters and eighths are neatly folded and lovingly displayed by colour. Here are the blues…

… and the reds.

I didn’t ask, but looking at the quilts on display, my guess is that red is Goofs favourite colour. Isn’t her sampler quilt stunning?

Would you believe that she doesn’t own a sewing machine? It is all done by hand! If that isn’t love.

Goof (sorry, I don’t know her real name) told me that as a mother of four teenagers, carer for her parents and maternity nurse, she used to get up before everyone else for a spot of quilting. Amazing that she found the time for it in such a busy life, but at the same time I totally understand how important it was for her. The quilt with the stork and the words ‘home is where the heart is’ reflects her life at that time.

The finished quilts are beautiful, but I also like it that there is quite a bit of work in progress on display.

And then there is this mouse quilt that was a mystery quilt-along project from autumn 2020 to spring 2021. I don’t know if you can zoom in, but there is so much to see on it.

More pictures and information about this quilt can be found here on SuperGoofs website. She doesn’t have a webshop, so you’ll just have to travel to Kampen to visit her some time!

Since I discovered her, I’ve been reading SuperGoofs blog. It has lots of lovely pictures and her writing is light and fun. She writes in Dutch, but in the top right-hand corner of her homepage, there is a Google Translate box where you can select your language. I just loved her recent post in which she explains how she reacts when non-quilters visiting her shop comment on how much time quilting must take. Here is a quote:

“And if you love something?
You don’t think about time at all.
At most something like, Goodness is it that late already?”

And that’s just what I’m thinking now. Time to close off. Thanks for your time and hope to see you again next time!